Connolly’s Corner

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙁𝙪𝙨𝙨 – 𝙋𝙖𝙩𝙧𝙞𝙠 𝘼𝙝𝙡𝙢

Charles lost his soul…

The other night I rediscovered jazz. I had one little melody stuck in my head but I couldn’t think what it was. I was sure it was something from jazz singer Stacey Kent. I scanned through her entire discography. I was wrong. In my head it was both old and relatively new sounding. It wasn’t quite the old grainy jazz of the late 40s and early 50s, but it also didn’t quite have the lustre and close sparkle of newer jazz. I was mainly a bit stuck because I knew that I knew it extremely well, and yet I know VERY little jazz… At first I thought this melody (which introduces the song – I knew THAT much) was piano, but I quickly realised it was saxophone (or trumpet – I just couldn’t quite solidify it in my mind). I had the feel of the playing, but I still couldn’t be definite about the sound. It bugged me for a good half hour. I even tried many Miles Davis tracks, hoping it was either his own trumpet playing, or perhaps John Coltrane on the saxophone. Still couldn’t find it. Something suddenly clicked. I got it instantly. It was Paul Desmond playing the sax. The sound was cemented in my mind and I knew that had to mean one thing. It was a Dave Brubeck song. I have only ever had one album by Brubeck. But it’s an album you all own in one way or an other. Literally each and every one of you has this LP in your possession. And yet, you will all have different versions by different artists. So different that it’s impossible to believe they share the same title. I personally have loads of copies by numerous artists. Any guesses for the title of said album? No…? All right, I’ll tell you. It’s called Greatest Hits. Despite this song I was searching for apparently being on his 1963 album Bossa Nova USA, I only knew it from his 1966 Greatest Hits album. And I cannot imagine how many times I have played this record. It must be hundreds. I know almost every single note of every solo. And yet… I have never really been into jazz…

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙂𝙧𝙚𝙚𝙣 𝙖𝙣𝙙 𝙂𝙤𝙡𝙙 – 𝙍𝙞𝙫𝙚𝙧 𝙆𝙣𝙞𝙜𝙝𝙩

Charles questions the system…

The night before writing this, my girlfriend and I had a little chat after a delicious dinner with a glass of vino; just the two of us. It was a civilised chat. A mature chat. A really rather adulty chat, if you must know. I mean, you mustn’t know. That is, you need not know. You probably don’t care. But I will say anyway. I want to tell you. Because that’s the kind of bad boy I am. The kind of lad to force information down your throat, whether you want it or not. You only came here for a lighthearted music review…! Well, okay, I’m not really that bad, but I will nevertheless continue like the beastly bully that I am. So yes, between sips of the red stuff we chatted about theories, ideologies and the general way of the world. Vague enough for you? We spoke of early humans. Cavemen being not much more than intelligent animals, spending their days hunting, in order to eat. Just like an animal in the wild. Survival and procreation were literally all to be done. To keep things going, basically. Food, water, shelter and warmth. Nothing more. A traditional farmer was pretty much a more civilised modern version of cavemen (and please, “cavemen” encompasses women as well – let not this article be a chore nor a bore). We spoke of communities in villages, where instead of essentials being bought from a local shop, it was a game of swapsies. A thing for a thing. A skill for a skill. Money, as we know it, was little more than a notion. A concept. Currency had no meaning. No purpose. “More wine, my dear?”, I asked like a charming gentleman. Well actually, I pointed at the bottle and murmured “mm?”, but it has much the same meaning. It’s the thought that counts. Either way, the girl nodded and said “wouldn’t it be lovely if we could get back to those days?”. I filled her glass but had no reply. We then swiftly moved on to more recent times. Not too recent, but let’s say the last few hundred years, for the sake of debate. I need you to stick with me.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙂𝙧𝙚𝙣𝙖𝙙𝙚 – 𝘿𝙤𝙢 𝙋𝙞𝙥𝙚𝙧

