Charles Connolly

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙏𝙤𝙢 – 𝙆𝙖𝙢𝙞𝙣𝙨𝙠𝙞

Charles is just being friendly…

Last week was all about ballads. It was about how music makes you feel. I don’t quite mean HOW it makes you feel, but THAT it makes you feel. Dud music doesn’t make me feel. Songs about things I can’t relate to, do little for me. They don’t make me feel. The best music should make you feel, in some way or other. It could be that it makes you cry, it could be that it makes you glow, and it could be that it makes you tingle; up here, or down there. But if there’s none of that, there’s none of that. So there isn’t a great deal of point in listening. Which is the main problem I have with generic pop. It plays, I hear, and that’s about it. It’s as nutritious as a leaf of iceberg lettuce. Basically crunchy tap water without the sweetness of watermelon. I seem to have a thing for that cruddy song ‘Watermelon Sugar’… Anyway! I said last week how sadness is a bigger feeling than happiness. Hence the Blues. But the Blues isn’t just a genre of music; it’s a lifestyle. Well, for some it is, but I only really said that because it sounded cool in my head. What I really meant was, the Blues doesn’t really need to be in the style of Blues music. It’s about feeling blue. So in a way, any sad song is a Blues song. Which sounds ridiculous, but it’s kinda true if you think about it.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙏𝙤𝙜𝙚𝙩𝙝𝙚𝙧 𝙁𝙤𝙧𝙚𝙫𝙚𝙧 – 𝙑𝙤𝙣 𝙈𝙖𝙧𝙡𝙤𝙣

Charles falls into the groove.

Let’s play a drinking game. Those under the legal age, please leave the room and play with your toys. This is serious man stuff. No offence to the minors or the women. Actually, women are allowed if they think they’re man enough – lovely phrase. Right! Let’s begin. Every time I mention groove or anything groove related, you have to down a shot. Or at least, have a large gulp of your alcoholic beverage of choice. We’ll have none of that sipping lark, thank you very much. We are about to step into the groove. You should be on your fourth by now – this might get a little messy…

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙏𝙤 𝙒𝙝𝙤𝙢 𝙗𝙪𝙩 𝙔𝙤𝙪 – 𝙎𝙘𝙧𝙪𝙛𝙛𝙮 𝙎𝙖𝙞𝙣𝙩𝙨

Charles begins the resurrection…

So that was Easter. For those who don’t celebrate it, Easter is a time for celebrating Coco, the god of chocolate. I therefore can’t imagine why anyone wouldn’t celebrate such a thing. Unless you’re allergic to chocolate, in which case it may be best to treat it as any other weekend. Okay, there is no god of chocolate. It’s all about Jesus having risen from the dead – as ya do. Clever lad. I must say, I like the idea. But do I believe in it all? Well… It’s a hard one to swallow. I mean, the whole idea seems a little far fetched, no? But if you want to believe, then by all means, believe! There’s no harm in it. Whatever floats your boat. There is beauty in this idea. It is not morbid. Quite the opposite, if you think about it. And this is the side of religion of which I am most fond. The peaceful beauty of it all. The unworldly nature of it all. The magic. Just like when one watches children use their imagination. Does that still happen these days? Do they still use their imagination? Well, let’s just say they do. It is delightful, endearing and somewhat captivating. So in this sense I think of religion as holding on to that child-like wonder. And why not??

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙏𝙞𝙢𝙚 𝙊𝙪𝙩 – 𝙎𝙖𝙣𝙤 𝙃𝙞𝙡𝙡

Charles carries on regardless…

Lately, I have been a very busy bee. Mainly with my recent mixing and producing for other artists, such as CHVRLI BLVCK, Billy Lowry, Vida, Wanaka, Eleanor Collides, Steven Heath and Rich Allen, to name but a few. I have also managed to fit in the odd bit of my own stuff. That album ain’t gonna make itself… Of course there are the ongoing frustrations in life like technology, companies, systems and people. I mentioned this a couple of weeks ago, but it really does waste a lot of time and energy. And there’s food and standard daily chores. Having no butler, maid or slave, I am left to fend for myself in this regard. While this is perfectly normal, my job is perfectly abnormal. I have no office, nor lunch break. I don’t clock in at 9, I don’t clock out at 5. One of the best and worst things about being self-employed is that I have to manage my own time. Can’t stand the phrase/term, but this we rather unimaginatively call ‘time management’. I don’t like it, I’m not great at it, but I’m getting better. The problem is, that I get in the zone. Although to me mixing is an artful skill rather than an art (unlike production), I treat it like an art, in that I find myself wrapped up in it for hours, fully absorbed as I would be with art. And as each hour passes, it feels like 15-20 minutes. I take mixing seriously and I treat it as preciously as if it were my own music. I know some clients of mine find it difficult to point out things they want altered in my mix, BECAUSE it is personal to me. They don’t want to offend or upset me. But they mustn’t think like this. I have rather quickly realised that it is the client’s views and wants that are to be adhered to. Not my own. For the duration of that mix, they are my boss. Besides, a lot of mixing is simply taste. It is not right or wrong. If an artist wants their lead vocal upped by 20db, then the artist shall have their lead vocal upped by 20db. I will suggest that this perhaps isn’t the best idea (and explain why), but ultimately they have full control – as they should.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙎𝙪𝙗 𝙍𝙤𝙨𝙖 – 𝘽𝙧𝙮𝙖𝙣 𝘾𝙤𝙤𝙥𝙚𝙧

