Connolly’s Corner

  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Not Juliet – Heather Lee

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Not Juliet – Heather Lee

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™‰๐™ค๐™ฉ ๐™…๐™ช๐™ก๐™ž๐™š๐™ฉ – ๐™ƒ๐™š๐™–๐™ฉ๐™๐™š๐™ง ๐™‡๐™š๐™š


    Charles doth oft prove a prophetโ€ฆ


    โ€œTo be, or not to be, that is the questionโ€. Or rather, that is A question. A question into which I will briefly delve later on. To the world, William Shakespeare was a bard. To the English, he is The Bard. That is actually how we refer to him – should we refer to him at all (young Shakespeare is less in the modern narrative than when EYE was young). I know โ€˜Englishโ€™ is a dirty word these days, but so far Shakespeare has been left unscathed by the modern obsession of screwing up the only good we have left from the past. He has not yet to have been found a slave driver, nor a hater of any race or gender. And nor was he a snob or a tycoon. Sure, he was apparently vain and pennily comfortable, but that is RIGHT! We are still allowed to mention him, talk about him, discuss and debate his work, without some whistleblower storming through the window with a tin of paint and a sign to spoil all the innocent fun and joy he has brought us all for just SO long. Now, I know what youโ€™re thinking. Youโ€™re reacting much as I would if I were to be accosted and threatened by a tribesman: โ€œDonโ€™t shake spear at me!โ€ – well, tough. I am going to shake that spear whether you like it or not. Because, as long ago as his writing was, his greatest and most famous moments of inspiration are as potent as ever.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Range of Time – Echo Wilde

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Range of Time – Echo Wilde

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™–๐™ฃ๐™œ๐™š ๐™ค๐™› ๐™๐™ž๐™ข๐™š – ๐™€๐™˜๐™๐™ค ๐™’๐™ž๐™ก๐™™๐™š


    Charles momentarily forgets the pastโ€ฆ


    With the passing of time, time passes. This is without exception and by definition what happens. There is no time when time stands still. โ€œNowโ€ is instantly โ€œthenโ€. The future becomes the present, and the present becomes the past. Which is why people get so excited about the lottery, yet couldnโ€™t give a damn about last weekโ€™s numbers. But with time comes change. Change in all ways, always. What was once so popular becomes so impossibly unfashionable. A young green fragile stem with but one leaf, becomes a great, grand awe-inspiring oak, towering above almost everything, given time. But given more time, its life is forced to a close, and it becomes, say, a table. Time is everything here. Without time, life is a photograph. Without time, there would be no war, no destruction, no death and no rush. But then again, without time, there would be no peace, no conservation, no life and no rush.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Nothing To See Here – Unobliterated

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Nothing To See Here – Unobliterated

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™‰๐™ค๐™ฉ๐™๐™ž๐™ฃ๐™œ ๐™๐™ค ๐™Ž๐™š๐™š ๐™ƒ๐™š๐™ง๐™š – ๐™๐™ฃ๐™ค๐™—๐™ก๐™ž๐™ฉ๐™š๐™ง๐™–๐™ฉ๐™š๐™™


    Charles winces and wondersโ€ฆ


    Itโ€™s a funny oleโ€™ world, innit. So much is going on, all the time, everywhere. Some good; mostly not. Yet weโ€™re rarely aware of any of it. Sometimes itโ€™s due to our own ignorance, but usually itโ€™s because weโ€™re kept in the dark. Why is it when someone says โ€œnothing to see hereโ€, there is always something to see thereโ€ฆ? Most people take what theyโ€™re given. Most people donโ€™t question. With eyes wide open, most people only see. They do not observe and they do not perceive. They do not think. If they argue, itโ€™s because others are arguing. A sheep will stand not comfortably but not uncomfortably. It will simply stand there. It will only bolt if other sheep are moving at speedโ€ฆ So, why? Why do we react so automatically? Is it ease? Is it laziness? Is it trust? Or is it none of theseโ€ฆ? Are we actually all thinking the same โ€œthat canโ€™t be rightโ€, but are too afraid to open our mouths? Are we perhaps simply scared of querying? Nervous of the potentially worse response? Maybe we just donโ€™t WANT to know. Maybe the whole โ€œignorance is blissโ€ thing is safer in our minds. Calmer. Weโ€™re all in this together anyway, so maybe if thereโ€™s something bad, itโ€™s bad for everyone so I wonโ€™t be aloneโ€ฆ? That seems a rather strange frame of mind to me. Surely it should be more like the words of The Animals: โ€œWe Gotta Get Out Of This Placeโ€, rather than to all go down togetherโ€ฆ


