Connolly’s Corner

  • 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 – this week: Fly 5Y.A. – The Blindfold Experience

    𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 – this week: Fly 5Y.A. – The Blindfold Experience

    Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

    𝙁𝙡𝙮 5𝙔.𝘼. – 𝙏𝙝𝙚 𝘽𝙡𝙞𝙣𝙙𝙛𝙤𝙡𝙙 𝙀𝙭𝙥𝙚𝙧𝙞𝙚𝙣𝙘𝙚

    Charles is given a nudge…

    A blank sheet of paper is a funny thing for a writer. Not ha-ha funny, but rather awkward. It stares back, reflecting as much light as it possibly can. It can be as daunting as the peak of a rollercoaster at tipping point. It can be as flat and as dead as a stale piece of toast. But it can also be the most exciting potential adventure. At this point – before the beginning – anything is possible. The possibilities are literally limitless. Providing the writer has the imagination, the experience and the impetus, they can go anywhere and do anything. There’s often one problem, however… The writer can go ANYwhere and do ANYthing! How many of you have had a chunk of time off work, the weather’s blissful, you are completely free, and yet you find yourself as plump as a heavy cushion on a sofa, watching Netflix…? You can do absolutely anything, so you opt for nothing. I saw you nodding. I saw you check to see if anyone saw you nodding. Because yes, it is a little embarrassing. The main reason is that the options are endless, and it seems like far too much effort to hone and whittle. Decisions are far too much like hard work. You’re supposed to be OFF work!! So, Netflix it IS. Shame, really. Because Netflix can wait. Free time is a rarity. Use it! But where do you start?

    This all occurred to me because of a question I am very frequently asked: “How do you keep getting ideas for the themes of your articles after all these years?”… I could simply shrug it off with an arrogant flourish: “Oh, it just COMES, my dear!”… But that not only would come across pretty poorly, but also wouldn’t be quite true. No, I don’t cheat or steal. And no, I don’t use HAL (A.I.). I use what I have. And what I have is new music from all sorts of artists. I don’t start with an idea of something to write about, then search for a song that might suit that theme – good luck with THAT method! I start with zero, and listen to LOTS of new songs. Aside from looking for something that tickles my fancy, I am subconsciously looking for a potential theme. I really don’t think I could write these articles without the jog of the songs and artists. Because yes, it could be to do with the artist rather than the song. It could be where they’re from. It could be that their main job is professional juggling. It could be that they’re blind. Or that they have lost someone dear to them. Or it could simply be that they have written a song about overcooking spaghetti. I need this. THIS is my inspiration. Without it, I would have TOO much potential scope, and therefore: Netflix.

    Sometimes we just need a nudge. A suggestion. A starting point. Sometimes, though, there just isn’t a nudge available. All is blank. So we start to daydream. We perk ourselves up by looking back at past achievements. In music, this could be songs we have released in the past. We look back at old reviews and all the comments on social media etc., and we listen to those previous releases. We smile; we feel proud. But sometimes we wonder if we could have done things differently. Not necessarily better, but simply in another way. And so, a nudge is born. Something new from something old; a celebration of sorts! I’ve been saying “we” a lot in this paragraph, but let’s zone in on one particular artist who seems to have had this exact experience. While he might have been temporarily blind, he can see clearly now the blindfold is gone. Please welcome, The Blindfold Experience, with his (their) brand new release, ‘Fly 5Y.A.’! Yes, at first it might seem like a weird title. Especially as I first saw the ‘5’ as an ‘S’…! Here’s the story. Michael Lind (the main man behind The Blindfold Experience) released his very first single back in 2020. It was called ‘Fly’. Still is, in fact. It’s a big, epic rock ballad. Wicked. It’s so full, and so fabulous. A classic in anyone’s library. But Michael saw that the song could work with a lighter, more delicate approach. Still retaining a certain rock element, but altogether, more intricate and airy. The Blindfold Experience released ‘Fly Again’ around a year later, at the end of 2021 – the “acoustic” version. This was always my favourite of the two versions because it let the music breathe a little more. It somehow had more heart and more yearning. But it had a thinner sound than the original. There was a certain richness and power in the original that had been replaced with something else in the second version. And yet, both versions remain magical. I assumed that ‘Fly’ had flown. It turns out it was simply hibernating for the LONG winter.

