Charles Connolly

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙉𝙞𝙩𝙚 𝙍𝙞𝙩𝙚 𝙣’ .2 – 𝘼𝙡𝙗𝙚𝙧𝙩𝙤 𝙋𝙖𝙧𝙢𝙚𝙜𝙞𝙖𝙣𝙞, 𝙎𝙤𝙪𝙡 𝙃𝙪𝙣𝙩𝙚𝙧𝙨

Charles shows good sportsmanship.

A couple of days ago, there was a game of football. Or soccer, if you prefer. One team wearing white, the other, blue. I rooted for white. Sometimes, things just don’t go to plan. They did however for the blues. I am not a football fan, but this was one of the few times when an Englishman is allowed to be patriotic. It is seen as okay. The way to be. The thing to do. The hopes were high, but eventually, after much sweaty tension, the feeling was low. A big shame. But someone has to win, and someone has to, well, come second. It has always been the way. 22 men fought like brave soldiers; courageous yet civil and respectful. My only real CONCERN about England coming in ‘second place’, was the possible aftermath. English football fans have something of a reputation for acting, shall we say, a little less gentlemanly than they maybe should. Which is why I am of the opinion that “if you can’t beat ‘em, join em’”. Not the fans, but the winners. Let’s all come together and celebrate a joyous occasion. Not as joyous as one would have hoped, of course, but let’s simply take part in the festivities and good vibes, rather than turning the good vibes to bad. Let us enjoy and revel in the good times we’ve had over the weeks, and just understand that the result of a game of football must not be taken as a personal attack, but simply an outcome that had to go either way.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙇𝙤𝙣𝙙𝙤𝙣 𝙐𝙣𝙙𝙚𝙧𝙜𝙧𝙤𝙪𝙣𝙙 – 𝙎𝙦𝙪𝙖𝙧𝙚 𝘿𝙖𝙣𝙘𝙚 𝘾𝙖𝙡𝙡𝙚𝙧

Charles minds the gap…

Tickets please! We’re going DOWN. Next stop: anywhere you please. I’m fumbling for my card as I’m barged from behind. This sea of dissimilar creatures snaking through the automatic barriers at ground level, in a rush to be elsewhere. Anywhere but here. Please hold the handrail, as you slowly descend into the hot, airless atmosphere of underneath. That unmistakable smell of speedy machinery on wheels. That frequent cyclone that makes your jacket flap. Your plastic bags ruffle and ripple with excitement as you squint and hold on to your hat. It’s all happening here.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙉𝙞𝙜𝙝𝙩 𝙏𝙤 𝘿𝙖𝙮 – 𝙎𝙠𝙞𝙣𝙣𝙮 𝘿𝙞𝙥𝙥𝙚𝙧𝙨

Charles catches the sun and puts it in his pocket…

The sun is a wondrous thing. It shines bright from behind the blue. It both creates and eradicates shadow, turning dark into light, and light into darker. Leaves and yolk-filled petals bask, as we burn and cower. Said scented blooms will turn in synchronisation with its beam, always to be head-to-head with the god of the sky. Those of us who do wish to confront its rays will do so with a youthful pride. Head held high, arms glistening with salty beads. What is it about these golden rays that makes us smile? A simple thing of brightness and warmth. Can it be as simple as that? Could it be the Vitamin D that our bodies make, much like a human equivalent of photosynthesis…? It is more powerful than chemistry, surely. We have learnt of solar power relatively recently, but have felt it within ourselves for millennia. This is where nature competes and wins every time. Everyone benefits. Well, almost everyone. Farmers with their droughts, skin cancer sufferers, people whose land regularly deals with forest fires, even little freckle-faced Billy who can’t go out to play because of his sensitive skin… There are negatives. Oh and then there’s the big old climate change stuff… But on the whole, The sun is a wondrous thing.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙈𝙖𝙣𝙝𝙖̃ 𝘿𝙤𝙪𝙧𝙖𝙙𝙖 – 𝙅𝙤𝙖𝙤 𝘼𝙧𝙖𝙣𝙝𝙖