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Reach – Gefahrgeist

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Reach – Gefahrgeist

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™š๐™–๐™˜๐™ – ๐™‚๐™š๐™›๐™–๐™๐™ง๐™œ๐™š๐™ž๐™จ๐™ฉ


    Charles goes to churchโ€ฆ


    For someone so irreligious as I, God and his troves do make quite a number of appearances in my articles. Please do not forsake me oh Lord, for not conforming to your scriptures, but I give thanks for leading me to my own weekly scriptures. Or some such rubbish. Letโ€™s face it, there is something very satisfying and wholesome about this way of speaking. A church remains largely unaltered by the modern world, with the exception of a card reader in place of a donation box. Even the almighty Lord himself is not impervious to contactless paymentโ€ฆ On/Off topic, when at the Roman Baths in Bath the other week, I did chuckle at the sign which read โ€œDo not throw coins into the water, please instead use the contactless donation device located to your rightโ€ – completely missing the point of throwing coins into fountains and the like. As if to say that places without such modern payment methods would have dedicated evening staff fishing the pennies out of the water, in order to pay for that leaky roof. It gives a different meaning to Sinatra singing about โ€œthree coins in the fountainโ€โ€ฆ I would imagine the same goes for the โ€œLove Locksโ€ on countless bridges and railings all over the world – they are simply donating padlocks to the nation. That must be the reason. Now if only they supplied the key as well, then weโ€™d all be secure. God almighty, I forgot what we were talking about! Oh yes: God Almighty. Aside from the beauty and romance of it all, even non-believers will turn to it for another reason. Desperation. When almost all hope is lost, one cries for help.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Old Fashioned – June Holland

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Old Fashioned – June Holland

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™Š๐™ก๐™™ ๐™๐™–๐™จ๐™๐™ž๐™ค๐™ฃ๐™š๐™™ – ๐™…๐™ช๐™ฃ๐™š ๐™ƒ๐™ค๐™ก๐™ก๐™–๐™ฃ๐™™


    Charles is a dedicated follower of old fashionedโ€ฆ


    The future. To some of you this might be exciting. However, I suspect to most of you it is bleak and depressing, or at least a big fat question mark. But itโ€™s coming whether you like it or not. Iโ€™m one of those excited types walking around in my bouncy trainers/sneakers. Out with the old, in with the new. Iโ€™m always obsessed with the latest trends. Youโ€™ll always find me in the frontline of whatever protest is currently in session in Central London. My clothes are not too dissimilar to those of Jacob Collier. When it comes to interior design, I like minimal. I like clean-cut. I like white walls. Iโ€™m not too keen on colour in the home, and I donโ€™t like clutter. When it comes to exteriors, the sleeker the better. All glass, if possible. Throughout the day I drink herbal tea made only from organic produce. The packaging must be eco-friendly, or I simply wonโ€™t buy it. I only really go for electronic music as real instruments bore me and frankly make me shudder at the way things used to be. My daily schedules and routines are managed by A.I., and I am truly looking forward to an A.I. future. I donโ€™t touch meat, alcohol, caffeine or any other drug, as I want to be healthy for my future offspring, and set a good example for them and others around me. In my free time, I like to play video games, when Iโ€™m not scrolling through Snapchat and TikTok. And finally, I make a point of shaving at least once a day, because you never can be too careful.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Ready – Cerulean Chameleon, Summer Lee Carlson

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Ready – Cerulean Chameleon, Summer Lee Carlson

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™š๐™–๐™™๐™ฎ – ๐˜พ๐™š๐™ง๐™ช๐™ก๐™š๐™–๐™ฃ ๐˜พ๐™๐™–๐™ข๐™š๐™ก๐™š๐™ค๐™ฃ, ๐™Ž๐™ช๐™ข๐™ข๐™š๐™ง ๐™‡๐™š๐™š ๐˜พ๐™–๐™ง๐™ก๐™จ๐™ค๐™ฃ


