Charles Connolly

  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: That Guy – Elizmi Haze

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: That Guy – Elizmi Haze

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™๐™–๐™ฉ ๐™‚๐™ช๐™ฎ – ๐™€๐™ก๐™ž๐™ฏ๐™ข๐™ž ๐™ƒ๐™–๐™ฏ๐™š


    Charles is โ€œthat guyโ€โ€ฆ


    โ€œPWhatโ€™s up, everybody?? ITโ€™S ya boy CC, BACK with another episode of Connollyโ€™s Corner. YO favourite place for news, reviews and ALL the latest goings-on-in-the-world-of-unsigned-music. And toDAY weโ€™ve got something real special for ya. THIS time, itโ€™sโ€ฆโ€ โ€ฆWait. This isnโ€™t me. This isnโ€™t me at all. This is everyone else. This isnโ€™t how I do things. This is how everyone else does things. I donโ€™t say โ€œeverybodyโ€. I say โ€œeveryoneโ€. I donโ€™t copy people. I ainโ€™t afraid to be me. I ainโ€™t afraid of no ghost. By now, you probably know me well enough. You probably think you know me well enough. Iโ€™m that guy. That one with the quill. That one boring the hell out of you, week in, week out. That one with the headphones permanently stapled to his ears. That one listening to absolutely everything all of the time, to the extent that everything in life becomes musical. That clink of the teaspoon against the rim of a coffee cup. That ding of the microwave. The tempo of that nearby car alarm that just wonโ€™t shut up. That vitamin B pill that could easily double as a shaker if I only had a microphone sensitive enough to capture it. I hear everything. I hear it all too well, and too much. The slightest noise in the middle of the night wakes me with such sudden aggression. My life is attuned to sound. I donโ€™t have perfect pitch, and neither do I have perfect hearing – few do. But still, sound really is my everything. Iโ€™m that guy. That guy youโ€™re so eager to please, if youโ€™ve heard of me, because then I might review your latest masterpiece. But you know I am keen on honesty. You just KNOW that. In fact, I detest lying. And you KNOW I also like praise and being liked. Genuine praise. I am human, and I am an artist. So what if you donโ€™t like me? What if Iโ€™m NOT your bestest buddy in the world? What if I irritate you to the ends of the Earth with my words and my face? What if being honest and being nice are in conflict with one another? Youโ€™d have to choose. Or say nothing. There is always tact, but I can usually see through that. At least youโ€™ve tried. Top marks for trying! Noted. Iโ€™m not a judge. Iโ€™m not a teacher you have to suck up to. Iโ€™m just that guy. That guy whoโ€™s always listening.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The A Plus – Coastal Town

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The A Plus – Coastal Town

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.

    ๐™๐™๐™š ๐˜ผ ๐™‹๐™ก๐™ช๐™จ – ๐˜พ๐™ค๐™–๐™จ๐™ฉ๐™–๐™ก ๐™๐™ค๐™ฌ๐™ฃ


    Charles leaves the city for a higher gradeโ€ฆ


    Cities are impressive. Cities are huge and buzzy. It can sometimes seem like a big city would be able to continue living without the presence of actual life! The buildings, the museums, the galleries, the parks, the clubs, the architecture (youโ€™ve said that, you said buildings. Yes, all right, clever clogs). The heights and grandeur, the world famous stature. The hub of where it all happens. Itโ€™s all so compelling. Genuinely exciting! But sometimes it can feel a little overbearing. Would you like to eat a 7 course meal in a swanky restaurant every single day of your life? To me, this is what it can sometimes feel like. Oftentimes (utterly LOATHE this word) one just wants to live a smaller life. A simpler life. To eat a burger while ambling the littler side of the street. Where your thoughts are allowed to wander without getting distracted by awe-inspiring structures (same as buildings, same as architecture. Yes, all right, clever clogs). Say, by the sea? Imagine a little town where the atmosphere is not cloaked in pollution, but simply a sea breeze. A coastal town.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The Bird is Gone – Sun State Of Mind

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The Bird is Gone – Sun State Of Mind

