Connolly’s Corner

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 – 𝘾𝙝𝙖𝙧𝙡𝙚𝙨 𝘾𝙤𝙣𝙣𝙤𝙡𝙡𝙮

Charles writes about everything and nothing for an entire century…

It all started in a red Mercedes with Veronica. This was to be my legacy. Merhabalar (hello, how are you) seemed like a good way to start, as I didn’t want to seem blue over you – at least not so soon. Another week, another story. If I wrote about love, I’d hear you plead “don’t break my heart” – as if I would do such a thing. But hold on, if I were to see my lover again, my dreams of another summer of romance would come true. If Xaligha is the demon of dissonance then I am to be the arrow of love. Never mind the colour of my panties, or whatever I choose to write about that week, just hold me. Hold my hand as I walk deep into my very own dungeon – we’re like family now, no? Again and again, every week I write like a groundhog may or may not, as I attempt to create a capricho Árabe – an Arabic style of architectural fantasy. But as that’s something I don’t know about, I might not always succeed. Some weeks you may open up the pages and wish for me to stop, but I keep holding on to my position with pride and with blind ego. Maybe that’s a mistake on my part – cue the Boo-Boo song…! Or maybe I should get a little tipsy, forget all my troubles and play the Birthday song. Another year, another birthday. You can’t stop time, but time allows you to think. It makes me think about all the artists I have reviewed, met and known through the New Artist Spotlight. And truly, you’re in my blood, all of you.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙈𝙤𝙩𝙝𝙚𝙧𝙨𝙝𝙞𝙥𝙨 – 𝘼𝙧𝙣𝙤𝙡𝙙𝙤’𝙨 𝙇𝙞𝙯𝙖𝙧𝙙𝙨

Charles has a birthday – of sorts – and so will blether on even longer than usual.

We all have a birthday. It is something we ALL have in common, bar none. But how many of you can boast two…? Aside from the Queen, of course… Would it surprise you to learn that I have two? Yes indeedy. Well okay, this isn’t exactly true. Today marks a rather special occasion. My 50th review! All right then: more of a landmark figure. But wait, there’s more. Due to a little break we all had from the internet at Christmas and New Year, this actually marks the one year anniversary of Connolly’s Corner, despite this not being number 52. And so lies the reason I have two birthdays. Okay, fine, I have one birthday. But you get my point. I cannot imagine how many words I’ve written, but certainly more than enough to fill the largest pamphlet ever known to man. ‘Pamphlet’ is, and will always be a very silly word indeed. “I’ve got to see the doctor about my pamphlet”, “Our special of the day is a delectable side of roast pamphlet”, “Two squirts of our patented spray is enough to get rid of the pamphlet growing on your shower curtain”, “The Impossible Case of Mr. Pamphlet”… And so you have seen the kind of nonsense with which I fill these reviews, week in, week out. Maybe a somewhat individual and possibly ridiculous way of writing about music, but nevertheless, to quote Sinatra, “I did it My Way”.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝘽𝙞𝙩𝙩𝙚𝙧𝙨𝙬𝙚𝙚𝙩 – 𝙎𝙢𝙤𝙤𝙩𝙝𝙨𝙖𝙮𝙡𝙞𝙣, 𝙀𝙡𝙞𝙤𝙣 𝙈𝙚𝙡𝙤𝙙𝙮, 𝙈𝙤𝙩𝙞𝙤𝙣 𝙎𝙞𝙘𝙠𝙣𝙚𝙨𝙨

Charles struggles to drive home the point…

Getting around town is something that we do because we have to. Less so these days for obvious reasons, but inevitably we’ll get back into the swing of movement. If we can remember how it goes. Almost my complete and utter life at the moment is conducted at home. I barely leave the house. Everything I need is here, and I have no major reasons to really go anywhere. At the moment. I must stress this lack of motion being temporary because I have very much not always been like this. I used to have a normal job and have to go there daily. Like normal people. But things are different now. I sit, and sit some more. Not exactly healthy, I grant you. But it has its benefits. Call it bittersweet.

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And the praise just keeps on pouring in for CC’s Hands Up album!

Tuesday brought us a fabulous review concocted and put together by around 18 artist fans. It showcased Charles Connolly’s brand new album, Hands Up!, track by track, complete with video! It got people listening, and they couldn’t help but speak up. In true CC style, here’s an unscheduled “Part 2” showing why – in NAS artist Shahiem’s words – “it deserves to win a Grammy”…

Todd & Karen

GET YOUR HANDS UP – AND YOUR EXPECTATIONS!!!

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Patrick ponders where to begin…

Firstly, is this an album? Absolutely! Is it the type of album full of colorful pictures of half dressed off-tempo musicians? Definitely not (and thank god for that)! Is it an audio album containing 14 “rad”, and “banging” pieces of musical art? Bingo, yes it is! “It is?” You might ask. “Oh yes, you can bet your sweet glazed ass it is!” 

Charles has been releasing an incredible song every 3 days for the past 6 years it seems. From “Experience” to “Hell Is Other People” to “Parakeet” to “Come The End”. The number of times those songs have been featured in the NAS Top 20 is incredible. And they kept coming out, besting the previous release every time, or at least making us think the new one was better, probably because of the inevitable “wow” factor his songs provide upon first listen. 

It’s an amazing album! I’ve said this in private, but I’ll say it again here. Charles is a rare gem in a world of full pebbles!

