Connolly’s Corner

  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Cash Money Honey – Grayson Foster

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Cash Money Honey – Grayson Foster

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜พ๐™–๐™จ๐™ ๐™ˆ๐™ค๐™ฃ๐™š๐™ฎ ๐™ƒ๐™ค๐™ฃ๐™š๐™ฎ – ๐™‚๐™ง๐™–๐™ฎ๐™จ๐™ค๐™ฃ ๐™๐™ค๐™จ๐™ฉ๐™š๐™ง


    Charles counts his pennies and considers his class. Being broke in the music industry…


    As hierarchy, status and class dissolve fast, one vulgar thing unites us all. I speak not of โ€œAll You Need Is Loveโ€ by Ringo and his mates, but actually of โ€œAll You Need Is Cashโ€ by their spoof tribute, The Rutles. It all used to be about class and social standing, here in Britain, regardless of wealth. I gather that in the Ewe Ess of Ay, these are synonymous with money. They come as a package. Traditionally in Britain it had always been about background and ancestry. If one was born into an aristocratic family, that person would be an aristocrat. If one was born into a working class family in a mining town, that person would probably continue the line. Although there is now much considered wrong with this, there was usually comfort in understanding oneโ€™s way of life. People were usually pretty happy with their status – one knew oneโ€™s place – except for the muddy middle muddle, which has always been lost. I am one of those middlians. Striving for no apparent reason, other than the feeling that it is what I am supposed to do. Modern Britain, along with most of the rest of the world, now makes it simpler. The richer you are, the more successful you are, and therefore the better you are. Money, cash, spondulicks, dollars, pounds, yen and the feebly and unimaginatively named Euro – call it what you will – it runs and rules our lives now. It is everything. And I hate to say this. It should be love, happiness and contentment, but it is pounds, shillings and pence, with emphasis on the larger denomination. We even see it in music. Pop songs used to be about love, but increasingly they are about fame and fortune. Money โ€œCanโ€™t Buy Me Loveโ€ – true, but it can buy me just about everything else. Even I wrote a song – Tap When Youโ€™re Ready – about contactless payment – God help me – where a spoilt woman wants to know the man is with her at all times, just in order for him to plonk down his card whenever something might pique her fancy (listen on our brand new NAS Rarities, Oddities and B-sides playlist). Money is everywhere. Nay, money is talked about everywhere. It has become less about greed and more about need. The struggle and the compulsion. Long gone are the days of simple subsistence. And donโ€™t get me on to money in the music industry. The Small Faces had it right, with โ€œAll Or Nothingโ€.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: CircleWalk – Sano Hill

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: CircleWalk – Sano Hill

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜พ๐™ž๐™ง๐™˜๐™ก๐™š๐™’๐™–๐™ก๐™  – ๐™Ž๐™–๐™ฃ๐™ค ๐™ƒ๐™ž๐™ก๐™ก


    Charles welcomes you to Ruby Tuesdayโ€ฆ


    What a week I have just had. You must permit me to ramble and go to excess this week. Well, Iโ€™m going to anyway. Hush, I donโ€™t get paid for this. And advance apologies to Sano Hill for going on. Recently I have been working hard on a production in collaboration with a mystery NAS artist you all know well, but whom shall remain nameless, at least for now. It is going extremely well, but it can go to oneโ€™s head, this art thang. It can get a bit much, so one needs breaks from time to time. Monday evening was the first of these breaks. My girlfriend and I felt like watching a horror film. Not terrifying gore-filled heart attack inducing horror, but the old kind. The quaint, amusing Vincent Price kind. And so we sat down to watch The Raven. Yes, The Raven. as in, Edgar Allan Poeโ€™s The Raven. We contemplated watching it standing up, but thought this to be altogether rather uncomfortable. โ€œWhile I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door.โ€ – yes, THIS was what I wanted. Such charm and style in the old way. The film was just as I had hoped for. A break from reality. Something to take my mind away from music – something for which I rarely wish.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Bury Me in My Boots – Map of Autumn

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Bury Me in My Boots – Map of Autumn

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜ฝ๐™ช๐™ง๐™ฎ ๐™ˆ๐™š ๐™ž๐™ฃ ๐™ˆ๐™ฎ ๐˜ฝ๐™ค๐™ค๐™ฉ๐™จ – ๐™ˆ๐™–๐™ฅ ๐™ค๐™› ๐˜ผ๐™ช๐™ฉ๐™ช๐™ข๐™ฃ


