Connolly’s Corner

  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Broken Love Song – Rich Allen

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Broken Love Song – Rich Allen

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜ฝ๐™ง๐™ค๐™ ๐™š๐™ฃ ๐™‡๐™ค๐™ซ๐™š ๐™Ž๐™ค๐™ฃ๐™œ – ๐™๐™ž๐™˜๐™ ๐˜ผ๐™ก๐™ก๐™š๐™ฃ


    Charles celebrates 5 years of Connolly’s Cornerโ€ฆ


    Well…!! Here we are again, with another instalment of the CC machine. But this one is a little special. It’s one that I never really thought I would reach. I have been writing these things every single week for five years. Five bloody years, can you believe?! That’s the age of the New Artist Spotlight. Half a decade! You all know this as Tuesday Review Day, but for me it’s Monday. I always write these on Mondays. To me, Monday means writing day. It’s my weekly dose of creativity, where my mind goes wherever it wishes. Monday is never free, for I am busy doing this. Just this. Yes, it takes most of the day. It may seem like a half-hour dash, but it’s really not. Hence why I’m stunned to have reached this milestone. What milestone…? Well, my 250th review, of course!!! What a lotta woyds.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: BURN-OUT – J.H.M

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: BURN-OUT – J.H.M

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜ฝ๐™๐™๐™‰-๐™Š๐™๐™ – ๐™….๐™ƒ.๐™ˆ


    Charles strikes a match and waitsโ€ฆ


    The life of an artist can be an arduous one. But then again, so can any life. Letโ€™s focus on the artist side of things, since thatโ€™s what we all are. Artists, right? Being an artist used to mean just that. The arty type who is brilliant (or so they think) at arting, and not very much else. It was always forgiven that they could barely brush their teeth and dress themselves, because โ€œoh, just LOOK at what they createโ€โ€ฆ Correction: artists could do these things, but would very often not bother (in the same way that they would forget to eat), because it was just not important to them. Art ran in their veins. It was their raison dโ€™รชtre. It plagued them. It excited them. It sedated them. Once they had created their latest masterpiece, it would be handed over to the man who knew nothing about art, but who was good at business. It was his job to advertise it and eventually flog it. There could even be a whole team involved. The artist was left to do what the artist was intended to do. Art. This way, everyone was happy and everyone stuck to what they did best. If said artist wanted to celebrate the completion of another piece by drinking himself into oblivion, then so be it. Little would suffer as a result, except maybe his liver.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: CAGE – The Blindfold Experience, Wilko Wilkesย & Shayan Regan

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: CAGE – The Blindfold Experience, Wilko Wilkesย & Shayan Regan

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜พ๐˜ผ๐™‚๐™€ – ๐™๐™๐™š ๐˜ฝ๐™ก๐™ž๐™ฃ๐™™๐™›๐™ค๐™ก๐™™ ๐™€๐™ญ๐™ฅ๐™š๐™ง๐™ž๐™š๐™ฃ๐™˜๐™š, ๐™’๐™ž๐™ก๐™ ๐™ค ๐™’๐™ž๐™ก๐™ ๐™š๐™จ & ๐™Ž๐™๐™–๐™ฎ๐™–๐™ฃ ๐™๐™š๐™œ๐™–๐™ฃ


    Charles is content in his cageโ€ฆ


    Europe in the Summertime. A song I wrote years ago. Europe is fun in summer. We think of Roman piazzas. We think of English coasts. We think of Spanish villas. Sun, sun, sun, as it relentlessly beats down upon our already scorched arms. Summer is the time to get away. Americans call it vacation. We, in England, call it holiday. A break from the norm. A time to eat ice cream without feeling it has to be squeezed into a swift lunch break. But is it simply a break from the norm, or is it more than that? Is it wanted or is it needed?