    Charles is mad for itโ€ฆ


    What’s been the biggest news in Britain in the last week? Ukraine trucking on like troopers? Hamas doing what terrorists do best? Perhaps it’s the ever-growing bullet-pointed list of national destruction updated daily by Keir Starmer? Maybe the Paralympics…? No no; unlike the Olympics, the Paralympics rarely gets any news coverage. Well, it must be that Germany is – as the news outlets are less than subtly attempting to lead us to believe – about to “go all Nazi on yo ass”…! How about Trump, Harris, Harris, Trump, Trump, Harris? Mm. Meh. Nope. It wasn’t any of these. I’ll give you a clue. It was music related. “Oh no, has some mega rock legend died, and I didn’t know about it??” – nope, no one major has died. “Oh phew. Oh, you don’t mean…” – I do. While this has been world news (amazingly), Britain has seemingly had a delirious little fling with the relatively recent past. If you had read the English Press this past week, you might be forgiven for thinking that each and every one of the 68 million people in Britain was foaming at the mouth with the news of Oasis reuniting for a few gigs. This comes after many quotes from Noel Gallagher in recent years, stating he would never EVER get back with his brother and the band. The news also comes the very year after his ยฃ20 million divorce… Hmmm… Not suspicious at all. How is he possibly expected to survive on the remnants of his meagre fortune (apparently a mere ยฃ30 million left)…? Well, to Liam’s delight, Noel caved and reluctantly chose to accept the idea of Oasis making a purported total of around ยฃ50 million from these 2025 shows. We can’t have poor little Noel barefoot in the street, busking in Leicester Square. I’m not sure anyone would notice him: thereโ€™s always someone there playing Wonderwall.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Over – Mal Fantรดme

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Over – Mal Fantรดme

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™Š๐™ซ๐™š๐™ง – ๐™ˆ๐™–๐™ก ๐™๐™–๐™ฃ๐™ฉ๐™คฬ‚๐™ข๐™š


    Charles shuts out the distractionsโ€ฆ


    You know what I canโ€™t stand about the world, particularly these daysโ€ฆ? Almost everything. I read a newspaper, open the door to the internet, walk down the street, and almost everything appalls me. Or at least makes me sigh. People are particularly awful, with their lack of manners, lack of care, and lack of just about anything that should separate us from wild animals. People are pigs, buildings are ugly, the economy is shot, politics is a joke, and it feels like all those masks we religiously wore have not been removed, but simply been placed higher up above the nose. People are seemingly blind to it all. Blind to their own piggishness, but also blind to the horror that surrounds them. Sure, there are pockets of niceness hither and thither, but one has to hunt, or by chance stumble on something so pure and simple and good, that it genuinely excites us, due to its rarity. Because of this, I find myself sheltering. Like old people do, oh so naturally, as each decade gallops with increasing speed. But I am not old. I shouldnโ€™t be doing this. I shouldnโ€™t have to do this. You might be thinking this is a depressing way to start what could have been a perfectly pleasant weekly read, but I rarely get the chance to rant. The New Artist Spotlight is a nice place. A good place. A friendly village through which we wander on a daily basis. We greet people we know well, and we nod and smile to the people we donโ€™t. You will of course get the odd selfish little devil who wants to spoil it for everyone, but theyโ€™re shot on sight. Or at least dealt with in a manner conforming with the modern way. This might involve being overly polite and asking them to be reasonable, but with the inevitable failure of the โ€œsoftly-softlyโ€ approach, they eventually find themselves walking the plank. Weโ€™re not vicious, we are just protecting the good guys while fighting the pirates. Behind the scenes, we moderators have to deal with far more than you might imagine, behind closed doors.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Really Donโ€™t Care – The Blimp

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Really Donโ€™t Care – The Blimp

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™š๐™–๐™ก๐™ก๐™ฎ ๐˜ฟ๐™ค๐™ฃโ€™๐™ฉ ๐˜พ๐™–๐™ง๐™š – ๐™๐™๐™š ๐˜ฝ๐™ก๐™ž๐™ข๐™ฅ