    Charles briefly does itโ€ฆ


    In a selfish (or kind) way, Iโ€™m going to keep this short. The reason being, at the time of writing, it is Bank Holiday Monday (at least here in England). But I didnโ€™t want to simply not write an article this week, just for the sake of a lazy Monday. It wouldnโ€™t be fair on the artist who would miss out on their earned praise. I know most of you – if plonked in my shoes – wouldnโ€™t even contemplate working on a Bank Holiday Monday. But perhaps a few of you might think it their duty to carry on regardless. Iโ€™m doing the annoying thing of meeting halfway. Neither one thing nor the other. Not ignoring my duty, but not putting in everything Iโ€™ve got for most of the day.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: By My Side – Rich Allen

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: By My Side – Rich Allen

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜ฝ๐™ฎ ๐™ˆ๐™ฎ ๐™Ž๐™ž๐™™๐™š – ๐™๐™ž๐™˜๐™ ๐˜ผ๐™ก๐™ก๐™š๐™ฃ


    Charles has nothing but timeโ€ฆ


    Last week I talked about not taking life too seriously. I also talked about work and how it can truly crush the spirit and make you a bit of a drone. Well, actually I didnโ€™t say that. But thatโ€™s what can happen with work. It can get the better of you and start to own your soul. We only get two chances at pure freedom. One, when weโ€™re too young to appreciate it, and the other when weโ€™re too ill to enjoy it. Both ends of the spectrum, and both ends of life, as we know it. In the middle we are in our prime. And yet, in the middle we are too busy and too stressed to even contemplate a bit of relaxation and fun. Typical! God plays these little games from time to time. Well, in between natural disasters, of course. Itโ€™s his own โ€œme-timeโ€. So yes, that middle of lifeโ€ฆ The majority of life. We toil and we worry. We fret about the future. And it all just seems so endless. Weekends are spoiled by the impending knowledge that another Monday is soon to be thrown on your desk. The sun is shining, and yet you cannot enjoy it becauseโ€ฆ EMAILS. There is little more depressing than a grey inbox. Have you noticed that despite your screen predominantly being white, it feels grey? Pale, dead, depressing, lifeless grey. And you think back to those days when you used to go out all the time, feel free, wear what you wanted, do what you wanted, and be who you wanted. You had great ambitions and the future was bright. Well, now you realise that the future is not orange but in fact grey. And oh so current. What happenedโ€ฆ?? Well, we mustnโ€™t dwell on what happened, but instead on what is happening. Life is happening. And you must simply get on with it. Why? Because there will be a time when you are NOT doing the mundane. When work will be a thing of the past. When you are once again free! There is a caveat, howeverโ€ฆ


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Bye! – Ed Eagle

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Bye! – Ed Eagle

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜ฝ๐™ฎ๐™š! – ๐™€๐™™ ๐™€๐™–๐™œ๐™ก๐™š

    Charles bids you all adieu.

    Saying goodbye is rarely easy. Saying farewell is often hard. Leaving the room for good is a tricky thing. Leaving a partner can be worse. Sometimes itโ€™s for the best. Sometimes itโ€™s one sided. Sometimes itโ€™s amicable. But often this mutual parting agreement can be fuelled by hatred and resentment. Why were they ever together? Was it ever good in the first place? Was it initial attraction and fun times, followed by bickering, turning into serious slam-door arguments? Should this sound even remotely familiar, one should never actually wish harm to the other party. One should wish them well, with the hope that they find someone more suited. If however there is to be a mutual separation, who does the dumping? Youโ€™ve hated each otherโ€™s guts for so damned long, but youโ€™re used to each other. Itโ€™s routine. Habit, if you will. Well now itโ€™s time to kick that habit. Youโ€™ve rid yourself of that foul odour and those shamefully stained fingertips, and now it is time to shed another burden. But that burden is feeling the same! โ€œMy, how the turn tablesโ€. It reminds me of Sam and Diane in Cheers. The constant argument of who dumped whoโ€ฆ We all want to get there first, but sometimes they just get there quicker. In which case, โ€œSOD YOU!โ€ – and what a relief it is to be rid of this curse.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Clarity (Duet) – Louise Lewis, Cecilee

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Clarity (Duet) – Louise Lewis, Cecilee

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜พ๐™ก๐™–๐™ง๐™ž๐™ฉ๐™ฎ (๐˜ฟ๐™ช๐™š๐™ฉ) – ๐™‡๐™ค๐™ช๐™ž๐™จ๐™š ๐™‡๐™š๐™ฌ๐™ž๐™จ, ๐˜พ๐™š๐™˜๐™ž๐™ก๐™š๐™š


