Charles Connolly

  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Itโ€™s Over (feat Jessica Mia) – Jane Marie

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Itโ€™s Over (feat Jessica Mia) – Jane Marie

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™„๐™ฉโ€™๐™จ ๐™Š๐™ซ๐™š๐™ง (๐™›๐™š๐™–๐™ฉ ๐™…๐™š๐™จ๐™จ๐™ž๐™˜๐™– ๐™ˆ๐™ž๐™–) – ๐™…๐™–๐™ฃ๐™š ๐™ˆ๐™–๐™ง๐™ž๐™š


    Charles waxes lyricalโ€ฆ


    Tact is a funny one, isnโ€™t it. Itโ€™s a tricky bugger. Some people have it, and some people donโ€™t. It involves quick decision making. It involves empathy. A โ€œput yourself in their shoesโ€ moment. Say for example, if someone has gone through a traumatic experience (and continues to do so), what do you say? What words do you use? Do you say the usual politician/celebrity line: โ€œMy deepest condolences to the family and friends ofโ€ฆโ€? Do you ignore them all together, with the excuse of โ€œI just wanted to give you spaceโ€, but in fact you were simply stuck for what to say? Do you speak to them as though nothing has happened, in the hope that this will cheer them up and take their mind off things? Do you stay deadly serious? Do you joke? I personally probably do a mixture of all of these things. But the one thing I definitely DONโ€™T do, is imagine that everyone is the same, and that every saddening experience is carbon copy of the last one you heard about. Each instance needs to be addressed uniquely and personally. If you donโ€™t really know the person well at all, itโ€™s probably best to say nothing. Cold, empty sympathy from a relative stranger can do little for the person involved. But this is the thing. These days with half our world conducted over the internet, who is to say the true meaning of โ€œfriendโ€ or โ€œstrangerโ€โ€ฆ? With the written word, one has to try harder in order to portray what one really means or feels. In real life, just one look of โ€œI got youโ€ (eurghh) and a hug can suffice. But in messages, things can look so cold and automatic. I think this must be why I write the way I write. Some might try to emulate who they are by the way they string words together in text. But because I write so much these days, I think I am becoming more like I write. Rather than the words portraying the personality, the personality is becoming the words! And I donโ€™t mind a bit. Iโ€™ve become a better person for it. I think more. I am kinder. I am calmer. I give things a chance to sink in before blurting out an ill-judged response.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Lilith – Teddy Head

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Lilith – Teddy Head

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™‡๐™ž๐™ก๐™ž๐™ฉ๐™ – ๐™๐™š๐™™๐™™๐™ฎ ๐™ƒ๐™š๐™–๐™™


    Charles writes for TVโ€ฆ


    I thought since many of you might already know my pick of the week, I’d make the review a little more entertaining. Something a little different. And for those who don’t know the song, you’re in for a treat. Unfortunately though, those not familiar with the American television comedy, Cheers, should perhaps skip this episode and just listen to the song. One quick phonetical thing before I start: you will occasionally see โ€˜ลผโ€™. This is to be read as the โ€˜sโ€™ in usual. Oh, and do the different voices in your head for better effect.



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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Love Is Just Too Precious! – The Nathaniel Hardy Project

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Love Is Just Too Precious! – The Nathaniel Hardy Project

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™‡๐™ค๐™ซ๐™š ๐™„๐™จ ๐™…๐™ช๐™จ๐™ฉ ๐™๐™ค๐™ค ๐™‹๐™ง๐™š๐™˜๐™ž๐™ค๐™ช๐™จ! – ๐™๐™๐™š ๐™‰๐™–๐™ฉ๐™๐™–๐™ฃ๐™ž๐™š๐™ก ๐™ƒ๐™–๐™ง๐™™๐™ฎ ๐™‹๐™ง๐™ค๐™Ÿ๐™š๐™˜๐™ฉ


    Charles finds his soulโ€ฆ


    Every ten years a decade passes. Every decade brings change. Some decades more than others. Good change, bad change and arguable change, but change nevertheless. While there are many different kinds of change, I will not focus on forced change, such as war, for war is not worth talking about. I prefer the lighter side of life. So… In the last century, which decade has brought the most change? Again, excluding those where war has been the changing factor. I can only really talk about the Western World here, as that is all I am really familiar with. Which has been the most changing decade? Some might say the noughties (00s) due to the rise of the internet. It certainly did change the world; there’s no doubt in that. Some would say the 60s because, THE SIXTIES!! I mean, just EVERYTHING changed, right? Well I can’t argue that it was a revolutionary decade. But more so for the young. The older ones were still living part two of the 50s. How about the 80s, then? With its big hair and technological advancements? Well it certainly wasn’t like anything before. And then there’s the 20s. These 20s, rather than those 20s. The 2020s. The now. BIG change. The problem is, it feels like all this current change is negative change. Which, like war, is not worth talking about. For me, the answer is…….. The 70s. The change didn’t feel as forced or rebellious as the 60s. The change didn’t affect just the young. And seemingly pretty much every aspect changed, almost by the year.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Love Stories (feat. Emily Gray) – Sano Hill