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Canโ€™t Stop Feeling – Blue Royals

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Canโ€™t Stop Feeling – Blue Royals

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜พ๐™–๐™ฃโ€™๐™ฉ ๐™Ž๐™ฉ๐™ค๐™ฅ ๐™๐™š๐™š๐™ก๐™ž๐™ฃ๐™œ – ๐˜ฝ๐™ก๐™ช๐™š ๐™๐™ค๐™ฎ๐™–๐™ก๐™จ


    Charles is backโ€ฆ


    Did ya miss meโ€ฆ? Yes? Not particularly? Well, either way, Iโ€™m back. I have been not hither, but thither. Not only was I taking a break from this here Corner (it can get a tad claustrophobic at times), but I was busy being elsewhere. Not London, not England, and not even Britain. Europe in the Summertime – THATโ€™S whatโ€™s been happening! Yes, I know Britain is in Europe, but, ya knowโ€ฆ It is but it isnโ€™t. Itโ€™s a different kind of Europe. Britain is just not very โ€œEuropeanโ€. I needed to feel that European thang. Sometimes I do Italy, but this time I did not. This time, my girlfriend and I went up into the sky and landed in her original turf of Poland. Thankfully, the aeroplane did not burst into flames or do anything it shouldnโ€™t have done. I donโ€™t think I have ever had such an absurdly packed schedule while on holiday. Aside from buses, trams, tubes and cars, we were taking trains almost every single day. Not to mention a ridiculous amount of walking. Doesnโ€™t sound much like a holiday, does it! The thing is, I have never been one for lying on a beach for a week. Even the idea bores the hell out of me, as the sun burns the pale out of me. This constant movement is the very momentum that keeps things bubbling. Then and now, I just canโ€™t stop feeling! There was modern urban city. There was beautiful old city. There was countryside. There was beach. There was river and sea; food and sun. Museums and memories; nature and manners. We covered so much yet really very little of this vast land of Po. I live for feelings, and feeling was basically all I did for those ten days.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Cash Money Honey – Grayson Foster

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Cash Money Honey – Grayson Foster

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜พ๐™–๐™จ๐™ ๐™ˆ๐™ค๐™ฃ๐™š๐™ฎ ๐™ƒ๐™ค๐™ฃ๐™š๐™ฎ – ๐™‚๐™ง๐™–๐™ฎ๐™จ๐™ค๐™ฃ ๐™๐™ค๐™จ๐™ฉ๐™š๐™ง


    Charles counts his pennies and considers his class. Being broke in the music industry…


    As hierarchy, status and class dissolve fast, one vulgar thing unites us all. I speak not of โ€œAll You Need Is Loveโ€ by Ringo and his mates, but actually of โ€œAll You Need Is Cashโ€ by their spoof tribute, The Rutles. It all used to be about class and social standing, here in Britain, regardless of wealth. I gather that in the Ewe Ess of Ay, these are synonymous with money. They come as a package. Traditionally in Britain it had always been about background and ancestry. If one was born into an aristocratic family, that person would be an aristocrat. If one was born into a working class family in a mining town, that person would probably continue the line. Although there is now much considered wrong with this, there was usually comfort in understanding oneโ€™s way of life. People were usually pretty happy with their status – one knew oneโ€™s place – except for the muddy middle muddle, which has always been lost. I am one of those middlians. Striving for no apparent reason, other than the feeling that it is what I am supposed to do. Modern Britain, along with most of the rest of the world, now makes it simpler. The richer you are, the more successful you are, and therefore the better you are. Money, cash, spondulicks, dollars, pounds, yen and the feebly and unimaginatively named Euro – call it what you will – it runs and rules our lives now. It is everything. And I hate to say this. It should be love, happiness and contentment, but it is pounds, shillings and pence, with emphasis on the larger denomination. We even see it in music. Pop songs used to be about love, but increasingly they are about fame and fortune. Money โ€œCanโ€™t Buy Me Loveโ€ – true, but it can buy me just about everything else. Even I wrote a song – Tap When Youโ€™re Ready – about contactless payment – God help me – where a spoilt woman wants to know the man is with her at all times, just in order for him to plonk down his card whenever something might pique her fancy (listen on our brand new NAS Rarities, Oddities and B-sides playlist). Money is everywhere. Nay, money is talked about everywhere. It has become less about greed and more about need. The struggle and the compulsion. Long gone are the days of simple subsistence. And donโ€™t get me on to money in the music industry. The Small Faces had it right, with โ€œAll Or Nothingโ€.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: CircleWalk – Sano Hill