Charles is under wraps…

Some of the best things are done in private. Equally, so are some of the worst. Honest privacy is a good thing. Secrecy is often not so good. It can be good for the element of delighted surprise (like when I was given an album review by 18 people), but usually a secret is to stay a secret. It is never to be known. But when one does something in private, it usually doesn’t mean one has something to hide. It is simply that we wish to be left alone while we do whatever we are doing. Call it “me time”. This is very different to shady people and their shady practices. Almost everything I do, I do in private. But I am not MI6. I hold no state secrets. And if I was, and I did, I wouldn’t be telling you. Which has possibly got you thinking. Could CC be one of those spies you’ve read about? Is he working for the British government, yet pretending to lead a relatively normal life…? He can be everywhere one day, then suddenly disappear the next… Is he really just mixing and producing? Does he really just write these weekly articles out of the kindness of his heart? Surely there has got to be an ulterior motive… You’ll never be able to read his private messages in order to find out. Besides, all you’d find there is chat from clients about mixing and production, and gratitude from reviewees for having written these articles. You won’t find such a message from last week’s reviewee however. Kind! But I digress. So, am I a British spy? You will never know. Shh, it’s a secret.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

#𝙎𝙩𝙤𝙥𝙋𝙖𝙮𝙤𝙡𝙖 – 𝙀𝙙 𝙀𝙖𝙜𝙡𝙚

Charles bucks the trend of love…

So it’s love day. So of course, Charles is going to write a soppy piece about love. Well obviously. What would you expect from someone so predictable as CC. Well I’m not going to, you see. I’m just not. Not because I don’t like love. I LOVE love. It’s the most perfectly wonderful thing ever in the history of the world and probably beyond. If you believe in love beyond Earth. Ah, I see where he’s going with this. It’s going to be another piece on Space. Alien love. He’s going to review a funky song about aliens making love, probably called Alien Love Making. Oh, as if I would write about something so crude as that. Besides, I’ve probably done that before. I’ve written about a lot of things, ya see. In fact, it can be difficult to come up with something entirely new, week after week after week. Love is love, and we all know it. Hallmark, Cadbury’s Milk Tray, Interflora and Durex have taught us well. So I feel it is time for something a little different. An alternative message of love to our founder and to all of you. Here goes…!

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙎𝙪𝙥𝙚𝙧𝙨𝙩𝙞𝙩𝙞𝙤𝙣 – 𝙀𝙙 𝙀𝙖𝙜𝙡𝙚 (𝙛𝙚𝙖𝙩. 𝘾𝙝𝙖𝙧𝙡𝙚𝙨 𝘾𝙤𝙣𝙣𝙤𝙡𝙡𝙮)

Charles crosses his fingers and touches wood as he covers a cover.

As I switch on, switch off and switch on the light again, a blind man sways with a smile from behind his electric piano. He rounds off a soothing ballad and segues into a funky number. Something changes in the air. From clouds of cirrus to bolts of loytneen, there’s a storm a-brewin’. A god is in charge and the genius is at work. I speak of Lord Stevie of Wonder. One of the greatest people in music lending us one of the greatest riffs ever known to man, and not a guitar in sight! Superstition is perfection from beginning to end. Unbetterable (ahem). This is clear to almost any musician. So why cover it…?

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙑𝙖𝙣𝙞𝙨𝙝𝙞𝙣𝙜 𝙤𝙛 𝘽𝙚𝙚𝙨 (𝘼𝙩𝙡𝙖𝙨 𝙩𝙤 𝙀𝙖𝙧𝙩𝙝 𝙍𝙚𝙢𝙞𝙭 𝙎𝙮𝙣𝙩𝙝𝙬𝙖𝙫𝙚) – 𝙆𝙚𝙡𝙚 𝙁𝙡𝙚𝙢𝙞𝙣𝙜, 𝘼𝙩𝙡𝙖𝙨 𝙩𝙤 𝙀𝙖𝙧𝙩𝙝