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Love Stories (feat. Emily Gray) – Sano Hill

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™‡๐™ค๐™ซ๐™š ๐™Ž๐™ฉ๐™ค๐™ง๐™ž๐™š๐™จ (๐™›๐™š๐™–๐™ฉ. ๐™€๐™ข๐™ž๐™ก๐™ฎ ๐™‚๐™ง๐™–๐™ฎ) – ๐™Ž๐™–๐™ฃ๐™ค ๐™ƒ๐™ž๐™ก๐™ก


    Charles is only pretendingโ€ฆ


    Itโ€™s been a while since I wrote about love here. Used to do it all the time. Writing, I mean. And itโ€™s always tricky. Well actually, it wasnโ€™t ALWAYS tricky. At the beginning it was quite easy, because it was new. But after a while, there is little more I can say on the matter. Admittedly, most of you will either not remember my earlier articles, or will not yet have joined the New Artist Spotlight community at the time they were published. Shall I just rehash one of my old ones, then? I mean, thatโ€™s what everyone else does these days, right? The thing is, I donโ€™t like doing that. I never do that. I never do that with anything. Newness is โ€œlike my thangโ€. The funny thing is, we do it in songs all the time; this love-ad-nauseam doohickey. Admittedly less so these days as I think young people have been too anxious to learn how to love. Probably far too much like hard work. Okay, so I wonโ€™t concentrate on the very young ones (as if I ever did). Do we maybe just take love for granted? Itโ€™s a big old thing, donโ€™t ya know. Love, I mean. Weโ€™ve all heard the stories. Weโ€™ve all been through it. Itโ€™s either beautiful and tragic. Or starts one way and ends the other. Actually, usually. โ€œSheโ€™s the oneโ€ – how many times have I told myself that?? We so desperately want THAT one to be THE one. We all want the happily ever after. Some genuinely get that. Lucky sods. But more often than not, it just ainโ€™t the way. Bit of a bugger, if you ask me.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Magic – Cerulean Chameleon, Summer Lee Carlson

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Magic – Cerulean Chameleon, Summer Lee Carlson

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™ˆ๐™–๐™œ๐™ž๐™˜ – ๐˜พ๐™š๐™ง๐™ช๐™ก๐™š๐™–๐™ฃ ๐˜พ๐™๐™–๐™ข๐™š๐™ก๐™š๐™ค๐™ฃ, ๐™Ž๐™ช๐™ข๐™ข๐™š๐™ง ๐™‡๐™š๐™š ๐˜พ๐™–๐™ง๐™ก๐™จ๐™ค๐™ฃ


    Charles casts a spellโ€ฆ


    Itโ€™s a new dawn; itโ€™s a new day; itโ€™s a new life for meโ€ฆ And Iโ€™m feeling good. Hopefully your bodies and minds have recovered from the copious amounts of shandy booze, and I trust your ears have stopped ringing from the relentless colourful cannon fire. Some of you might have been saddened or even offended by having not received a New Year message from me. Even in the public chats, I was completely absent. But then again, most of you probably couldn’t give a monkey’s. Quite right. For those of you who have nothing better to do than to frown and weep and mourn the lack of a review for an entire week, have no fear: CC is here! Do not worry your pretty little head. I was simply saving that message for this here public broadcast. I have also been truly enjoying life without screen. There’s a whole world out there, ya know…! What did YOU all do between the festives (24th/25th) and the bing-bangs (31st/1st)? Did you read that book you were given for Christmas? Did you drink yourself into oblivion? Did you resent having to work between the two significant dates? Perhaps you just pigged out while listening to whatever Spotify told you to listen to? Well my favourite day was so simplistic it might even barely bear mentioning. But it is so often the simple things in life that we cherish the most. It was December 30th. I was heavily hungover from the night before – don’t ask. Feeling groggy can be awful, but it can also make you feel cosy at home. Like a yawning puppy. I knew I wasn’t going to get any work done. How could I possibly judge the balance of audio when I couldn’t even remember to put on trousers… Think of it as a duvet day. Yes, I know this is starting to sound like a teenage girl’s slumber party, but I assure you it wasn’t. My girlfriend and I did a jigsaw puzzle from start to finish, while listening to music. It was as simple as that. And a highlight of the music was Kaminski’s album from 2022 (no longer “last year”). We both had such a special time despite there being pretty much nothing to it. I suppose this is what love is all about. It is the magic of it. How something so simple can be so special.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Melanie Klein – Frank Joshua