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: CircleWalk – Sano Hill

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜พ๐™ž๐™ง๐™˜๐™ก๐™š๐™’๐™–๐™ก๐™  – ๐™Ž๐™–๐™ฃ๐™ค ๐™ƒ๐™ž๐™ก๐™ก


    Charles welcomes you to Ruby Tuesdayโ€ฆ


    What a week I have just had. You must permit me to ramble and go to excess this week. Well, Iโ€™m going to anyway. Hush, I donโ€™t get paid for this. And advance apologies to Sano Hill for going on. Recently I have been working hard on a production in collaboration with a mystery NAS artist you all know well, but whom shall remain nameless, at least for now. It is going extremely well, but it can go to oneโ€™s head, this art thang. It can get a bit much, so one needs breaks from time to time. Monday evening was the first of these breaks. My girlfriend and I felt like watching a horror film. Not terrifying gore-filled heart attack inducing horror, but the old kind. The quaint, amusing Vincent Price kind. And so we sat down to watch The Raven. Yes, The Raven. as in, Edgar Allan Poeโ€™s The Raven. We contemplated watching it standing up, but thought this to be altogether rather uncomfortable. โ€œWhile I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door.โ€ – yes, THIS was what I wanted. Such charm and style in the old way. The film was just as I had hoped for. A break from reality. Something to take my mind away from music – something for which I rarely wish.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Bury Me in My Boots – Map of Autumn

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Bury Me in My Boots – Map of Autumn

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜ฝ๐™ช๐™ง๐™ฎ ๐™ˆ๐™š ๐™ž๐™ฃ ๐™ˆ๐™ฎ ๐˜ฝ๐™ค๐™ค๐™ฉ๐™จ – ๐™ˆ๐™–๐™ฅ ๐™ค๐™› ๐˜ผ๐™ช๐™ฉ๐™ช๐™ข๐™ฃ


    Charles briefly does itโ€ฆ


    In a selfish (or kind) way, Iโ€™m going to keep this short. The reason being, at the time of writing, it is Bank Holiday Monday (at least here in England). But I didnโ€™t want to simply not write an article this week, just for the sake of a lazy Monday. It wouldnโ€™t be fair on the artist who would miss out on their earned praise. I know most of you – if plonked in my shoes – wouldnโ€™t even contemplate working on a Bank Holiday Monday. But perhaps a few of you might think it their duty to carry on regardless. Iโ€™m doing the annoying thing of meeting halfway. Neither one thing nor the other. Not ignoring my duty, but not putting in everything Iโ€™ve got for most of the day.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: By My Side – Rich Allen

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: By My Side – Rich Allen

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜ฝ๐™ฎ ๐™ˆ๐™ฎ ๐™Ž๐™ž๐™™๐™š – ๐™๐™ž๐™˜๐™ ๐˜ผ๐™ก๐™ก๐™š๐™ฃ


    Charles has nothing but timeโ€ฆ


    Last week I talked about not taking life too seriously. I also talked about work and how it can truly crush the spirit and make you a bit of a drone. Well, actually I didnโ€™t say that. But thatโ€™s what can happen with work. It can get the better of you and start to own your soul. We only get two chances at pure freedom. One, when weโ€™re too young to appreciate it, and the other when weโ€™re too ill to enjoy it. Both ends of the spectrum, and both ends of life, as we know it. In the middle we are in our prime. And yet, in the middle we are too busy and too stressed to even contemplate a bit of relaxation and fun. Typical! God plays these little games from time to time. Well, in between natural disasters, of course. Itโ€™s his own โ€œme-timeโ€. So yes, that middle of lifeโ€ฆ The majority of life. We toil and we worry. We fret about the future. And it all just seems so endless. Weekends are spoiled by the impending knowledge that another Monday is soon to be thrown on your desk. The sun is shining, and yet you cannot enjoy it becauseโ€ฆ EMAILS. There is little more depressing than a grey inbox. Have you noticed that despite your screen predominantly being white, it feels grey? Pale, dead, depressing, lifeless grey. And you think back to those days when you used to go out all the time, feel free, wear what you wanted, do what you wanted, and be who you wanted. You had great ambitions and the future was bright. Well, now you realise that the future is not orange but in fact grey. And oh so current. What happenedโ€ฆ?? Well, we mustnโ€™t dwell on what happened, but instead on what is happening. Life is happening. And you must simply get on with it. Why? Because there will be a time when you are NOT doing the mundane. When work will be a thing of the past. When you are once again free! There is a caveat, howeverโ€ฆ