Charles proverbially quotes: Many hands make light work…

“Help! I need somebody. Help! Not just anybody. Help! You know I need someone. Help!” Where would we be without a little help from our friends? What would we do without a helping hand? How much worse off would we be without that leg up from people and things? I think most of us would be pretty useless without stuff and people. Sure, we would still have our wonderfully tailored minds and expertly honed skills, but could we do it alone? What are doctors without medicine? And could they deal with critical procedures without nurses? With all that knowledge and experience, they can’t ALL just say “you’ll get better soon”, because they won’t. Not without help. Does that mean the doctor is not needed if we have medicine and nurses? Of course not. Can’t just pop pills with the hope that one will do the trick. And what about a humble cobbler? For those of a foreign nature or those less endowed with knowledge, a cobbler is not someone who cobbles, but someone who mends shoes (just so you know). Surely this would be a solitary affair and would need no help from others? Well, yes, this is true. But take away their hammer and anvil, and ultimately all you have is a worn booty admirer. So with these tools at hand, is there really a need for said cobbler? Well unless you’re content with hurty feet and hurty thumbs, there is.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙁𝙖𝙞𝙡 𝘽𝙞𝙜 – 𝘽𝙧𝙚𝙣𝙙𝙖 𝘾𝙖𝙮

Charles tries, tries again…

Big bucks. Big corporations. Fat cats. Think Amazon. Think Apple. Think Shell. Think Facebook. Think Elon Musk. Think Jeff Bezos. Think Mark Zuckerberg. Think Trump (simmer down). Think… Taylor Swift… “Wait, what does SHE have to do with these pigs??” – I didn’t say they were pigs; YOU said they were pigs. “Okay, but what is SHE doing there??” – This intrigues me. Barring the last name mentioned, these are the things and people we are all supposed to hate. Hate with a passion. This whole corporate attitude STINKS!! How DARE they be rich and successful! Okay, okay. Ethically, you’ve got a point. Politically, you’ve got a point. But what it tends to boil down to is entrepreneur minds turning into business people, turning into wealth. Big wealth. I find it interesting that we apparently all love Steve Jobs, yet all detest Tim Cook. Apparently the reason behind this is that “Steve Jobs was some sort of spiritual guru, and Tim Cook is just a money man” (not actually a quote). Wait a sec, you think Jobs was simply passionate about making our lives better…? He was an entrepreneur with unbelievable business skills! He wanted to make a tonne of money! Same as Cook. And both have done rather well.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙁𝙖𝙠𝙚 𝙎𝙢𝙞𝙡𝙚 – 𝘼𝙡𝙞𝙫𝙚𝙏𝙚𝙚𝙣

Charles lies, lies and lies again.

A couple of weeks ago I touched on the idea that people are nicer these days. A comforting thought, no? Well, yes! Anything positive these days can only be a good thing, right? People seem more caring. Everyone has the chance to open up and speak their most heartfelt thoughts, and receive nothing but beautiful heartfelt replies. So much love seems to flow around the internet. Discrimination is a thing of the past. Everyone is happy and the world is but a bubble of tranquil peace. So many decades of bitter, harsh coldness have passed. People bound in their own dark beliefs and views since birth have now seen the light and seen their wrongdoing. They have seen the error of their ways, gone to confession and had their sins washed away by a great tide of minty fresh goodness. What a relief it is to be alive at a time like this, where honesty is at the heart of it all. A time when resentment and judgement are long forgotten. And breathe.

(more…)

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙁𝙖𝙡𝙡𝙞𝙣𝙜 – 𝙋𝙤𝙡𝙚 𝙋𝙤𝙨𝙞𝙩𝙞𝙤𝙣

Charles finds significance in retrospect.

