Connolly’s Corner

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙏𝙤𝙣𝙞𝙜𝙝𝙩 – 𝘼𝙧𝙣𝙤𝙡𝙙𝙤’𝙨 𝙇𝙞𝙯𝙖𝙧𝙙𝙨, 𝙒𝙞𝙡𝙠𝙤 𝙒𝙞𝙡𝙠𝙚𝙨

Charles ch-ch-ch-ch-changes…

Let’s face it. Everything is changing. Perhaps everything has already changed. But then again, this would suggest that things have stopped changing, and that all is stagnant. This will never happen. Whether you like it or not, things are always changing. Sometimes for better. Other times, well, not so much. ’Tis zee vay of zee vorld. I have never quite understood the definition of the word “progress”. I used to think it meant improvement, but now I realise it is more just simple evolution. To progress. To move forward. Not necessarily brilliant, but ultimately vital. I can’t explain why, but it is seemingly and apparently necessary as a civilisation, I think. Right now, we have the dawn of A.I., poking and teasing us like impatient demanders. I won’t go into this because I cannot bring myself to. The biggest change before that was undoubtedly the internet. A truly world-changing phenomenon. I think the first of these “modern” phenomena was electricity. It changed the world. It changed everything. The next big wave of movement – admittedly more of a cultural or societal nature – was possibly the liberation of youth in the 60s. They had power and money, for the first time. They were not tired from war, for they had never experienced it. To a certain extent, this changed a lot of the world. Our way of thinking changed. Younger people were taken seriously. And others who used to have status and respect were relegated to the old folk’s home at the grand old age of 48.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙎𝙩𝙤𝙣𝙚𝙨 – 𝙇𝙪𝙠𝙖𝙨 𝙆𝙞

Charles scatters cushions.

The scatter cushion. Why? I mean why do we call it this? I have nothing whatsoever against the humble cushion. But why must it be called a scatter cushion? I couldn’t suggest it were to differentiate between one to “scatter” (the very image!!) and one on which to sit. We have come a long way in chair design, and now have padded seats, thus, a cushion is no longer required for to soothe the aching bones of an anorexic bot like my very own. But okay, say I surrender to the term… “What were you up to today?” – “Oh, you know. Scattering cushions. The usual”. It’s just quite an absurd picture, to picture. Place cushions. Plonk cushions. Or even just plain old Cushions!! I mean, we don’t say a ‘sit chair’, a ‘wear jacket’ or a ‘cut knife’, do we? I don’t, anyway. And don’t get me started on the ‘pan-fried’ and ‘oven-baked’ tautologies – as if we have many other methods of frying or baking…! We do however say ‘juggling balls’. But this is to differentiate from any other kind of balls.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙏𝙝𝙚 𝙁𝙖𝙡𝙡𝙤𝙪𝙩 𝙞𝙣 𝙔𝙤𝙪 – 𝙅𝙪𝙣𝙞𝙤𝙧 𝘽𝙤𝙣𝙚𝙨

Charles is your dealer…

Sometimes you look back at things you’ve done and wonder how you managed. Sometimes it was a doddle to you. Other times it nearly killed you. But either way, you managed. The songs I wrote years ago were definitely more towards the former. The flatpack IKEA desk I built last week would definitely be more towards the latter. Sometimes you look back at things you’ve done, and you cringe. The face crunches up in repulsion. That song I wrote called ‘Library of Love’, for example… Sometimes you do things for a very specific reason, that seemed particularly important at the time. Sometimes things are simply forgotten. A moment in the past that apparently happened, but it either seems so insignificant that your brain hasn’t seen or realised any worth in holding on to that memory, or that it conjures deep, dark memories that you would rather not think about. This is how we deal.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙏𝙤𝙤 𝙀𝙖𝙧𝙡𝙮 𝘼𝙩 𝙏𝙝𝙚 𝙋𝙖𝙧𝙩𝙮 – 𝘼𝙢𝙖𝙪𝙧𝙮 𝙇𝙖𝙪𝙧𝙚𝙣𝙩 𝘽𝙚𝙧𝙣𝙞𝙚𝙧

Charles is pickin’ up good vibrations…

I found myself quietly affected this week. It will not be a secret as to why, and will probably not come as a surprise to many of you. No, it is not anything war related. Neither is it anything political. And it is nothing personal (not really). There has been much in the press and all over the internet about it. Can you guess? Well, how’s about this for a clue. A post I saw yesterday on the International Singer Songwriters Association Facebook group sums it up pretty well: “I have two busts on my Steinway. One is Beethoven. The other is Brian Wilson”… Says it all. I personally might choose to have a bust of someone else on my Steinway. But one, I don’t have a Steinway, and two, I’m not sure Marilyn Monroe would be too happy with my placement of her bust. She’s giving me the excitations, but let’s get back to business. The chap who made this post evidently rates Brian Wilson as one of the true greats of all time. And he’s not alone in thinking this. In the past week, Brian Wilson passed on. I was hit with a silence when I found out. It wasn’t an incomprehensible loss of senses and inability to string thoughts together, like when the Queen died, but I felt strange. I felt like the past was slipping away from me. As if I was pulling on a rope gripped tightly with both hands, but someone had oiled the yarn. “The nearer your destination, the more you’re slip slidin’ away”, as Paul Simon once sang. Wilson is another great gone. Such a kind man, known for his honesty, childlike manner, and playful charm. What we really mourn though, is the loss of a sensationally talented man.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