    The third’s the charm! That’s right, folks. ‘Fly 5Y.A.’ is the five year anniversary of the original. We’ll ignore the fact that this year marks the 6th year anniversary rather than the 5th (annoying pedantic CC). The thing is, I know how long it can take to put something like this together. I wouldn’t be surprised if this idea came to Michael a whole year ago. Involving multiple artists can really slow things down. Being a stickler for perfection can slow things down even further. But of course, we end up with something better in the end – it’s all worth the wait. ‘Fly 5Y.A’ retains the best of both initial versions (full richness, intricacy, definition), but adds a whole LOAD of wonderful stuff. Reggae, for one! No, I’m not kidding. And when I said “the third’s the charm”, it really is charming. Let’s look at who it involves: the perpetrators of this act. We’ll start with the obvious one, Michael, the Swede. He is the writer and producer, but also plays keys (that subtle offbeat piano and occasional OWgan that I hope isn’t just in my imagination). The beast on vocals (WHAT a voice!!) is none other than the mighty Paulb from the UK. Paulb seems to be how he likes to be known. At first I thought it was Paul Brock, but this could simply mean Paul B Rock – for rock music. I’m sticking with the official thing of Paulb, just to be safe. On drums, we have Nicole Trinchero from Argentina. On bass, it’s Gaston Lescano, also from Argentina. Our axe wielder is Alex Duarte, from Venezuela, but ALSO living in Argentina. It seems Argentina is the place to be! And finally, all mixing and mastering is by Andres Guazzelli, from… Right that’s it, I’m moving to Argentina.

    It’s quite incredible what can come of just a few professionals getting together like this. ‘Fly 5Y.A’ is undeniably of the same standard as the top mainstream releases. But with better writing. You see, what I have seen for a long time as lacking in the modern music mainstream, is excellent writing. The singers, players, producers and engineers are the very best we have ever had, technically. But where is the point without the song? So for those of you who might be thinking “Michael barely did anything on this record, so how can it be his name on the record…?”, you’re so wrong. Firstly, The Blindfold Experience is not Michael. Think of The Blindfold Experience as a ship, and Michael as the captain. It’s his ship, but it could not leave port without his crew. Besides, he built this shippy on rock and roll. Secondly, he is the songwriter. Writing being by far the most important part of almost any song. So let’s talk about this song. What drew me to this new high-flying version in the first place, is the vibe. I NEVER expected Michael to delve into reggae. Never in a million years. Most who don’t DO reggae, don’t quite GET reggae. It is different to pretty much every other genre. It has nothing to do with rock, jazz, classical, electronic, or a whole host of genres. Though there is something of pop and folk there, in a small way. It’s all about feel, vibe, tilt, mood, weight and light. It’s about ease. So when Michael blended this ease with the power of Paulb and those heaviest of guitar tones, it really shouldn’t have worked. It should have sounded awkward, embarrassing, mismatched and simply wrong. Instead, however, it fits together like clasped hands. The ultimate in satisfaction. I think he manages all this by having huge respect for the genre, as he should, what with being a dreadlockless Swede. Much of this song is oomphed-up traditional reggae. Roots galore!! But it is The Blindfold Experience’s injections of rock that truly make this something new and exciting. Another thing that makes this release so damned exciting, is how LIVE it sounds! This is due to a combination of everything – not just Andres’ stupendous mixing. A mixing engineer can only get the best results if they have the best recordings and performances in the first place. What’s more astounding about this “live” sound is the knowledge that each part was recorded at a different time in a different place. But probably Argentina. Because it’s the place to be.

    There is a radio edit and a full version on this release. They are actually different, it’s not just a case of bits being edited out. Pay attention especially to the drums… Enjoy this brand new thriller, out now!

    NEVER overcook spaghetti. Lionel Richie told you once, twice, three times al dente!!

    Listen to 𝙁𝙡𝙮 5𝙔.𝘼. on the 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 Spotify playlist HERE!

    Listen to 𝙁𝙡𝙮 5𝙔.𝘼. on the 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 Apple Music playlist HERE!

    Listen to 𝙁𝙡𝙮 5𝙔.𝘼. on YouTube HERE!

    Follow 𝙏𝙝𝙚 𝘽𝙡𝙞𝙣𝙙𝙛𝙤𝙡𝙙 𝙀𝙭𝙥𝙚𝙧𝙞𝙚𝙣𝙘𝙚 on Instagram HERE!