    Charles canโ€™t get enough of this GASโ€ฆ


    I often delve into the dark ages like an old fart, despite not being old. I mean, just HOW many times have I mentioned The Beatles?? At least once or twice. Oh, the 60s was quite the decade. The revolutionary, swinging 1960s. But going back as far as the 50s for me is rare. The pretty and beautiful 1950s. Maybe I mentioned the odd quiff? Perhaps an โ€œuh-huh-huhโ€ or so? How about the 40s? The brave and romantic bomb-stricken 1940s. Well I might have done. Maybe to mention the war, for old timesโ€™ sake – โ€œthose days of going down to the shelter while listening to Vera Lynnโ€ etcโ€ฆ. Have I even touched on the 30s? The gloriously opulent (Great Depression notwithstanding) 1930s. Perhaps I mentioned Art Deco or Cubism once? I just canโ€™t remember. And what of the 20s? What, NOW? No, no – wrong century. The similarly gloriously opulent (not to mention roaring) 1920s, before anyone could conceive even the notion of a depression, great or small. Itโ€™s more than likely that I had fun with the odd flapper or two, but letโ€™s be honest here. I havenโ€™t really gone into that era. Itโ€™s a hundred years ago, for Christโ€™s sake! How is that possible??


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Clarity – Joe Quincy

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Clarity – Joe Quincy

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜พ๐™ก๐™–๐™ง๐™ž๐™ฉ๐™ฎ – ๐™…๐™ค๐™š ๐™Œ๐™ช๐™ž๐™ฃ๐™˜๐™ฎ


    Charles wishes to make one thing clearโ€ฆ


    As the world seemingly loses its collective mind, I continue the progressively difficult task of keeping a grip on mine. Just like it is a New Year of some sort most days of the year, it would seem like it is April 1st most days too. I base this mainly on my daily perusal of The Times. I think by now, most of you know I am a Times reader. The main two reasons used to be because the news was vaguely unbiased, and each article was relatively well written and โ€œnewsworthyโ€. I say โ€œused to beโ€ for a reason. Things have changed. The world has changed. People have changed. The only options are, to go with it and accept what is apparently reality, or to absorb said information, chuckle a little, and move on. Actually, there is a third option. To duck under the covers (being sure not to leave oneโ€™s wits on the outside), to tightly close oneโ€™s eyes, and keep hold of oneโ€™s sanity. Deny, deny, deny. Or maybe a little of all threeโ€ฆ? Retain a sense of balance. As said by a young Ebenezer Scrooge in the 1951 classic – based on the 1843 classic – (please excuse the unseasonal reference): โ€œI think the world is becoming a very hard and cruel place, Mr. Marley. One must steel oneself to survive it. Not to be crushed under with the weak and the infirmโ€. Now, although I donโ€™t wholly agree with this statement, I very much do feel its resonance in the modern day. A more contemporary approach would be to HELP the weak and infirmโ€ฆ


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Cloud Atlas (feat. Bill Lieske) – Lubena Nova, Riitala

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Cloud Atlas (feat. Bill Lieske) – Lubena Nova, Riitala

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜พ๐™ก๐™ค๐™ช๐™™ ๐˜ผ๐™ฉ๐™ก๐™–๐™จ (๐™›๐™š๐™–๐™ฉ. ๐˜ฝ๐™ž๐™ก๐™ก ๐™‡๐™ž๐™š๐™จ๐™ ๐™š) – ๐™‡๐™ช๐™—๐™š๐™ฃ๐™– ๐™‰๐™ค๐™ซ๐™–, ๐™๐™ž๐™ž๐™ฉ๐™–๐™ก๐™–


    Charles goes beyond the cloudsโ€ฆ


    A few weeks ago I wrote about the โ€œunusualsโ€ of the world. Well, it turns out I am obsessed with the unusuals. They are exactly what excites me. A change. Something different. Something new. The freaks are the rare ones. And I donโ€™t mean that derogatorily; quite the opposite. Mediocrity is quite normal. Usual, even. And mediocrity doesnโ€™t excite me. I canโ€™t imagine it excites anyone. Life is quite dull if everything is predictable. Most people go with the flow, which makes for a predictable outcome. While we understand this, and it can be somewhat comforting, it is something else that makes us pay attention. But also, perhaps most people would find this difference inaccessible, because it might not be relatable; which I understand. For me, however, itโ€™s what I like. What with me being a traditionalist of sorts, it might surprise some to learn that I crave newness and invention, but thatโ€™s the funny thing about me. With certain things, I like the old, trodden way. With others, I want to be refreshed. Architecture, for example, I like to stay traditional. But that isnโ€™t because I donโ€™t like change; itโ€™s because I donโ€™t like any of the change since, say, the 1930s. All the architecture since then may be new, but I simply donโ€™t like it. I wonโ€™t automatically like something new and original just because itโ€™s new and original. If, for example, it was decided that all roads in Britain were to be painted shocking pink, it would be unique. It would never have been done before. But is that to say it would excite me? It would not. It would make me cringe and wonder โ€œwhat on Earth this world is coming toโ€, like an old fogey. Basically, newness does not always equal goodness.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Cold (feat. Vichaโ€™e Nance) – Origin Crxss

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Cold (feat. Vichaโ€™e Nance) – Origin Crxss

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.