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™๐™š ๐˜ฝ๐™ž๐™ง๐™™ ๐™ž๐™จ ๐™‚๐™ค๐™ฃ๐™š – ๐™Ž๐™ช๐™ฃ ๐™Ž๐™ฉ๐™–๐™ฉ๐™š ๐™ค๐™› ๐™ˆ๐™ž๐™ฃ๐™™


    Charles considers a live worth living…


    Over the months and years I seem to have forgotten about a very important aspect of musicโ€ฆ Yes, I am actually going to be talking about music. You see, every week I go on about technical terms that most of you wouldnโ€™t be able to understand; like โ€œpunchโ€, โ€œoomphโ€ and โ€œPOWโ€. But I must learn to realise that we canโ€™t all be muso audiophiles like me (oh please, itโ€™s a yoke). I speak of melody and harmony and how things fit together (another technical term). I speak of technique and musical judgement. I speak of recording quality and mixing knowledge. I speak of panning and even occasionally specific frequencies. I speak of reverb and delays and all sorts of other magical wonders that make a good thing better. I speak of the way a guitarist digs in to the guitar. I speak of how a trumpet will portray the saddest of moods within the breaths between the notes. I even pick up on the โ€œmistakesโ€ that MAKE the song; the perfection in imperfection. I go into how the artist has honed their sound, delving and diving into the depths of each individual note and made it as good as it can possibly be. I speak of sparkle and clarity. I speak of bass that vibrates so ferociously it makes my nose tickle. But all in all, I am listening intently. I am in the process of analysis. I am rarely taking a step back. Maybe even several steps back. You see, each release is a static recording. I am able to go back to lines I didnโ€™t quite catch, or mentally zoom in on that crash cymbal choke and marvel at its harmonics. I can play it again and again, getting to know each vocal flick (another technical term) and drumstick drop (more technical terms, of course – when the drummer drops his stick, for those not so wordily endowed). It is the familiarity and unchanged sound that is warming and close to our hearts. It is this that makes a classic, a classic.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The Day After – Billy Lowry

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The Day After – Billy Lowry

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™๐™š ๐˜ฟ๐™–๐™ฎ ๐˜ผ๐™›๐™ฉ๐™š๐™ง – ๐˜ฝ๐™ž๐™ก๐™ก๐™ฎ ๐™‡๐™ค๐™ฌ๐™ง๐™ฎ


    Charles talks about tomorrowโ€ฆ


    There is something I have always found mildly fascinating, ever since I was young. I mean, even younger. It involves the passing of time, and the way we regiment said passing of time. A birthday, for example. It is a day for celebration. But we have decided this. It is not actually the actual day of oneโ€™s actual birth. It is to commemorate x-amount of years since oneโ€™s birth. But what is a year? We split life into years, yet this is a human invention. God did not place years on our table. Neither did God invent the table (but its simple perfection leads me to wonder). Sure, the seasons make the idea of years a little easier to digest and swallow, but what if we go further into monthsโ€ฆ Why 12? Why does January start in, well, January? And what about weeks and even days? Why is Sunday the so-called day of rest? I say โ€œso-calledโ€ because on Sunday I had to do a full dayโ€™s work alongside constant power tools across the road that only stopped shortly before 7pm. Day of rest, my FOOT!! This fictional birthday I spoke of before, it is technically just another day. Just like New Yearโ€™s Day. It is technically just another day. With a โ€œdayโ€ only being made official by the sun going up and down like a slow-motion yoyo.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The Exception – bigbaldbenmusic

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The Exception – bigbaldbenmusic

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™๐™š ๐™€๐™ญ๐™˜๐™š๐™ฅ๐™ฉ๐™ž๐™ค๐™ฃ – ๐™—๐™ž๐™œ๐™—๐™–๐™ก๐™™๐™—๐™š๐™ฃ