    Follow 𝙏𝙝𝙚 𝘽𝙡𝙞𝙣𝙙𝙛𝙤𝙡𝙙 𝙀𝙭𝙥𝙚𝙧𝙞𝙚𝙣𝙘𝙚 on TwiX HERE!

    Please share this post and let me know your thoughts in the comments below

  • 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 – this week: Truth Hurts – Cerulean Chameleon, Julie Hicklin

    𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 – this week: Truth Hurts – Cerulean Chameleon, Julie Hicklin

    Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

    𝙏𝙧𝙪𝙩𝙝 𝙃𝙪𝙧𝙩𝙨 – 𝘾𝙚𝙧𝙪𝙡𝙚𝙖𝙣 𝘾𝙝𝙖𝙢𝙚𝙡𝙚𝙤𝙣, 𝙅𝙪𝙡𝙞𝙚 𝙃𝙞𝙘𝙠𝙡𝙞𝙣

    Charles says it how it is…

    Have you ever told a lie? If you said no, your answer is yes. We have ALL told a lie. Even the saintliest angels have told a lie at some point or other. It simply HAS to happen. There is no getting around it. But lying is an inherently bad thing to do. Does this make us all inherently bad people? No. Well, some, yes. But on the whole, not in the slightest. It all comes down to our reasons for lying. If the lie comes from the possibility of someone finding out that you have done something bad, that is wrong. If the lie is simply for your own personal gain, that is also wrong. But there are times when the lie can have good intentions. While this might seem oxymoronic on the surface, there is an honest simplicity here. Sometimes it is kinder to lie, where more pain can come from the truth than the lie itself. If your life is going down the pan and someone asks of your howabouts, do you open up and shed your woes? They asked, after all! Imagine the asker is in a fabulous mood; would you want to bring down their mood with your own? Or how’s about if the asker is in a dreadful way… Would you really like to stack your own dreadful way on top of theirs? And so we tend to dumb down our answer. Is it a lie? Technically, yes. But does it harm anyone? Quite the opposite.

    So is the truth overrated…? I think the problem is habit. The more one lies, the more it becomes natural to do so. There is less judgement of a specific situation, and out pops another casual lie, all nonchalant as you like. And before you know it, you’re a serial liar. Like an ex of mine – ahem. Okay, so let’s just imagine you have lied your way through many a situation where you thought it kinder to lie than to tell the truth… Nothing serious. No murder cover-up or anything. But that these little white lies are building a bit… The problem is, lying with good reason can get sticky further down the line. It could be something so seemingly unimportant, like if a music artist asks you if their drums sound good. You listen, and think they sound like muffled pencils on a concrete slab. Yet you say “Yeah, they sound great to me! Rock on, dude!”… They release the track as is, and the track flops. Assuming it can’t be because of the drums, they release a new song with the same “great” drums. Again, it flops. They then seek advice from someone else a little less tactful, and they’re told “Well, for a start, your drums suck”… It dawns on them that they were lied to beforehand, even out of kindness, but that the lie didn’t help them in the slightest. In fact, it hindered them. It slowed down their progress and ruined what was potentially a great song (two great songs). The thing is, they felt good initially in being told their drums were great, and they felt lousy latterly in being told their drums suck. But they also felt annoyed (potentially angered) that they weren’t told the raw truth in the first place. So, you see: a right sticky situation. Proving that while the truth hurts, lies are conceivably more painful in the longterm.

    Sometimes it’s better to know; sometimes it’s better not to know. It simply all depends. With this week’s pick, we’re going with the truth, no matter how painful it might seem. From Sweden last week, we cross the channel and visit the North and South of this queer shaped isle. Is there any other country in the world that contains yet more countries? Such a weird thing I have never heard anyone talk about. The United Kingdom is a country – it doesn’t feel that united, but a damned sight more united than some other countries. It contains four separate countries. We’re going to visit the uppermost and the lowermost ones. Please welcome Cerulean Chameleon (the kilt), and Julie Hicklin (the skirt), with their brand new collaboration, ‘Truth Hurts’! I’d be lying if I said this song was full of bagpipes and Celtic jigs, but the truth is, it’s thoroughly electronic. Of the doomp-tick variety, but the good kind. It ain’t five minutes of monotony, but instead a well-honed three-and-a-bit minute song. A song predominantly started by the Celt, and finished by the Anglican. The thing is, Julie (or Yulie, as I have been known to call her) is a songwriter and a singer at heart. While she might have an idea of how she would like a song to sound, she knows that it is probably best to ask a pro to produce. And so, she surrounds herself with a merry band of producers she knows she can rely on. This time she opted for seasoned Haggisian, Scott Hood (aka Cerulean Chameleon). Scott often works with readymade vocals from elsewhere, but I must say, by FAR his best work is with other singers (not a fact, but I’m sure most would agree). This is where his productions come to life. This is probably because both artists can work together, rather than simply having a file to work with. A bond is born from a new musical relationship.