    Charles hunts for the missing infoโ€ฆ


    I am a thin man. I used to be slim, but now I am decidedly thin. To the point where I lack the strength to lift even so much as a pencil case. Okay, itโ€™s not quite that bad, but I am pretty bloody useless at the moment. My usual wandering mind wonders about whether there is any purpose in us measuring our BMI (body mass index), because a man of fat will probably weigh about the same as a man of muscleโ€ฆ I am neither. I wondered then if it might be mood based (!), but itโ€™s not. Obviously. I sit. All day long. Doing magical musical things. Which is nice, but I just sit. Hence why I am finally starting to do something about it. Starting to. Bit by bit, I will not sit, in order to be somewhat fit. Noyce. I have one concern though. Being fit means changing shape. So while in time I might be fit, my clothes might not fit. So I must make sure I donโ€™t become Schwarzenegger too soon. Admittedly, this is unlikely. But I donโ€™t want to have to get an entire new wardrobe. There is a limit to altering clothes. Although I must say, my alteration chap is rather fast, so if he were able to succeed, I donโ€™t think Iโ€™d have to wait too long. What I mean to say is, my tailorโ€™s swift.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Superstition – Ed Eagle (feat. Charles Connolly)

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Superstition – Ed Eagle (feat. Charles Connolly)

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.

    ๐™Ž๐™ช๐™ฅ๐™š๐™ง๐™จ๐™ฉ๐™ž๐™ฉ๐™ž๐™ค๐™ฃ – ๐™€๐™™ ๐™€๐™–๐™œ๐™ก๐™š (๐™›๐™š๐™–๐™ฉ. ๐˜พ๐™๐™–๐™ง๐™ก๐™š๐™จ ๐˜พ๐™ค๐™ฃ๐™ฃ๐™ค๐™ก๐™ก๐™ฎ)


    Charles crosses his fingers and touches wood as he covers a cover.


    As I switch on, switch off and switch on the light again, a blind man sways with a smile from behind his electric piano. He rounds off a soothing ballad and segues into a funky number. Something changes in the air. From clouds of cirrus to bolts of loytneen, thereโ€™s a storm a-brewinโ€™. A god is in charge and the genius is at work. I speak of Lord Stevie of Wonder. One of the greatest people in music lending us one of the greatest riffs ever known to man, and not a guitar in sight! Superstition is perfection from beginning to end. Unbetterable (ahem). This is clear to almost any musician. So why cover itโ€ฆ?


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The Island – Vix20

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The Island – Vix20

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™๐™š ๐™„๐™จ๐™ก๐™–๐™ฃ๐™™ – ๐™‘๐™ž๐™ญ ๐Ÿ๐ŸŽ


    Charles Connolly is unwellโ€ฆ


    Let’s see how this goes. Like Jeffrey Bernard, I am currently not very well. Nothing terrible. I’m not dying, or anything, but it was all rather sudden. On Sunday, I was carrying on with a mix/production for a client. All was relatively normal throughout the day. Lunch was late but hearty. The music continued its journey through my mind with every bite. I was โ€œin the zoneโ€, and feeling perfectly normal. Or as close to normal as a thing like me can be. As you can probably tell from that last line, Iโ€™m not exactly feeling โ€œwordyโ€. Words are NOT flowing out like endless rain into a paper cup. They are instead missing the cup entirely or occasionally sticking to the brim. It is more like constipated drizzle than endless rain. Anyway, where was I? Oh yes, I was feeling normal whilst immersed in music. Noyce. In my element, one could say. But then towards the evening, I coughed. Now, coughing is not particularly a sign of anything, in fact we do it all the time. Particularly we asthmatics. The word asthma reminds me of Jack Lemmon in The Odd Couple when he is attempting to clear his sinuses. Thma. Thma thma thMAA! If you have no idea what in Godโ€™s name Iโ€™m talking about, do watch the film – itโ€™s worth it. Ugh, I really am like a meandering tangent today. So, I coughed. It was different though. I felt it in the centre of my chest. It banged like a distorted timpani drum. Instantly I knew this was not normal and that I might be starting to get ill. Oh bugger. I am never ill. I am almost never anywhere I could catch anything (i.e. outside). Maybe it was just one isolated oomphy cough. A “manโ€™s cough”. But no. It happened again. I continued with my mixing and arranging and whatever else I do most days. But over the following hour or so, I started to feel dirty. Dirty on the inside. You know those satisfying before and after cleaning videos? This was the before. Then as the early evening became later, my head started to get all stuffy and bunged up. You know that feeling all too well. We all do. I just so rarely GET this! The lower back started to ache and I became fragile. This must be what itโ€™s like to be old. It gives us a glimpse of the wonderful days ahead. Bloody awful.


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