Charles Connolly

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙁𝙧𝙚𝙖𝙠𝙞𝙣𝙜 𝙊𝙪𝙩 – 𝙎𝙝𝙖𝙝𝙞𝙚𝙢

Charles has misplaced his marbles…

This is the official week of love. Worldwide. Well, it contains a certain lovey-dovey day, anyway. Blooms and box of chocs at the ready? Almost certainly. Sometimes things just work au naturel. Boy meets girl, boy falls for girl, girl falls for boy. And they live happily ever after. Noyce. It does happen, I must assure you. But sometimes it’s not all that easy. Very often it is one-sided to begin with. Boy meets girl, boy falls for girl, boy loses mind over girl, girl looks on, girl likes to tease, girl eventually rips heart away from boy because girl thought it would be funny. Romance at its finest! It works well in films, but in real life it is tragic. And usually in films it will end with boy getting girl, and girl seeing error in girl’s ways. In real life, boy is left with trauma, and girl moves on to another victim. This isn’t a boy vs girl piece. It could easily be the other way around, but I am simplifying things by not going the route of “boy/girl meets girl/boy” etc…. It could get pretty confusing and, frankly annoying.

(more…)

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙁𝙖𝙩𝙚 𝙊𝙣𝙘𝙚 𝙁𝙤𝙪𝙣𝙙 𝙈𝙚 / 𝙁𝙤𝙪𝙧 𝙁𝙖𝙡𝙡𝙨 – 𝙉𝙞𝙘𝙝𝙤𝙡𝙖𝙨 𝙆𝙖𝙧𝙡 𝙈𝙘𝙉𝙖𝙡𝙡𝙮

Charles is taking sides…

To make up for last week’s “lazy” article, I will be doubling up this week… What is a single? I mean these days. It used to be a shiny black groovy platter with a great song on one side, and a very mediocre one on the other. This disc was 7 inches in diameter. I will skip over cassette tapes. Then came the CD. The CD single usually had two or three (or occasionally seven) songs on one side (usually one being decent), and no songs on the other. The disc was 4.75 inches in diameter. I will skip over downloads. Now we have streaming. It is ubiquitous. A modern single for streaming services has no sides, and no diameter. It usually has one song. Usually not that great. There is something so sterile about releases these days, especially when it comes to single singles. No backside, no B-side, and nothing to hold. There isn’t even a barcode to ruin what would have been a perfectly good design. But speaking of design, its cover measures roughly 2 inches on an average sized phone screen. Do you think the cover of Sgt. Pepper would have been devised had it been designed for a canvas of 2 inches…?

(more…)

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙁𝙖𝙨𝙩𝙣𝙚𝙩 – 𝘿𝙤𝙢 𝙋𝙞𝙥𝙚𝙧 (𝙛𝙚𝙖𝙩. 𝘾𝙖𝙘𝙩𝙪𝙨 𝙍𝙤𝙨𝙚 𝘾𝙤𝙡𝙡𝙚𝙘𝙩𝙞𝙫𝙚)

Charles is all at sea…

Last week, I somewhat misjudged things. I didn’t do anything wrong or bad, I just simply made an error of judgement. Call it a misunderstanding. I wrote an entire mini-episode of the TV sitcom, Cheers. I thought it was a safe bet, and that perhaps 80% of my readers would know the show. It turns out it is more like 30%, including people from America, Canada and Britain. Which amazed me. I thought it was possibly the most popular TV comedy after Friends. Evidently I was wrong. What amazed me more however, was certain people completely misunderstanding. HUGELY. Three people thought I had simply copied and pasted the script of an episode. Two of those three said they remembered the episode!! And then there was one chap who thought I had actually been given the opportunity to write a new episode of Cheers, and that I had decided to show the whole script in a review of a song. Yep, that sounds totally plausible…! The nice thing about all this, is that it shows I evidently wrote it realistically. The sad thing is, some people evidently don’t read properly. Due to popular demand (I assume), I will NOT be writing a whole episode of another TV show most of you have never seen. I put the “NOT” in uppercase for the skim-readers who might have thought I meant the complete opposite.

(more…)

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙁𝙖𝙡𝙡𝙞𝙣𝙜 – 𝙋𝙤𝙡𝙚 𝙋𝙤𝙨𝙞𝙩𝙞𝙤𝙣

Charles finds significance in retrospect.

Occasionally I mention mainstream artists in my reviews. Sometimes for comparison, sometimes because they often simply can’t be avoided – here’s looking at you, Beatles. When sifting through new releases, we are unlikely to stumble across a new Beatles album, unfortunately – not counting the 2021 Let It Be mix of a few weeks back. It will be the usual huge artists of the last 10 or 20 years. Coldplay’s ‘Music of the Spheres’ (universally deemed mediocre by the press), Ed Sheeran’s ‘=‘ (said to be dated and very unexceptional indeed), and Adele’s latest single, ‘Easy On Me’ (another masterpiece from the mastress – well okay, if you say so). But – if it hadn’t been for the pummelling of pricey advertising – we maybe didn’t expect a brand new album by one of the old greats: ABBA.

(more…)

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙁𝙖𝙠𝙚 𝙎𝙢𝙞𝙡𝙚 – 𝘼𝙡𝙞𝙫𝙚𝙏𝙚𝙚𝙣

Charles lies, lies and lies again.