#𝙎𝙩𝙤𝙥𝙋𝙖𝙮𝙤𝙡𝙖 – 𝙀𝙙 𝙀𝙖𝙜𝙡𝙚

Charles bucks the trend of love…

So it’s love day. So of course, Charles is going to write a soppy piece about love. Well obviously. What would you expect from someone so predictable as CC. Well I’m not going to, you see. I’m just not. Not because I don’t like love. I LOVE love. It’s the most perfectly wonderful thing ever in the history of the world and probably beyond. If you believe in love beyond Earth. Ah, I see where he’s going with this. It’s going to be another piece on Space. Alien love. He’s going to review a funky song about aliens making love, probably called Alien Love Making. Oh, as if I would write about something so crude as that. Besides, I’ve probably done that before. I’ve written about a lot of things, ya see. In fact, it can be difficult to come up with something entirely new, week after week after week. Love is love, and we all know it. Hallmark, Cadbury’s Milk Tray, Interflora and Durex have taught us well. So I feel it is time for something a little different. An alternative message of love to our founder and to all of you. Here goes…!

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙏𝙝𝙚 𝙁𝙡𝙤𝙬𝙚𝙧𝙨 – 𝙒𝙧𝙚𝙩𝙘𝙝𝙚𝙙 𝙋𝙞𝙣𝙝𝙚𝙖𝙙 𝙋𝙪𝙥𝙥𝙚𝙩𝙨

Charles gifts a gift by means of a gift…

Friday saw the release of a new Ed Sheeran album. Never mind.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙏𝙊𝙏𝙀𝙈 – 𝘼𝙢𝙖𝙪𝙧𝙮 𝙇𝙖𝙪𝙧𝙚𝙣𝙩 𝘽𝙚𝙧𝙣𝙞𝙚𝙧

In disbelief, Charles is inspired…

Some of you may wonder about my reviews. “Where does he get his ideas? Where does his inspiration come from?” Others of you might not give the slightest damn! Well I’m not concentrating on that impolite fraction. So, these ideas are usually me and my very best constipation face, until something good springs to mind. Then I simply jot it all down. This time however, it was sheer inspiration in being moved by the music. I couldn’t help but put pen to paper. Simple as that! Amaury Laurent Bernier has had much attention of late, in and around the New Artist Spotlight and the rest of the internet. Much praise, various interviews – you know. I like to go a little off the beaten track. So as not to repeat what has already been said elsewhere. Of course, there will be SOME repetition, because I did not entirely detest the record.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙒𝙝𝙮 𝘿𝙞𝙙 𝙔𝙤𝙪 𝙂𝙤? – 𝘾𝙃𝙑𝙍𝙇𝙄 𝘽𝙇𝙑𝘾𝙆

Charles is giving up…

A tree. A humble tree. There it stands in simple pride, to gaze around with much the same open pensive quality as when I gaze at the tree through my bedroom window. Or at least, this WAS the scene for many years until a couple of weeks ago, when I received a text. The text from my neighbour informing me that I should expect a lot of noise the following day. My heart leapt. This tall, healthy bay tree standing in a garden, a while away from the house, was to be “dismantled”. I put it this way so as not to trigger my sensitive heart once more. And maybe yours. It was crippling to me. Crushing and very lowering indeed. As promised, there was a lot of noise for a while, followed by an eerie silence. I could not even draw open the curtain for two days for fear of an expansive overload of daylight. Eventually I plucked up the courage. And in doing so, I sighed and felt like giving up. I had one question for the tree: Why did you go?

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙏𝙪𝙧𝙣 𝘿𝙤𝙬𝙣 𝙏𝙝𝙚 𝙇𝙤𝙪𝙙 – 𝙅𝙖𝙢-𝙏𝙖𝙠𝙤

Charles makes something out of something…

Where does it all come from? I mean, where do we get it all? What made us do it? Where do things come from? How do we know how to do things? How do we know what to do? What a lot of generally vague questions to answer. This demands a lot of thought – a difficult thing to do with all the noise these days. Everyone is doing things all the time, but few think about what they are doing. They just do what they do. And make a lot of noise while doing it. So let me zone out for a bit and think. Nope, not working. Too much going on inside my head – don’t laugh. Food. That should help. Yes, food. “Oh this is delicious!”, I said. “It’s my mother’s old recipe”, she said. “Oh right, well compliments to your old mother!”, I scoffed. “Not my old mother, my mother’s old recipe!”, she barked. And so the noise resumed. But it made me think. She didn’t make this noodle wonder from nothing. In the words of a certain Spanish waiter, she “learnt it, frrrom a booook”. Her old mother’s recipe book. Sorry: mother’s old recipe book. It was passed down, from generation to generation. This in turn, made me realise that pretty much everything comes from something in the past. We build upon older, wiser knowledge. We don’t start from scratch each and every time. If we did, we would still be hitting rocks with rocks. I never quite understood why they apparently did that, but anyway. Perhaps a nice interesting tone for sampling at a much later date? Perhaps not.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙒𝙞𝙡𝙙𝙛𝙞𝙧𝙚 – 𝙇𝙚𝙠𝙪𝙧𝙨𝙞

Charles spreads east…

Today I will be loose in my terms. I will speak of East and West. Please allow me this over-simplicity in order to make this coherent and enjoyable.

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