    Despite ‘Truth Hurts’ being a VERY “produced” song, the emphasis is very much on the vocals. It is vocal driven. Scott knows when to sit back and let Julie shine. Synths and vocal effects are at the fore for the intro – there’s no beat and no proper vocals yet. It’s enough to say “something big is coming, and there ain’t nuttin’ you can do about it”. There is a certain grand luxury sweeping through the atmosphere in anticipation for more. The driving beat begins with sparse accompaniment, leaving a great deal of space for the bold statement that is Julie. She appears, wearing a floor-length leather coat and a hell of an experienced attitude. It’s hardened wisdom in that first line, “Truth hurts, but lies hurt more. Been too many times, too many times I’m raw”… And it’s this rawness I really do hear. It’s not a withered raw, but a whatever-doesn’t-kill-you kind of raw. There is understated passion and drive in her vocals. But those vocals: phew!! Her tone, her seductive quality, her warning, she REALLY knows how to sing. How to just GET you. There is thrust and punch, but it’s always short of aggression. It’s more like heavy persuasion. A coaxing of kinds. Meanwhile, Scott is riding the waves, knowing when to come up, and when to come down. When to add excitement, and when to rest. The trick is never to rest, but to instead be vigilant, hand on gun, ready if needed. Verse two brings a stereo bounce, pushing and pulling with Julie’s lead. It’s entrancing!

    We take a brief breather at around 2 minutes in, as the kick pulls in for a pitstop. Scott serenades us with galactic synths, in order for us all to catch some well deserved breath. He smiles, rubs his hands together, and sets to clapping the night away. The kick’s pitstop is taking longer than usual, and his palms take its place for a short while as Julie comes back for some sultry understatement. And yet, you can’t look away. The build is lightening the load off your legs. You’re up, you’re moving. You’re ready. Julie brings you close, but not close enough. It’s a build into a build – Scott steals the reins again as Julie falls back into her chair, heels stretched out. She picks up the mic with just a finger and a thumb, and rejoins the surrounding electronica. We’re all ready for that final inevitable bout of effervescent satisfaction. Close to popping! And finally, that kick is as good as new, pounding to the pulse like a leader. We’re there. Julie is standing and stomping, gripping the mic with white knuckles, giving it her all. Scott is pumping his fist to the air like a DJ at a festival! WHAT a delectable plate of mince and tatties THAT was!!

    While you’re debating whether or not to release the naked truth, I’m busy dancing like a right oxymoron.

    Listen to 𝙏𝙧𝙪𝙩𝙝 𝙃𝙪𝙧𝙩𝙨 on the 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 Spotify playlist HERE!

    Listen to 𝙏𝙧𝙪𝙩𝙝 𝙃𝙪𝙧𝙩𝙨 on the 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 Apple Music playlist HERE!

    Listen to 𝙏𝙧𝙪𝙩𝙝 𝙃𝙪𝙧𝙩𝙨 on YouTube HERE!

    Follow 𝘾𝙚𝙧𝙪𝙡𝙚𝙖𝙣 𝘾𝙝𝙖𝙢𝙚𝙡𝙚𝙤𝙣 on Instagram HERE!

    Follow 𝙅𝙪𝙡𝙞𝙚 𝙃𝙞𝙘𝙠𝙡𝙞𝙣 on Instagram HERE!

    Follow 𝘾𝙚𝙧𝙪𝙡𝙚𝙖𝙣 𝘾𝙝𝙖𝙢𝙚𝙡𝙚𝙤𝙣 on TwiX HERE!

    Follow 𝙅𝙪𝙡𝙞𝙚 𝙃𝙞𝙘𝙠𝙡𝙞𝙣 on TwiX HERE!

    Hire Charles to produce/mix/master your song HERE!