Charles is just being nice…

I’m a bad man. Rotten to the core. Cruel and sadistic. Horrid horrid horrid. This is what everyone says about me. Okay. This is not what everyone says about me. At least, not to my face anyway. Then why say it here? Because sometimes we have thoughts. Irrational thoughts. Absurd and fictional thoughts, based on absolutely nothing. It was also a punchy way of starting the article. Ahem. Negative thoughts of oneself can easily creep in when surrounded by negative, bad and ugly. Take last week’s article, for example. I decided not to comply. I decided not to embrace a thing called HAL. I decided not to see the potential positive effect of it on art. While I won’t be changing my stance any time soon, this negativity can lead to heavier things. If one sees only doom and gloom, one feels only doom and gloom. And it is easy to slide down the slippery slope of “I’m no good”. These days, I would have said my thoughts and views are pretty balanced. Also, these days I think I’m pretty comfortable with who I am, and what I’m like. Am I bad? Am I mean? Am I cruel? Am I dishonest? Am I a criminal? No. Am I perfect? Pahahaha! No. Very far from it. While being in a generally healthy state of mind, I could always be better. We all could. But I’d just like to give the good guys a pat on the back for being so good. While we could all be better, just think how much worse we could be? All those liars and fakers and cheaters out there. We could be like that. We could be going around, spitting on grannies and tripping up children. I saw you, laughing at the idea of the kid falling over. I chuckled too. Because it’s funny. Okay, the kid isn’t laughing, but we mustn’t lose our sense of humour. Stifle that natural laughter, then help the kid up. For most of us, good enough, is good enough. Don’t try to be a positive drone. If it ain’t natural, it ain’t natural.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙎𝙣𝙖𝙠𝙚 – 𝙆𝙖𝙩𝙚 𝙎𝙩𝙖𝙣𝙩𝙤𝙣, 12 𝘽𝙚𝙡𝙤𝙬

Charles is instrumentally deceptive…

The song is called Snake. So therefore I’m going to write my little intro on snakes. But of course. The way they slither. The way they slide and worm across just anything. Those scales reflecting light at every angle. That warning tongue that rasps with knowing arrogance. A snake is scared of nothing. It is cold blooded in all ways. And while this image of a snake in movement may make most shudder, there are people who are almost turned on by it. To the extent that they start to take on the dark characteristic of this quick-witted reptile. This type of person can be referred to as a snake. A person that lies and deceives, only for their own selfish gain. In fact, I have changed my mind. This kind of person is so off-putting to me, that I would rather not give them this attention, for they deserve none. So, in fact, I will NOT be talking about snakes. But of course NOT. Apologies to those who were just starting to get into it. Sorry to deceive – what a snake-like thing to do!

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙎𝙞𝙡𝙚𝙣𝙩 𝙒𝙞𝙩𝙣𝙚𝙨𝙨 (𝙏𝙝𝙚 𝙄𝙣𝙨𝙩𝙧𝙪𝙢𝙚𝙣𝙩𝙖𝙡𝙨) – 𝙍𝙞𝙘𝙝 𝘼𝙡𝙡𝙚𝙣

Charles presses play…

No words.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙎𝙝𝙚’𝙨 𝘾𝙖𝙡𝙡𝙚𝙙 𝙂𝙧𝙖𝙘𝙚 – 𝙈𝙖𝙩𝙨 𝘿𝙚𝙧𝙣𝙖́𝙣𝙙

Charles introduces with an introduction that is completely unnecessary.

You know that feeling when you find out that your favourite artist is playing in your hometown? The excitement and anticipation that you will soon be in the same room. That personal touch, where they will be playing for YOU. So much more than streaming on Spotify. It just means so much. The thrill of it all. You rush to buy tickets. You sweat slightly as they are running out fast. Seats or standing? Doesn’t matter. You will be there, if you manage to get tickets of ANY kind. You succeed! You have spent rather a lot of money but you don’t care. Then comes the day. You get there early, because that’s what people do. Far too early because you’re so eager. You buy overpriced lager in a plastic cup. You buy a hot dog that you don’t really want. You take your seat (or stand). It is all about YOU. After a while, the support act comes on stage. This is what I am getting at – the support act. You tap your foot and nod your head a bit, while still chatting with your guest about the act you came to see. You also chat impatiently and pointlessly about the size of the vast venue and how many people there are. You wonder if now is a good time to go to the loo – ‘John’ is a man’s name, a ‘bathroom’ contains a bath, I am not exhausted enough for a ‘restroom’, and ‘toilet’ is simply a vile word. And so, what is this ‘support act’ actually for? A time to ponder on the capacity of one’s bladder? An introduction to the real reason you arrived? Something to put you in the mood? “And now the moment you’ve all been waiting for: a man who needs no introduction” – why do they always introduce the act by saying they need no introduction? The lights are low, and it is time for everything you ever wanted. I am the support act. My time is up. Please welcome Mats Dernánd.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙍𝙚𝙖𝙘𝙝 – 𝙂𝙚𝙛𝙖𝙝𝙧𝙜𝙚𝙞𝙨𝙩