    ๐˜พ๐™ค๐™ก๐™™ (๐™›๐™š๐™–๐™ฉ. ๐™‘๐™ž๐™˜๐™๐™–โ€™๐™š ๐™‰๐™–๐™ฃ๐™˜๐™š) – ๐™Š๐™ง๐™ž๐™œ๐™ž๐™ฃ ๐˜พ๐™ง๐™ญ๐™จ๐™จ


    Tentatively, Charles opens up.


    My corner. My messy little corner strewn with toys, glitter, hats and sweets. I live it. YOU know it; you come here every week! But do you REALLY know itโ€ฆ? I mean, many of you may feel you know me quite well through my weekly musings and my odd appearance elsewhere, not to mention my own music. But is this it? Is there perhaps more to this singular chap than meets the eye? I am always more than happy to speak about what I have done, observed and created, but do I ever speak about the future? My future? What I am working on, for example? No. Never. I am a private soul who doesnโ€™t like to show or tell until something is complete and ready for the general public (apologies for generalising – with a bit of luck, you all simultaneously took offence). You may be familiar with at least some of my music, but you are never to know what is coming next. I never divulge. Partly because I might not know myself, but also because I simply donโ€™t want to. So! People may have decided they know my style of music, both in taste and in creation – thereโ€™s pop, indie, maybe a bit of orchestral thrown in. People seem to note the happy, upbeat style through my music. I have personally never seen it that way. People also know I am never going to come out with a hip-hop track in collaboration with another artist. People have maybe seen the lack of hip-hop and rap in my reviews – โ€œhe obviously just doesnโ€™t like hip-hop and rap, and doesnโ€™t do collaborationsโ€. When examining this seemingly innocent little corner of mine, there seems to be a small hidden door. It says ‘PUSH’ – doesnโ€™t open. Pulling, however seems to have done the trick (sneaky chap, this Connolly). Oh Christ, weโ€™re in his mind. MY mind. The โ€˜TO DOโ€™ pile is hitting the roof. The โ€˜DONEโ€™ pile is thin and dusty. Ah, here we are: โ€˜WORK IN PROGRESSโ€™. Thatโ€™s pretty damned tall too! Bugger, and now itโ€™s all over the floor. Wait, whatโ€™s this? A hip-hop track? Rap? Collaboration?? โ€œBut heโ€ฆ But itโ€ฆ No, but he canโ€™tโ€ฆโ€ – Ah, but I CAN, you see, and so I will.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Collide – DeBlocka

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Collide – DeBlocka

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜พ๐™ค๐™ก๐™ก๐™ž๐™™๐™š – ๐˜ฟ๐™š๐™—๐™ก๐™ค๐™˜๐™ ๐™–


    Charles hits the wall and bounces offโ€ฆ


    YouTube is a thing. A thing we all use for one thing or another. Or maybe both one thing AND another. In fact, it is the second most viewed website in the world, with a figure that is slightly staggering. Utterly staggering, really: around 5 billion viewsโ€ฆ PER DAY!!! And thatโ€™s just me and Adele! Nah, just kidding. Adele doesnโ€™t get those kinds of figures. So what are we all watching? What is it that glues us to that screen? Are you more of a โ€œpot luckโ€ kind of person? Do you just dip in occasionally to see what YouTube has pushed you this time? Maybe โ€œpot luckโ€ of a different sort. Maybe you like videos on decorating pots. Making pots? Collecting pots, perhaps? Rare Roman pots unearthed? Or maybe you like videos on different strains of pot and how best to grow it? Whatever you feel like viewing (within reasonโ€ฆ), it is there. It has become the video version of Google. You will never find โ€œYour search did not match any videosโ€. My personal YouTube obsession is using it for education. It schools me and helps me to find better ways of mixing. All for no pennies. Utterly free! Whoโ€™da thunk it?? So this is what I do. Whether I am looking for a specific technique when attempting to compress a bass guitar, or maybe more information on โ€œdifferent kinds of saturationโ€, there will always be many videos to help me along my journey to perfection. Sometimes I just browse and think โ€œthat looks interestingโ€ – only to find it wasnโ€™t. But Iโ€™m nevertheless eager to learn. Dedicated to the core, to my profession. Of course, REAL one-to-one tuition would be far superior and more helpful, but it comes at a price. A price I cannot afford right now.


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