    Please share this post and let me know your thoughts in the comments below

  • 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 – this week: Until The Tears Have Dried – Patrik Ahlm

    𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 – this week: Until The Tears Have Dried – Patrik Ahlm

    Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

    𝙐𝙣𝙩𝙞𝙡 𝙏𝙝𝙚 𝙏𝙚𝙖𝙧𝙨 𝙃𝙖𝙫𝙚 𝘿𝙧𝙞𝙚𝙙 – 𝙋𝙖𝙩𝙧𝙞𝙠 𝘼𝙝𝙡𝙢

    Charles listens to his friends…

    Lowness is a common feeling these days, it seems. Okay, it doesn’t “seem”, it IS. But how is this any different from the past? We’ve always had low times. We’re human, after all. Up, down, up, down, up… down. Like a yo-yo that eventually loses its impetus to rise. The difference between the lows of then and the lows of now is that the lows used to be slotted in between the highs, whereas now I don’t see too many people talking about the highs… But the main thing I’ve noticed is how this general lowness seems to cover the full age spectrum from young to “how are you still going??”. I don’t know of this ever happening before. And it ain’t good. So, what are we to do? You could try to distract yourself with brief nonsense… You could maybe analyse what’s wrong and attempt to put it right… You could see a therapist… These are all fair ways of sorting the matter. But sometimes it’s just a case of riding it out. Where there isn’t a great deal one can really do, but wait for things to get better. I suppose I’m more talking about sadness rather than lowness. While you wait for time to pass, you might as well use this overflowing emotion and get something out of it…

    I have spoken several times about music being a healer. It is so much more than a distraction. It can weave itself into our genes and become a part of us. We all feel, but none so much as an artist. Artists tend to feel everything in overdrive. Something good is something great. Something bad is something horrific. Something happy is something exciting. Something sad is something mortifying. Passion and emotion are turned up to eleven. A “normal” person (not an artist) can put on some music in a vague attempt to distract or soothe. It ends up as background sound or something to hum to. An artist can place the needle within the groove and find something rather different. It is far from background sound. The artist is not hearing it, but listening to it. The music is absorbed into the bloodstream, and the artist’s soul has a partner with which to dance, feel and cry. There is such beauty in sadness, but it must be properly honed in order to be beautiful. Otherwise it’s just depressing. Basically, music stops things from simply being a bit shit.

    But although I have mentioned this thing about music being a healer many times before, this time it’s a bit different. Because I’m not talking about music in general; I’m talking about specific songs. Now you’re waiting for me to tell you which magic songs those are. It’s not quite like that, however, because these special songs are different for everyone. If you’ve lived a little life of music, then you’ll know that there are just a few very important songs for you. This isn’t necessarily your favourite songs. For example, the song that joins ME in the hardest moments, I have not heard in years. It’s not even a brilliant song. But it helps me. It moves me. It moves WITH me. It has been a close friend of decades, but a friend I don’t “see” often. And that song IS…… Nah, you’re not interested in knowing that, so let’s move on. But you see, songs are genuinely like friends to me. You know how your closest friends can not only make you feel better, but can mourn and weep with you? Well, that’s what these few SPECIAL songs are for me: my friends. Sad, innit. Think about it, though. That song is not ever going to be too busy to help, you can summon it in seconds, and it will never let you down. It’s the perfect friend! “I’ll be there for you, cos you’re there for me too” – Friends. And I am, always there for it, but it never seems to need anything from me, except my ears.

    It seems as though Patrik Ahlm – who may or may not have appeared here once or twice before – has similar feelings about certain songs by certain artists. Patrik Ahlm, the sweetest Swede, has put this idea to music in his latest release, ‘Until The Tears Have Dried’. It’s such an excellent, clever observation, that until the tears have dried, we have “the one song we can fall back on”. Oh sorry, this is the bit where I’m supposed to tell you all about the artist… Well, you all know him well, or rather, his music. For he’s a jolly good fellow, “and so say all of us”/“which nobody can deny” (depending on whether you’re familiar with the British or the American version). But he is, a jolly good fellow. Very lovely, very caring and very kind. But more importantly to us, he’s the fabbest music man. I say “music man” loosely because he does it all; the writing, the arranging, the producing, the playing, the programming, the singing, the mixing and the mastering. To me, that’s a music man. But I’m not impressed by the list, I’m impressed by the quality. I must admit I didn’t adore his last single (rare for me); but the good news is, I was evidently in the minority. ‘Sandstorm’ was possibly his biggest hit of the last year, certainly in terms of the New Artist Spotlight Top 20 chart. So what does it matter what EYE think…? This new song of his, though, I feel like he is right back on track with what he does best. Smooth, slick pop with a heck of a lot of heart.