Charles goes to church…

For someone so irreligious as I, God and his troves do make quite a number of appearances in my articles. Please do not forsake me oh Lord, for not conforming to your scriptures, but I give thanks for leading me to my own weekly scriptures. Or some such rubbish. Let’s face it, there is something very satisfying and wholesome about this way of speaking. A church remains largely unaltered by the modern world, with the exception of a card reader in place of a donation box. Even the almighty Lord himself is not impervious to contactless payment… On/Off topic, when at the Roman Baths in Bath the other week, I did chuckle at the sign which read “Do not throw coins into the water, please instead use the contactless donation device located to your right” – completely missing the point of throwing coins into fountains and the like. As if to say that places without such modern payment methods would have dedicated evening staff fishing the pennies out of the water, in order to pay for that leaky roof. It gives a different meaning to Sinatra singing about “three coins in the fountain”… I would imagine the same goes for the “Love Locks” on countless bridges and railings all over the world – they are simply donating padlocks to the nation. That must be the reason. Now if only they supplied the key as well, then we’d all be secure. God almighty, I forgot what we were talking about! Oh yes: God Almighty. Aside from the beauty and romance of it all, even non-believers will turn to it for another reason. Desperation. When almost all hope is lost, one cries for help.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙉𝙤𝙩 𝙅𝙪𝙡𝙞𝙚𝙩 – 𝙃𝙚𝙖𝙩𝙝𝙚𝙧 𝙇𝙚𝙚

Charles doth oft prove a prophet…

“To be, or not to be, that is the question”. Or rather, that is A question. A question into which I will briefly delve later on. To the world, William Shakespeare was a bard. To the English, he is The Bard. That is actually how we refer to him – should we refer to him at all (young Shakespeare is less in the modern narrative than when EYE was young). I know ‘English’ is a dirty word these days, but so far Shakespeare has been left unscathed by the modern obsession of screwing up the only good we have left from the past. He has not yet to have been found a slave driver, nor a hater of any race or gender. And nor was he a snob or a tycoon. Sure, he was apparently vain and pennily comfortable, but that is RIGHT! We are still allowed to mention him, talk about him, discuss and debate his work, without some whistleblower storming through the window with a tin of paint and a sign to spoil all the innocent fun and joy he has brought us all for just SO long. Now, I know what you’re thinking. You’re reacting much as I would if I were to be accosted and threatened by a tribesman: “Don’t shake spear at me!” – well, tough. I am going to shake that spear whether you like it or not. Because, as long ago as his writing was, his greatest and most famous moments of inspiration are as potent as ever.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙉𝙤𝙩𝙝𝙞𝙣𝙜 𝙏𝙤 𝙎𝙚𝙚 𝙃𝙚𝙧𝙚 – 𝙐𝙣𝙤𝙗𝙡𝙞𝙩𝙚𝙧𝙖𝙩𝙚𝙙

Charles winces and wonders…

It’s a funny ole’ world, innit. So much is going on, all the time, everywhere. Some good; mostly not. Yet we’re rarely aware of any of it. Sometimes it’s due to our own ignorance, but usually it’s because we’re kept in the dark. Why is it when someone says “nothing to see here”, there is always something to see there…? Most people take what they’re given. Most people don’t question. With eyes wide open, most people only see. They do not observe and they do not perceive. They do not think. If they argue, it’s because others are arguing. A sheep will stand not comfortably but not uncomfortably. It will simply stand there. It will only bolt if other sheep are moving at speed… So, why? Why do we react so automatically? Is it ease? Is it laziness? Is it trust? Or is it none of these…? Are we actually all thinking the same “that can’t be right”, but are too afraid to open our mouths? Are we perhaps simply scared of querying? Nervous of the potentially worse response? Maybe we just don’t WANT to know. Maybe the whole “ignorance is bliss” thing is safer in our minds. Calmer. We’re all in this together anyway, so maybe if there’s something bad, it’s bad for everyone so I won’t be alone…? That seems a rather strange frame of mind to me. Surely it should be more like the words of The Animals: “We Gotta Get Out Of This Place”, rather than to all go down together…

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