Occasionally I mention mainstream artists in my reviews. Sometimes for comparison, sometimes because they often simply can’t be avoided – here’s looking at you, Beatles. When sifting through new releases, we are unlikely to stumble across a new Beatles album, unfortunately – not counting the 2021 Let It Be mix of a few weeks back. It will be the usual huge artists of the last 10 or 20 years. Coldplay’s ‘Music of the Spheres’ (universally deemed mediocre by the press), Ed Sheeran’s ‘=‘ (said to be dated and very unexceptional indeed), and Adele’s latest single, ‘Easy On Me’ (another masterpiece from the mastress – well okay, if you say so). But – if it hadn’t been for the pummelling of pricey advertising – we maybe didn’t expect a brand new album by one of the old greats: ABBA.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙃𝙪𝙣𝙜 𝙈𝙚 𝙊𝙪𝙩 𝙏𝙤 𝘿𝙧𝙮 – 𝙁𝙤𝙧𝙚𝙫𝙚𝙧 𝙁𝙤𝙧𝙚𝙫𝙚𝙧

Charles won’t leave you hanging…

Do you ever get that feeling when you’re so totally alone? I don’t mean being lonely. I don’t even mean some sort of fear of isolation. I just mean when you see and hear everything around you, but it feels like no one else is speaking the same language… Does that seem familiar to you? Or how about when nothing specific has happened, but you feel abandoned, or even spat upon? Do you ever get that feeling? It could be personal; it could be very distant, yet still affecting. Sometimes I think about my country and my government, and they don’t seem to mesh. Sometimes I think about my health service that doesn’t work. Sometimes I think about my work and how previously good clients have shown a darker side in more recent times. Sometimes I think about my landlord and my neighbours refusing to do the right thing. Sometimes I think about the artists I have reviewed, refusing to do the right thing. And sometimes, I just think.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙄’𝙙 𝙍𝙖𝙩𝙝𝙚𝙧 𝘽𝙚 𝘿𝙮𝙞𝙣𝙜 𝙞𝙣 𝙖 𝙁𝙖𝙞𝙧𝙮𝙩𝙖𝙡𝙚 – 𝙮𝙖

Charles wonders if decrypting the enigma is a wise choice…

Life is a big old thing. Or moreover, the world is a big old thing. A world chock full of billions of beings and trillions of things. We’re not put here to understand every single one of them. Even if equipped with the best of brains, it would be quite literally impossible. Just not enough time, and not enough interest to do so – not to mention the diverse cognitive ability to undertake such a task. It would hardly be a doddle or a walk in the park. The simplest things can baffle me, but I simply and naturally learn to accept it. I urge you not to be a pedant or an irritating little blighter when reading and possibly commenting on this article. Chances are, you are cleverer than I, and that you should be proud of this knowledge. Quietly proud. Allow me to be simple and unknowledgeable. Permit me to be contentedly lost in a world of people and things.

(more…)

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙄 𝘿𝙤𝙣’𝙩 𝘾𝙖𝙧𝙚 – 𝙃𝙤𝙢𝙚𝙡𝙚𝙨𝙨 𝙍𝙖𝙙𝙞𝙤

Charles can’t help but care…

Sometimes, being topical is unavoidable. This is one of those times. The world has not been a lucky place in the last couple of years. Back in 2019, everything seemed to be bumbling along oh-so averagely. #MeToo was still very much a thing. Trump was being Trump. Brexit was on people’s lips. Notre Dame was in people’s hearts. Theresa May stepped down, and Boris Johnson tripped up. Then a great big pandemic came along. George Floyd lost his life and rose to fame, as the world’s people proudly showed their masked faces and threw their fists to the air. Prince Philip passed away at the age of 99. So did Eddie Van Halen, admittedly not nearly so old. It has been a hard and bitter time. Era, you could call it. So unique and unprecedented were the times, that the collective feeling was that of being lost.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙄 𝘿𝙤𝙣’𝙩 𝙆𝙣𝙤𝙬 – 𝙉𝙤𝙖 𝙂𝙞𝙡

Charles opens up, writes an honest review, and tells no lie.

As I have shed my filthy years of youth and grown less immature, I have noticed one thing dying and one thing growing. I speak not of hair and warts, but of lies and truth. Very few of us will have led a completely sin-free life. A young person might rarely see the wrong in telling a lie – or not telling the whole truth – but will often only see the benefits. There can be benefits! But is it therefore RIGHT…? Young people might not really care if it is RIGHT or not. But as I grow less young, I care more and more about honesty.

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