    Back to the song. Verse one mentions Bowie. Verse two mentions Janis Joplin. Chorus one blows us away. Verse three mentions R.E.M.. Chorus two hits even harder. The bridge reinforces the song’s passionate point. Chorus three has you singing along, sure of the fact that your voice is as good as that of John Legend. Fade to completion. Yes, an actual fade. Come on, it’s 2026: isn’t it about time we brought back the fade-out?! I’m rather bored of those sudden stops at the end of most songs in the last couple of decades. That abrupt halt so often emphasising the cheapness of a production; as if the loop has naturally stopped at the end of the bar, and therefore there is no more. Fading out is so much more musical, anthemic, sophisticated, and gives the whole piece a grand, lasting quality. Lord, I can’t remember the last time EYE used a fade-out. Must do it. Anyway: Bowie, Joplin, R.E.M…. These mentions are brief, yet key moments in the song. They are simply examples of what COULD BE the artists behind those songs that mean so much to you. They wouldn’t be MY choices, but they might well be YOURS. And I’m sure they veer more towards Patrik’s choices. Again, these have little to do with “favourite” songs, but instead the ones that hold you in times of trouble.

    I have had this ultimate honour a few times, where people have told me that when they’re in a certain mood, nothing but a certain song of mine fits better. And what’s even more surprising is that it’s not always the same song. The first time someone told me this, I was absolutely bowled over. I simply couldn’t believe that a song I had written (‘If You Would’, unreleased) could have this effect on anyone. And I have a strong feeling that ‘Until The Tears Have Dried’ could become that very special song for several. Not just because of the words, but also everything else it has to offer. The luring synths pulsing through one’s veins? The close, personal nature of Patrik’s dry voice? The sporadic heart-jolting percussion that catches you off guard? The heart-melting melodies that make your tears hot? The exquisitely placed polite piano that drifts above like clouds of safety? Or maybe it’s simply the anticipation of that chorus with its loud, rich, airy harmonies that have you on your knees as you pound the carpet with your fists, and your tears and drool get together to form a soggy puddle – the carpet darkens but you continue to sing along…? Whatever it is, this is more than a song. It is an important part of someone’s life. Patrik Ahlm is more than a man. He is an artist.

    If you’re willing to share, I’d love to hear which song is YOUR friend. Mine is… Nah, you’re not interested.

    If you’re planning to cry into the carpet, make sure to initially remove all traces of eyeliner and mascara, or that song will be an ex-friend.

    Listen to 𝙐𝙣𝙩𝙞𝙡 𝙏𝙝𝙚 𝙏𝙚𝙖𝙧𝙨 𝙃𝙖𝙫𝙚 𝘿𝙧𝙞𝙚𝙙 on the 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 Spotify playlist HERE!

    Listen to 𝙐𝙣𝙩𝙞𝙡 𝙏𝙝𝙚 𝙏𝙚𝙖𝙧𝙨 𝙃𝙖𝙫𝙚 𝘿𝙧𝙞𝙚𝙙 on the 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 Apple Music playlist HERE!

    Listen to 𝙐𝙣𝙩𝙞𝙡 𝙏𝙝𝙚 𝙏𝙚𝙖𝙧𝙨 𝙃𝙖𝙫𝙚 𝘿𝙧𝙞𝙚𝙙 on YouTube HERE!

    Follow 𝙋𝙖𝙩𝙧𝙞𝙠 𝘼𝙝𝙡𝙢 on Instagram HERE!

    Follow 𝙋𝙖𝙩𝙧𝙞𝙠 𝘼𝙝𝙡𝙢 on TwiX HERE!