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Melanie Klein – Frank Joshua

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™ˆ๐™š๐™ก๐™–๐™ฃ๐™ž๐™š ๐™†๐™ก๐™š๐™ž๐™ฃ – ๐™๐™ง๐™–๐™ฃ๐™  ๐™…๐™ค๐™จ๐™๐™ช๐™–


    Charles analyses the situationโ€ฆ


    There has been an increasing rarity of something in my reviews lately. Please don’t all shout at once: “Rap! Death Metal! Brevity!”… I know, I know. I’m more talking about something that used to be quite common in these parts. But has only come up maybe three or four times this year. We’ve had plenty of the rock, the indie, the alternative, the folk, the classical, the soul, the pop, the prog, and even the reggae. So, what am I talking about? What is missing? It’s something that is actually relatively common. But rarely of a high standard, because it’s bloody hard to do well; notoriously so. It has to sound polished. It has to sound classic. It usually has to sound professional (but there can be a certain charm when it’s not). It can be peaceful, but usually itโ€™s sad; and it can be heart-wrenching. Iโ€™m talking about ballads.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Manhรฃ Dourada – Joรฃo Aranha

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Manhรฃ Dourada – Joรฃo Aranha

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™ˆ๐™–๐™ฃ๐™๐™–ฬƒ ๐˜ฟ๐™ค๐™ช๐™ง๐™–๐™™๐™– – ๐™…๐™ค๐™–๐™ค ๐˜ผ๐™ง๐™–๐™ฃ๐™๐™–


    Charles is just being niceโ€ฆ


    Iโ€™m a bad man. Rotten to the core. Cruel and sadistic. Horrid horrid horrid. This is what everyone says about me. Okay. This is not what everyone says about me. At least, not to my face anyway. Then why say it here? Because sometimes we have thoughts. Irrational thoughts. Absurd and fictional thoughts, based on absolutely nothing. It was also a punchy way of starting the article. Ahem. Negative thoughts of oneself can easily creep in when surrounded by negative, bad and ugly. Take last weekโ€™s article, for example. I decided not to comply. I decided not to embrace a thing called HAL. I decided not to see the potential positive effect of it on art. While I won’t be changing my stance any time soon, this negativity can lead to heavier things. If one sees only doom and gloom, one feels only doom and gloom. And it is easy to slide down the slippery slope of โ€œIโ€™m no goodโ€. These days, I would have said my thoughts and views are pretty balanced. Also, these days I think Iโ€™m pretty comfortable with who I am, and what Iโ€™m like. Am I bad? Am I mean? Am I cruel? Am I dishonest? Am I a criminal? No. Am I perfect? Pahahaha! No. Very far from it. While being in a generally healthy state of mind, I could always be better. We all could. But Iโ€™d just like to give the good guys a pat on the back for being so good. While we could all be better, just think how much worse we could be? All those liars and fakers and cheaters out there. We could be like that. We could be going around, spitting on grannies and tripping up children. I saw you, laughing at the idea of the kid falling over. I chuckled too. Because itโ€™s funny. Okay, the kid isnโ€™t laughing, but we mustnโ€™t lose our sense of humour. Stifle that natural laughter, then help the kid up. For most of us, good enough, is good enough. Donโ€™t try to be a positive drone. If it ainโ€™t natural, it ainโ€™t natural.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Molly Bloom’s Monologue – Kele Fleming

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Molly Bloom’s Monologue – Kele Fleming

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™ˆ๐™ค๐™ก๐™ก๐™ฎ ๐˜ฝ๐™ก๐™ค๐™ค๐™ข’๐™จ ๐™ˆ๐™ค๐™ฃ๐™ค๐™ก๐™ค๐™œ๐™ช๐™š – ๐™†๐™š๐™ก๐™š ๐™๐™ก๐™š๐™ข๐™ž๐™ฃ๐™œ