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙃𝙤𝙢𝙚𝙢𝙖𝙙𝙚 𝙋𝙖𝙧𝙞𝙨 (𝙛𝙚𝙖𝙩. 𝙏𝙝𝙚 𝘽𝙡𝙞𝙣𝙙𝙛𝙤𝙡𝙙 𝙀𝙭𝙥𝙚𝙧𝙞𝙚𝙣𝙘𝙚) [𝙏𝙖𝙠𝙚 𝙏𝙬𝙤] – 𝙎𝙝𝙖𝙮𝙖𝙣 𝙍𝙚𝙜𝙖𝙣

Charles leaves his onions at the door…

And here we are again. Same place; different year. Right now, the papers are full of predictions for 2023. Not to mention ways to stay fit and healthy, and how to burn off the festive excess. We enjoyed the Christmas season and have the stomach to prove it. But the predictions thing is more interesting to me. The idea of guessing what is going to happen in the coming 12 months, is seemingly mandatory these days. And those days too. It is habitual for the press to predictably churn out the same unpredictable predictions, when each year they have one thing in common. They just don’t know. Did we guess a few years ago that a pandemic was going to change absolutely everything? Did we guess last year that the Queen was going to die? Did we guess that Ukraine would be thrown into war by the only living “human” we are all universally allowed to hate – without fear that we are committing a hate crime? Did we guess that Argentina would win the World Cup? Did we guess that England wouldn’t? Well, maybe that one. We always do well, but never quite well enough. But so you see, we just don’t know.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙄𝙩’𝙨 𝘾𝙝𝙧𝙞𝙨𝙩𝙢𝙖𝙨, 𝘿𝙤𝙣’𝙩 𝘽𝙚 𝙁𝙧𝙞𝙜𝙝𝙩𝙚𝙣𝙚𝙙 – 𝙛𝙖́𝙗𝙟𝙖́𝙣𝙞 (𝙎𝙘𝙧𝙪𝙛𝙛𝙮 𝙎𝙖𝙞𝙣𝙩𝙨)

Traditionally, Charles is safe…

Christmas comes but once a year,

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙏𝙝𝙚 𝘼𝙧𝙘𝙖𝙣𝙚 𝙈𝙪𝙨𝙚 – 𝙐𝙧𝙖𝙣𝙞𝙖 𝙁𝙖𝙣𝙩𝙖𝙨𝙞𝙖, 𝙇𝙤𝙫𝘼𝙣𝙖𝙫𝙚𝙧𝙨𝙚, 𝙋𝙚𝙩𝙚 𝙍𝙖𝙬𝙘𝙡𝙞𝙛𝙛𝙚

Charles goes to infinity and beyond…

Things are not working. The system is broken. What was once a perfectly planned, sculpted landscape with each piece linking into place like a Da Vinci sketch, it is now fraying fast, and falling apart like a moth-ravaged wool rug. People understood the way the world worked. People knew how to live life. Governments governed and industries boomed. This was progress. The world was beautiful and forward-thinking, whilst never ceasing to enjoy the current era. The sun now bakes the land and forces entire populations to migrate and bustle shoulder to shoulder in a more coveted, cooler land. Cooler, for now. There is no sign of an end to war, and money rules more than ever before. Money used to be power, but now money is ultimate power. Whole industries are withering before our very eyes, and the times they are a-changin’. But the change is far too fast. It is not thought out. It is not considered. It is flung through the lawyers’ checklists and banged out like cheap mass-produced Chinese technology. And like the cheap tech, it doesn’t work. To force change so rapidly is to cause chaos and confusion. Economies are as erratic as modern weather, and people are not happy and not comfortable. We are all hot and bothered. So what can we do…?

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙏𝙝𝙚 𝙂𝙧𝙚𝙖𝙩 𝘼𝙘𝙘𝙚𝙡𝙚𝙧𝙖𝙩𝙞𝙤𝙣 (𝘼𝙩𝙡𝙖𝙨 𝙩𝙤 𝙀𝙖𝙧𝙩𝙝 𝙍𝙚𝙢𝙞𝙭) – 𝙆𝙚𝙡𝙚 𝙁𝙡𝙚𝙢𝙞𝙣𝙜, 𝘼𝙩𝙡𝙖𝙨 𝙩𝙤 𝙀𝙖𝙧𝙩𝙝

Charles pulls the plug in order to…

Progress, is a noun that has a sense of the positive. It suggests “onward and upward”. Progress, is a word that has been bandied about for decades. Maybe even centuries. It was a buzz word long before “diversity”, “pro-active”, “woke”, and indeed “buzz word”. In this sense, we progress, right? We get better, no? Well, I feel the word’s meaning is usually more legend than reality. An illusion. I feel that “progress” is more a synonym for “change”. Supposedly, progress is for the better, but so often it doesn’t quite feel like this. Change, makes it rather more difficult to compare the old with the new, because it is simply different. So our moral-driven minds assume that change must be a good thing and that therefore “change” must be progress, right? Well, sometimes. But more often than not, it is not.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝘼.𝙄. 𝙅𝙚𝙨𝙪𝙨 – 𝙆𝙖𝙢𝙞𝙣𝙨𝙠𝙞

Charles pretends to be intelligent…

I told myself I wouldn’t do this. I thought it would be unlikely that I ever write this piece. I have hinted at it in the past, I have mentioned it in passing in the odd article over the weeks and months, but I never thought I would cover it fully. However, as time goes on, I increasingly receive messages and comments strongly urging me to write about it. And my passion and emotion on the subject has become too strong to ignore. I will finally speak my thoughts on A.I. You asked for it! “A.I.” is very annoying to write. I don’t want to write A.I. without the dots, as it reminds me of Al Green, Al Di Meola and Al Jolson. Lowercase just makes it look like the sound you make when you stub your toe. Putting in the dots wreaks havoc on my obsession with punctuation. I need for a “full stop” to be a full stop, followed by a space, followed by a capital letter. Call it period pains. Because of this, from now on I will refer to A.I. as HAL. If you don’t know why, just go back 23 years.

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