    Charles theorisesโ€ฆ


    What is music? โ€œWait, wait, wait a secโ€ฆ Youโ€™re actually going to talk about music??โ€ – I know. Youโ€™d think Iโ€™d be sick of music by now. But no, I ainโ€™t the blasphemous kind. โ€œBut you NEVER talk about music in your intros.โ€ – Yes, I know, I usually write about something like โ€How to overcome the pressures of the worldโ€, or โ€œWhat came first, the chicken or the duck?โ€, or โ€œHave you noticed the increasing presence of the hip flask lately?โ€โ€ฆ But this time I thought Iโ€™d go all out and speak about music. It is, after all, the time and the place. So. Back to my initial questionโ€ฆ What IS music? This is something about which people will argue forever. But Iโ€™m not going to go into avant-garde nonsense that in my eyes (ears) is simply not worth bothering with. I am talking about REAL music. Ya know, instruments and all that. Something that doesnโ€™t make one scratch oneโ€™s head, and something that one actually enjoys, as opposed to reluctantly putting oneself through, for the sake of being kind to the โ€œartistโ€ or in an attempt to broaden oneโ€™s horizons. Oneโ€™s horizon is probably quite big enough, and does not need broadening. So youโ€™ve got your instruments, be them analog or electronic. Youโ€™ve got yourself a singer. Bravo! Thatโ€™s basically done, right? Well, youโ€™ll need a place and a means to record. Okay then, CHECK! Got all of the above. Hit record, weโ€™re ready! โ€œOkay guys, whatโ€™s the name of the song?โ€, the engineer says through the studioโ€™s intercom.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The Fallout in You – Junior Bones

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The Fallout in You – Junior Bones

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™๐™š ๐™๐™–๐™ก๐™ก๐™ค๐™ช๐™ฉ ๐™ž๐™ฃ ๐™”๐™ค๐™ช – ๐™…๐™ช๐™ฃ๐™ž๐™ค๐™ง ๐˜ฝ๐™ค๐™ฃ๐™š๐™จ


    Charles is your dealerโ€ฆ


    Sometimes you look back at things you’ve done and wonder how you managed. Sometimes it was a doddle to you. Other times it nearly killed you. But either way, you managed. The songs I wrote years ago were definitely more towards the former. The flatpack IKEA desk I built last week would definitely be more towards the latter. Sometimes you look back at things you’ve done, and you cringe. The face crunches up in repulsion. That song I wrote called โ€˜Library of Loveโ€™, for exampleโ€ฆ Sometimes you do things for a very specific reason, that seemed particularly important at the time. Sometimes things are simply forgotten. A moment in the past that apparently happened, but it either seems so insignificant that your brain hasn’t seen or realised any worth in holding on to that memory, or that it conjures deep, dark memories that you would rather not think about. This is how we deal.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The Flowers – Wretched Pinhead Puppets

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The Flowers – Wretched Pinhead Puppets

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™๐™š ๐™๐™ก๐™ค๐™ฌ๐™š๐™ง๐™จ – ๐™’๐™ง๐™š๐™ฉ๐™˜๐™๐™š๐™™ ๐™‹๐™ž๐™ฃ๐™๐™š๐™–๐™™ ๐™‹๐™ช๐™ฅ๐™ฅ๐™š๐™ฉ๐™จ


    Charles gifts a gift by means of a giftโ€ฆ


    Friday saw the release of a new Ed Sheeran album. Never mind.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The Game – Lunar Plexus

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The Game – Lunar Plexus

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™๐™š ๐™‚๐™–๐™ข๐™š – ๐™‡๐™ช๐™ฃ๐™–๐™ง ๐™‹๐™ก๐™š๐™ญ๐™ช๐™จ


    Charles plays a gameโ€ฆ


    This weekly thing of mine. You all witness it, but only in its finished form. None of you ever sees the process. Itโ€™s possible that many of you barely register there being a process of any kind. A bit like how my father never imagined Beatles songs actually being crafted and put together in the studio by his heroes playing instruments, manually and laboriously, take after take; rather that the songs simply came to exist. I donโ€™t just tap the โ€œmake reviewโ€ button, then tap the โ€œpostโ€ button. If only. But โ€œif onlyโ€? Would I really like that? Whereโ€™s the fun in that? Sure, it would certainly give me a lot more time to work, and not keep artists/clients waiting (Iโ€™m a producer/make-things-sound-gooderer, just in case you wondered), and it certainly would be nice not to have that persistent weekly pressure on my shouldersโ€ฆ But then again, isnโ€™t this all part of what has turned it into a โ€œthingโ€; like a PROPER thing? My little Corner has apparently become something special. Which makes me rather proud, I must admit. However, I see the column differently to you. For me itโ€™s a weekly challenge, and one that I relish. Itโ€™s not an obstacle or a chore to be completed. The fun is in the process, but the outcome is just as important. But fun doesnโ€™t mean lack of effort; hell no. The effort is what makes it enjoyable, both in the giving and the receiving. Basically, much like Solitaire, itโ€™s a game I play by myself. By the way, did you spot all 11 card games in last weekโ€™s article (12 if you include Tarot)? That in itself was a game you probably werenโ€™t even aware was being played!