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Bye! – Ed Eagle

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Bye! – Ed Eagle

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜ฝ๐™ฎ๐™š! – ๐™€๐™™ ๐™€๐™–๐™œ๐™ก๐™š

    Charles bids you all adieu.

    Saying goodbye is rarely easy. Saying farewell is often hard. Leaving the room for good is a tricky thing. Leaving a partner can be worse. Sometimes itโ€™s for the best. Sometimes itโ€™s one sided. Sometimes itโ€™s amicable. But often this mutual parting agreement can be fuelled by hatred and resentment. Why were they ever together? Was it ever good in the first place? Was it initial attraction and fun times, followed by bickering, turning into serious slam-door arguments? Should this sound even remotely familiar, one should never actually wish harm to the other party. One should wish them well, with the hope that they find someone more suited. If however there is to be a mutual separation, who does the dumping? Youโ€™ve hated each otherโ€™s guts for so damned long, but youโ€™re used to each other. Itโ€™s routine. Habit, if you will. Well now itโ€™s time to kick that habit. Youโ€™ve rid yourself of that foul odour and those shamefully stained fingertips, and now it is time to shed another burden. But that burden is feeling the same! โ€œMy, how the turn tablesโ€. It reminds me of Sam and Diane in Cheers. The constant argument of who dumped whoโ€ฆ We all want to get there first, but sometimes they just get there quicker. In which case, โ€œSOD YOU!โ€ – and what a relief it is to be rid of this curse.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Clarity (Duet) – Louise Lewis, Cecilee

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Clarity (Duet) – Louise Lewis, Cecilee

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜พ๐™ก๐™–๐™ง๐™ž๐™ฉ๐™ฎ (๐˜ฟ๐™ช๐™š๐™ฉ) – ๐™‡๐™ค๐™ช๐™ž๐™จ๐™š ๐™‡๐™š๐™ฌ๐™ž๐™จ, ๐˜พ๐™š๐™˜๐™ž๐™ก๐™š๐™š


    Charles canโ€™t get enough of this GASโ€ฆ


    I often delve into the dark ages like an old fart, despite not being old. I mean, just HOW many times have I mentioned The Beatles?? At least once or twice. Oh, the 60s was quite the decade. The revolutionary, swinging 1960s. But going back as far as the 50s for me is rare. The pretty and beautiful 1950s. Maybe I mentioned the odd quiff? Perhaps an โ€œuh-huh-huhโ€ or so? How about the 40s? The brave and romantic bomb-stricken 1940s. Well I might have done. Maybe to mention the war, for old timesโ€™ sake – โ€œthose days of going down to the shelter while listening to Vera Lynnโ€ etcโ€ฆ. Have I even touched on the 30s? The gloriously opulent (Great Depression notwithstanding) 1930s. Perhaps I mentioned Art Deco or Cubism once? I just canโ€™t remember. And what of the 20s? What, NOW? No, no – wrong century. The similarly gloriously opulent (not to mention roaring) 1920s, before anyone could conceive even the notion of a depression, great or small. Itโ€™s more than likely that I had fun with the odd flapper or two, but letโ€™s be honest here. I havenโ€™t really gone into that era. Itโ€™s a hundred years ago, for Christโ€™s sake! How is that possible??


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