    Please share this post and let me know your thoughts in the comments below

    #review #song #songreview #PatrikAhlm #UntilTheTearsHaveDried #Sweden #pop #pro #synth #acoustic #singing #piano #smooth #slick #specialsongs #friends #CharlesConnolly #ConnollysCorner #CC #NAS #NewArtistSpotlight #StopPayola

  • 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 – this week: I Was Ozzy (Ozzy’s Response) – Valeryan

    𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 – this week: I Was Ozzy (Ozzy’s Response) – Valeryan

    Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

    𝙄 𝙒𝙖𝙨 𝙊𝙯𝙯𝙮 (𝙊𝙯𝙯𝙮’𝙨 𝙍𝙚𝙨𝙥𝙤𝙣𝙨𝙚) – 𝙑𝙖𝙡𝙚𝙧𝙮𝙖𝙣

    Charles plays with a ball of string…

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  • 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 – this week: by my name – Emily Jones

    𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 – this week: by my name – Emily Jones

    Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.


    𝙗𝙮 𝙢𝙮 𝙣𝙖𝙢𝙚 – 𝙀𝙢𝙞𝙡𝙮 𝙅𝙤𝙣𝙚𝙨


    Charles looks forward…


    Due to unforeseen circumstances, I have heavily edited this article before publication.


    (more…)
  • 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 – this week: Grandad’s Song (feat. Scott Shaw) – Emily Gray

    𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 – this week: Grandad’s Song (feat. Scott Shaw) – Emily Gray

    Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.


    𝙂𝙧𝙖𝙣𝙙𝙖𝙙’𝙨 𝙎𝙤𝙣𝙜 (𝙛𝙚𝙖𝙩. 𝙎𝙘𝙤𝙩𝙩 𝙎𝙝𝙖𝙬) – 𝙀𝙢𝙞𝙡𝙮 𝙂𝙧𝙖𝙮


    Charles keeps it in the family…


    In a world of constant change, this time of year is one of standing still. I mean, we are probably frantically moving around like lunatics more so than any other time of year, but the time itself is pretty much unchanging. It is a time of tradition, and a time of family. A time of doing what we do, and in a way that we know how to do it. “It’s what we’ve always done”, springs to mind. Which is a far cry from every other side of life these days. Everything seems unknown now. The future looks more unknown than ever before. And so, December brings a vital grounding; a bond with our past. It truly is a festive month. Easter is a nice meal and a brief few hours of relaxation and chocolate stuffing, but Christmas is far more than just one day. December is a dark month full of light. Or full of LIGHTS, I should say. They twinkle in that fond way. The way they always used to twinkle. Even those blinding cold white LED lights of a few years ago have been replaced with a warmer hue; something that evokes the festive times we remember. Basically, as the modern world keeps getting more modern, there is kickback. We don’t all want it. And as those “good old days” seep from Technicolor into sepia, we crave it more. We want that feeling of “It’s what we’ve always done”.


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  • 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 – this week: Hospital Anxiety & Depression Scale – Kaminski

    𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 – this week: Hospital Anxiety & Depression Scale – Kaminski

    Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.


    𝙃𝙤𝙨𝙥𝙞𝙩𝙖𝙡 𝘼𝙣𝙭𝙞𝙚𝙩𝙮 & 𝘿𝙚𝙥𝙧𝙚𝙨𝙨𝙞𝙤𝙣 𝙎𝙘𝙖𝙡𝙚 – 𝙆𝙖𝙢𝙞𝙣𝙨𝙠𝙞


    Charles is off the scale…


    What is the ultimate test? A driving test? An IQ test? Joining Mensa? The Sunday Times Cryptic Crossword? That riddle you were once told by a schoolteacher whose only goal was to baffle and impress with wisdom from The Little Book of Brain? That very riddle that still haunts you throughout the months, years and decades to follow…? Well, all these could be considered the ultimate test, depending on how high/far you’re willing to go. If you think about it, we’re tested all the time. With every choice you take, with every move you make (I’ll be watching you), you are always being tested. Despite not being remotely religious, I believe the ultimate test to be life itself. There is no manual, we are all different, and there is no right or wrong way of doing it. BUT…!! There is always a feeling of what is better or what is worse (if you aren’t a complete psychopath). There is a general way of doing life, to which most of us adhere. It is tried and tested. But with every situation, each individual will act or react differently. Some love a gamble, while others fear even the idea of gambling. Some will stride into debt with the knowledge that they now have everything they want, while others will steer clear of that dreaded word, “debt”, making do with what they have. Some will think that half a second is long enough for a biscuit dunk in their beloved cup of tea, while others might not care if it’s half a second or an entire minute; they will never dunk a biscuit and will only drink coffee. These are the things we must consider in life, and judge for ourselves.