Charles mixes things up a bit…

For a change, we will not be diving deeply into the subconscious and philosophy of this here writer. We will not be talking about flowers, life, death, breakups, language, meditation, hangovers, choice, weather, buckets, or any of a number of things on which I have touched most recently. We will instead be going straight into the world of music. Or more specifically, remaking music. Being an observant unsigned artist, and being surrounded by unsigned artists, I have noticed two things crop up again and again. One of which is collaboration (habitually called “collabs”). I have covered no less than 7 of these “collabs” over my months of musing. The idea can really work to great effect, as talents can be combined to build a bigger, better picture. When art spurs art, inspiration can take flight. The other thing these days that punctuates our playlists, is the remix. I have however been, shall we say, less forthcoming in advertising these works, and have covered – I believe – no more than 2. This could be conceived as unforgivable, particularly regarding how popular they are, and how frequently they are released. But this might not be the case. Art is by definition subjective. Art is Marmite – a joke only perhaps for the Britonians, and one at which we can chortle in private as the rest of the world raises an eyebrow or politely glosses over. I have a little bit to say about remixes, which may or may not be contentious. Ooh! Nothing like a bit of banter.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙔𝙤𝙪’𝙧𝙚 𝙉𝙤𝙩 𝙊𝙠 (𝙛𝙚𝙖𝙩. 𝙍𝙮𝙖𝙣 𝙍𝙤𝙣𝙠𝙨𝙡𝙚𝙮) – 𝙋𝙖𝙩𝙧𝙞𝙘𝙠 𝙇𝙖𝙪𝙧𝙞𝙣

Charles is getting on with it…

What is comfort? Is it cushions and ice cream? Or how about an evening with the lads? Maybe it’s an idyllic day in the countryside? Could it be that you just like to sit secluded in your car, listening to the best of The Carpenters? Well, comfort can be all these things and more. But there is one thing these all have in common, They are short-lived. It’s not a way of life. You know when someone asks “How are you?”, “How’s it going?”, “How’s life?”, “How’s it hanging?”, “You all right?”, “What’s happening (man)?”, “You good?”, or “What a gwan?”? You habitually and automatically reply something along the lines of Fine, Good, Okay, All right, Alright, Can’t complain, Not too bad, Could be worse, Surviving, You know how it is, Muddling through, Mustn’t grumble, Getting on with it, and so forth. On the surface, these are all pretty positive replies. But the underlying feeling is stagnancy or worse. I’ve always wondered about the expression “Not too bad”. It’s meant to be positive, but if you think about it, it’s overwhelmingly negative. “Things are bad, but not TOO bad”…! Anyway. To be fair, one main reason for an answer like this, is to cut things short and be modest. After all, they only asked out of politeness. They didn’t want a genuine reply! The French have it perfectly: “Ça va?” – “Oui, ça va?” – “Alors”. That’s “How are you?” – “Yes, how are you?” – “So”. They don’t even bother to answer the question, It’s just a case of getting through the mandatory chit-chat as quickly and efficiently as possible.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙔𝙤𝙪 𝙏𝙖𝙪𝙜𝙝𝙩 𝙈𝙚 – 𝙍𝙤𝙨𝙨 𝘾𝙖𝙣𝙩𝙧𝙚𝙡𝙡 & 𝙁𝙞𝙣𝙣 𝙈𝙘𝙂𝙤𝙬𝙖𝙣

Charles dons his mortarboard and begins the class. “Settle down, children”…

This week I have moistly – it has been raining in London – been listening Jacob Collier. Many of you may not even have heard of this chap. He is not quite yet 27 years old, and already has a total of 5 Grammys (Grammys, not Grannies – that would be even more unlikely), breaking all previous records of all kinds. Not to mention MAKING records of all kinds. To say he is a virtuoso is really actually putting him down. I believe him to be the most talented musical artist since possibly Stravinsky or even Beethoven, and he is very much a genius. I don’t mean genius in the sense of a footballer scoring a goal, for that is slightly less than what I would call genius. In fact, I very rarely use the word. Paul McCartney is another musical genius. But Mr. Collier goes beyond this. McCartney has a gift. Collier has an incredible mind. If an informed man/woman/person/thing were to have a brain the size of a house, Jacob’s brain would be the size of the street. Or even the entire borough. His musical talents are seemingly quite literally unlimited. It is almost like he has the answer before you have even posed the question! His music knows NO bounds. No bounds at ALL! There is one problem, however. We, the general public are not on his level, or even close to it. We are barely on his horizon. We NEED boundaries. We need something we can understand and grasp. There needs to be a certain amount of familiarity (for most), or even predictability. There is something so satisfying about knowing where “the one” is. There is something so gratifying about knowing that the big old chorus is going to come nnnNOW. Jacob does not however make horrible dissonant disjointed “music”. He makes stunning MUSIC – no quotation marks. But it will only be for certain people, hence despite all the countless awards, he has never entered the Top 40 charts for any single or album. So! Where on Earth is CC going with this? Well. We have learnt that in order to make music that will appeal to the masses, it has to be not TOO dissimilar to music we know and love. But there is no point whatsoever in regurgitating the same old stuff, year after year (although this is exactly what most “artists’ seem to do these days). The question is this: How does one make music more interesting?

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