    Charles isnโ€™t yet brave enoughโ€ฆ


    Hands Up whoโ€™s sick to death of Spotifyโ€ฆ? Who is absolutely fed up with everything it has become in recent years? The way it is less a music listening platform, and more a social media platformโ€ฆ? Oh, but it goes so much deeper than that. It ainโ€™t just an ugly interface. Sorry, you can all put your hands down now; I saw โ€œy’allโ€. Spotify has become a fully-fledged greed machine. It has no scruples or morals of any kind. It does not care about a single artist. It does not care about the music industry. It does not care about music. It is (only recently) trying to look like it is doing something about HAL (A.I.) – but even that is all a ruse. It is widely known (though not officially proven) that Spotify is not only adding HAL music to its own editorial playlists, but actually making fully HAL playlists, to the extent that there isn’t a single human-made track on such playlists (again, not proven, but known). Spotify has been punishing innocent independent artists for quite a while now, having whole artist catalogues removed due to one song unknowingly having been placed on a rogue bot-playlist (a playlist that is streamed automatically by robots in order to accrue streaming royalties). The artist did nothing here. And Spotify gives no warning. Because Spotify too is run by robots. Everything is automatic, and humans have little or nothing to do with its running. This is art, baby! And what about royalties? What does the artist get in return for someone listening to their song once? Let’s just say it would take about 300 plays of that song to buy the artist a Mars bar. So, not very much.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: More Notes, Less Vibrato – The Argonauts

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: More Notes, Less Vibrato – The Argonauts

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™ˆ๐™ค๐™ง๐™š ๐™‰๐™ค๐™ฉ๐™š๐™จ, ๐™‡๐™š๐™จ๐™จ ๐™‘๐™ž๐™—๐™ง๐™–๐™ฉ๐™ค – ๐™๐™๐™š ๐˜ผ๐™ง๐™œ๐™ค๐™ฃ๐™–๐™ช๐™ฉ๐™จ


    Charles goes back in time to lose his mind once moreโ€ฆ


    There is a chunk of my life that none of you knows about. Not one. I used to a be a woman. No, no: with this beard, that would be most silly and quite unrealistic. Although I have always been quite proud of my eyelashes. I am going to tell you about that chunk. Cue dream-scene wavy lines – doodly doodly doo. And weโ€™re here. The year is 2006. I am 22. My hair is quite long and naturally blonde. My beard is straggly and thin in parts, which makes me look somewhat like a terrorist stereotype. Nah, I canโ€™t do this in the present tense – all too real and freaking me out. Let me tell you about the time anyway. Having recently obtained my music degree, I thought it best to have a lot of fun. And so I did. I was out every night of the week. Girls, parties, pubs, girls, drink, smoke, girls, drink, smoke, drink, smoke – ahem. I was YOUNG!! Leave me alone. So, there was all of that, as per usual. But as with today, there was one constant. Music. Always listening, always discovering, always playing, always going to gigs. But always PLAYING gigs. Good old giggity-gigs. I was in several bands through the years, but there was always one particular one that stays with me. We were really rather good – if you like that sort of thing. A simple four-piece consisting of guitar, bass, drums and vocals. Joe King was the incredible bassist. Yes, his real name was Joe King – his parents must have been having a laugh. Blah was the guitarist, and other blah was the singer. I say Blah because we didn’t particularly get on in the end, and the other blah was his girlfriend and so backed him up on everything he said or did. She also couldnโ€™t sing and didnโ€™t understand the concept of a melody. It was more of a drunk croon from someone occasionally walking on hot coals. You know these medic types (for that was what she was studying at the time)โ€ฆ This guitarist though – he was good, but his fingers were like spider legs. The simplest movement on the neck of the guitar made his hand look contorted like someone suffering from rheumatoid arthritis. Basically, his fingers werenโ€™t as good as his brain. He came up with really good licks, but couldnโ€™t quite play them well enough. And then there was me. I was on drums.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: London Underground – Square Dance Caller

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: London Underground – Square Dance Caller

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™‡๐™ค๐™ฃ๐™™๐™ค๐™ฃ ๐™๐™ฃ๐™™๐™š๐™ง๐™œ๐™ง๐™ค๐™ช๐™ฃ๐™™ – ๐™Ž๐™ฆ๐™ช๐™–๐™ง๐™š ๐˜ฟ๐™–๐™ฃ๐™˜๐™š ๐˜พ๐™–๐™ก๐™ก๐™š๐™ง


    Charles minds the gapโ€ฆ


    Tickets please! Weโ€™re going DOWN. Next stop: anywhere you please. Iโ€™m fumbling for my card as Iโ€™m barged from behind. This sea of dissimilar creatures snaking through the automatic barriers at ground level, in a rush to be elsewhere. Anywhere but here. Please hold the handrail, as you slowly descend into the hot, airless atmosphere of underneath. That unmistakable smell of speedy machinery on wheels. That frequent cyclone that makes your jacket flap. Your plastic bags ruffle and ripple with excitement as you squint and hold on to your hat. Itโ€™s all happening here.


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