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  • 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 – this week: Scars To Armour – Bryan Cooper

    𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 – this week: Scars To Armour – Bryan Cooper

    Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.


    𝙎𝙘𝙖𝙧𝙨 𝙏𝙤 𝘼𝙧𝙢𝙤𝙪𝙧 – 𝘽𝙧𝙮𝙖𝙣 𝘾𝙤𝙤𝙥𝙚𝙧


    Charles heals from hurt…


    ‘Autotelic’ is not a word that comes up much in the average casual conversation. Or at least mine. Yours might very well be regularly punctuated with such a word. But with my personal simplistic conversing, the word is rarely to enter. In fact, I might say it has NEVER even popped by with so much as a “remember me?”… But I think it’s about time we started talking about it. Firstly, its meaning. ‘Autotelic’ is usually referred to from an artistic standpoint. It means to make something for one’s own satisfaction. We have Greece to thank for the word; autos meaning self, and telos meaning goal. But while one could argue that ANYthing we do is autotelic, this is not quite right. If one is doing something for money, then the money is the reason. The DOING should be the reason if it is to be autotelic. Sometimes it might be both, of course; but unfortunately this is rarely the case. This is because most don’t have the privilege of having their dream job. A dream job is when someone spends their working life doing exactly what they love doing, with the bonus of being paid for it. I say “bonus”, but of course money is an absolute necessity in order to survive, and therefore not to be frowned upon.


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  • 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 – this week: Runaway – Shahiem

    𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 – this week: Runaway – Shahiem

    Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.


    𝙍𝙪𝙣𝙖𝙬𝙖𝙮 – 𝙎𝙝𝙖𝙝𝙞𝙚𝙢


    Charles loves to love love…


    Let’s face it, I can’t hide the fact that I’ve been a tad down in the dumps lately. And because of this, it might have brought down the mood these articles over the past few weeks. I can’t help that, and I don’t think that’s necessarily a bad thing. In fact, it shows how honest and genuine these things are. But… You (the reader) might be more in the mood for something to bring you out of a similar slump, rather than have something to agree with and nod to. And so, here it is. Love. Love is the solver of all. Love is the only drug worth bothering with. Love changes everything. Love is what changes your mind. Love is what keeps you going. Love is… Ach, I just thought… This is really going to bring down the mood for those of you who haven’t found “the one”… But not to worry. Firstly, it’ll give you something to look forward to. Secondly, there is more to love than your significant other. Or as some of you might say: INsignificant other. There is the love of a parent or two. There is the love of one’s child. There is the love of a grandparent. A sister, perhaps? There is the love of a pet. There is the love of your work and your passions. There is the love of life itself… I feel very sorry for those of you who might have none of those. Those who just bled tears on your lap, please don’t; the label says dry-clean only. Besides, I can’t make everybody happy with my writing…


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  • 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 – this week: Polaroid Revolt – Amaury Laurent Bernier

    𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿 – this week: Polaroid Revolt – Amaury Laurent Bernier

    Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.


    𝙋𝙤𝙡𝙖𝙧𝙤𝙞𝙙 𝙍𝙚𝙫𝙤𝙡𝙩 – 𝘼𝙢𝙖𝙪𝙧𝙮 𝙇𝙖𝙪𝙧𝙚𝙣𝙩 𝘽𝙚𝙧𝙣𝙞𝙚𝙧


    Charles snaps the best…


    Those of you who never read my articles (which is fine) but for some reason pretend you do (which is not fine), make this one the one you actually read. But then again, those who don’t read them won’t read this, so that was pointless even to write. Moving on! Okay. So this review probably doesn’t come as much of a surprise to many of you. But I have a LOT to say. Before we get into the month of Christmas, it seems like a good time to look at the year that has little more than a twelfth left. Dwelling on gloom isn’t the best idea. Worldly speaking, it has certainly been an eventful year, what with one thing and another. There has of course been the usual tranche of celebrity deaths and ones closer to home too – but we said we wouldn’t be dwelling on the negative side of things. Let us look at the best of what has happened this year. Umm… Er… Okay, let’s change that thought. Let’s turn our attention to music. Yeah, that might be more uplifting. How’s about we look at the best albums of the year…? Yes!! What a glorious feast of fun that will be! Ah, I’m already drooling over the prospect of such a musing.


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