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The Hangmanโ€™s Lament – Dom Piper

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The Hangmanโ€™s Lament – Dom Piper

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™๐™š ๐™ƒ๐™–๐™ฃ๐™œ๐™ข๐™–๐™ฃโ€™๐™จ ๐™‡๐™–๐™ข๐™š๐™ฃ๐™ฉ – ๐˜ฟ๐™ค๐™ข ๐™‹๐™ž๐™ฅ๐™š๐™ง


    Charles plays a word gameโ€ฆ


    Justice. Itโ€™s a funny thing. We say itโ€™s not revenge. We say itโ€™s not. We say things like โ€œThey canโ€™t get away with this. Itโ€™s just not rightโ€. And weโ€™re right in saying this. If wrong has been committed, the wrongdoer should go back in time and undo their wrong. But since we donโ€™t yet have time machines, we have to deal with it another way. Punishment by beatingโ€ฆ? No no no. We are a civilised society. Or so I am told. Ask them politely not to do it again? โ€œSay you promiseโ€โ€ฆ Unlikely to work. So prison then. But what if their crime is so much worse than, say, stealing a car, or even high level fraud? Say itโ€™s something likeโ€ฆ MURDER!! Well, itโ€™s the chair for you. At least in some states. But in Britain, we have no such punishment. Prison for theft, prison for murder. Just simply more time. In fact, in Britain the last execution was 60 years ago next year. Now THATโ€™S a cheery thought! Who says I don’t bring you joy. Letโ€™s go back to the โ€œgood old daysโ€ of the 19th Century and furtherโ€ฆ


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The Island – Vix20

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The Island – Vix20

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™๐™š ๐™„๐™จ๐™ก๐™–๐™ฃ๐™™ – ๐™‘๐™ž๐™ญ ๐Ÿ๐ŸŽ


    Charles Connolly is unwellโ€ฆ


    Let’s see how this goes. Like Jeffrey Bernard, I am currently not very well. Nothing terrible. I’m not dying, or anything, but it was all rather sudden. On Sunday, I was carrying on with a mix/production for a client. All was relatively normal throughout the day. Lunch was late but hearty. The music continued its journey through my mind with every bite. I was โ€œin the zoneโ€, and feeling perfectly normal. Or as close to normal as a thing like me can be. As you can probably tell from that last line, Iโ€™m not exactly feeling โ€œwordyโ€. Words are NOT flowing out like endless rain into a paper cup. They are instead missing the cup entirely or occasionally sticking to the brim. It is more like constipated drizzle than endless rain. Anyway, where was I? Oh yes, I was feeling normal whilst immersed in music. Noyce. In my element, one could say. But then towards the evening, I coughed. Now, coughing is not particularly a sign of anything, in fact we do it all the time. Particularly we asthmatics. The word asthma reminds me of Jack Lemmon in The Odd Couple when he is attempting to clear his sinuses. Thma. Thma thma thMAA! If you have no idea what in Godโ€™s name Iโ€™m talking about, do watch the film – itโ€™s worth it. Ugh, I really am like a meandering tangent today. So, I coughed. It was different though. I felt it in the centre of my chest. It banged like a distorted timpani drum. Instantly I knew this was not normal and that I might be starting to get ill. Oh bugger. I am never ill. I am almost never anywhere I could catch anything (i.e. outside). Maybe it was just one isolated oomphy cough. A “manโ€™s cough”. But no. It happened again. I continued with my mixing and arranging and whatever else I do most days. But over the following hour or so, I started to feel dirty. Dirty on the inside. You know those satisfying before and after cleaning videos? This was the before. Then as the early evening became later, my head started to get all stuffy and bunged up. You know that feeling all too well. We all do. I just so rarely GET this! The lower back started to ache and I became fragile. This must be what itโ€™s like to be old. It gives us a glimpse of the wonderful days ahead. Bloody awful.


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