A couple of weeks ago I touched on the idea that people are nicer these days. A comforting thought, no? Well, yes! Anything positive these days can only be a good thing, right? People seem more caring. Everyone has the chance to open up and speak their most heartfelt thoughts, and receive nothing but beautiful heartfelt replies. So much love seems to flow around the internet. Discrimination is a thing of the past. Everyone is happy and the world is but a bubble of tranquil peace. So many decades of bitter, harsh coldness have passed. People bound in their own dark beliefs and views since birth have now seen the light and seen their wrongdoing. They have seen the error of their ways, gone to confession and had their sins washed away by a great tide of minty fresh goodness. What a relief it is to be alive at a time like this, where honesty is at the heart of it all. A time when resentment and judgement are long forgotten. And breathe.

(more…)

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙁𝙪𝙨𝙨 – 𝙋𝙖𝙩𝙧𝙞𝙠 𝘼𝙝𝙡𝙢

Charles lost his soul…

The other night I rediscovered jazz. I had one little melody stuck in my head but I couldn’t think what it was. I was sure it was something from jazz singer Stacey Kent. I scanned through her entire discography. I was wrong. In my head it was both old and relatively new sounding. It wasn’t quite the old grainy jazz of the late 40s and early 50s, but it also didn’t quite have the lustre and close sparkle of newer jazz. I was mainly a bit stuck because I knew that I knew it extremely well, and yet I know VERY little jazz… At first I thought this melody (which introduces the song – I knew THAT much) was piano, but I quickly realised it was saxophone (or trumpet – I just couldn’t quite solidify it in my mind). I had the feel of the playing, but I still couldn’t be definite about the sound. It bugged me for a good half hour. I even tried many Miles Davis tracks, hoping it was either his own trumpet playing, or perhaps John Coltrane on the saxophone. Still couldn’t find it. Something suddenly clicked. I got it instantly. It was Paul Desmond playing the sax. The sound was cemented in my mind and I knew that had to mean one thing. It was a Dave Brubeck song. I have only ever had one album by Brubeck. But it’s an album you all own in one way or an other. Literally each and every one of you has this LP in your possession. And yet, you will all have different versions by different artists. So different that it’s impossible to believe they share the same title. I personally have loads of copies by numerous artists. Any guesses for the title of said album? No…? All right, I’ll tell you. It’s called Greatest Hits. Despite this song I was searching for apparently being on his 1963 album Bossa Nova USA, I only knew it from his 1966 Greatest Hits album. And I cannot imagine how many times I have played this record. It must be hundreds. I know almost every single note of every solo. And yet… I have never really been into jazz…

(more…)

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙃𝙖𝙣𝙙𝙨 – 𝙆𝙖𝙢𝙞𝙣𝙨𝙠𝙞

Charles finally has his Europe in the Summertime…

Who knew he’d talk about his holiday?? Quite impossible. Surely not! Well, surely. Predictability, with a twist.

(more…)

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙄 𝘿𝙤𝙣’𝙩 𝘾𝙖𝙧𝙚 – 𝙃𝙤𝙢𝙚𝙡𝙚𝙨𝙨 𝙍𝙖𝙙𝙞𝙤

Charles can’t help but care…

Sometimes, being topical is unavoidable. This is one of those times. The world has not been a lucky place in the last couple of years. Back in 2019, everything seemed to be bumbling along oh-so averagely. #MeToo was still very much a thing. Trump was being Trump. Brexit was on people’s lips. Notre Dame was in people’s hearts. Theresa May stepped down, and Boris Johnson tripped up. Then a great big pandemic came along. George Floyd lost his life and rose to fame, as the world’s people proudly showed their masked faces and threw their fists to the air. Prince Philip passed away at the age of 99. So did Eddie Van Halen, admittedly not nearly so old. It has been a hard and bitter time. Era, you could call it. So unique and unprecedented were the times, that the collective feeling was that of being lost.

(more…)

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙃𝙤𝙬 𝙏𝙤 𝙎𝙖𝙮 𝙏𝙝𝙚 𝙍𝙞𝙜𝙝𝙩 𝙏𝙝𝙞𝙣𝙜𝙨 – 𝙋𝙖𝙪𝙡 𝙈𝙘𝘾𝙤𝙧𝙢𝙞𝙘𝙠

Charles reviews Paul McC…

I’ve been thinking about niceness recently. Niceness, politeness and good will. Kindness and honesty. Selflessness. I’m quite nice, but I’m no saint. I will quite naturally be good, but I won’t be a pushover. I will put up a fight if I believe in something strongly enough. But then again, sometimes I will lose that battle either because I’m not strong enough, or because I don’t have the energy, or, because my opponent is simply stronger; or stronger willed. And this is how I came to thinking about niceness. Are nice people too nice? Are they too good for their own good? Can being too nice be unhealthy or even detrimental?

(more…)

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙃𝙤𝙪𝙨𝙩𝙤𝙣 – 𝙒𝙧𝙚𝙩𝙘𝙝𝙚𝙙 𝙋𝙞𝙣𝙝𝙚𝙖𝙙 𝙋𝙪𝙥𝙥𝙚𝙩𝙨

Charles realises that practice makes perfect.

Teenagers have been known to occasionally learn the odd new word (I know, astounding!) and use it over and over again, usually in the wrong way or wrong context. Any teenagers reading this, feel free to take offence: I gather you’re rather good at that – winky smiley face. I went to school with someone who would constantly say “I don’t know… It’s a little bit dubious. I dunno man, I’m a little bit dubious.” Or “jewbyus” was actually how he used to say it. Confused me at first, then made me laugh, then inevitably drove me crazy. This went on for years. The same can be said for artists when they start to mix their own music. Not meaning that they say “jewbyus” at any given chance, but that when they find “the answer” in terms of mixing and production, they use it everywhere. Badly.

(more…)