Charles Connolly

  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Tonight – Arnoldo’s Lizards, Wilko Wilkes

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Tonight – Arnoldo’s Lizards, Wilko Wilkes

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™ค๐™ฃ๐™ž๐™œ๐™๐™ฉ – ๐˜ผ๐™ง๐™ฃ๐™ค๐™ก๐™™๐™คโ€™๐™จ ๐™‡๐™ž๐™ฏ๐™–๐™ง๐™™๐™จ, ๐™’๐™ž๐™ก๐™ ๐™ค ๐™’๐™ž๐™ก๐™ ๐™š๐™จ


    Charles ch-ch-ch-ch-changesโ€ฆ


    Letโ€™s face it. Everything is changing. Perhaps everything has already changed. But then again, this would suggest that things have stopped changing, and that all is stagnant. This will never happen. Whether you like it or not, things are always changing. Sometimes for better. Other times, well, not so much. โ€™Tis zee vay of zee vorld. I have never quite understood the definition of the word “progress”. I used to think it meant improvement, but now I realise it is more just simple evolution. To progress. To move forward. Not necessarily brilliant, but ultimately vital. I canโ€™t explain why, but it is seemingly and apparently necessary as a civilisation, I think. Right now, we have the dawn of A.I., poking and teasing us like impatient demanders. I wonโ€™t go into this because I cannot bring myself to. The biggest change before that was undoubtedly the internet. A truly world-changing phenomenon. I think the first of these “modern” phenomena was electricity. It changed the world. It changed everything. The next big wave of movement – admittedly more of a cultural or societal nature – was possibly the liberation of youth in the 60s. They had power and money, for the first time. They were not tired from war, for they had never experienced it. To a certain extent, this changed a lot of the world. Our way of thinking changed. Younger people were taken seriously. And others who used to have status and respect were relegated to the old folkโ€™s home at the grand old age of 48.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Tom – Kaminski

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Tom – Kaminski

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™ค๐™ข – ๐™†๐™–๐™ข๐™ž๐™ฃ๐™จ๐™ ๐™ž


    Charles is just being friendlyโ€ฆ


    Last week was all about ballads. It was about how music makes you feel. I donโ€™t quite mean HOW it makes you feel, but THAT it makes you feel. Dud music doesnโ€™t make me feel. Songs about things I canโ€™t relate to, do little for me. They donโ€™t make me feel. The best music should make you feel, in some way or other. It could be that it makes you cry, it could be that it makes you glow, and it could be that it makes you tingle; up here, or down there. But if thereโ€™s none of that, thereโ€™s none of that. So there isnโ€™t a great deal of point in listening. Which is the main problem I have with generic pop. It plays, I hear, and thatโ€™s about it. Itโ€™s as nutritious as a leaf of iceberg lettuce. Basically crunchy tap water without the sweetness of watermelon. I seem to have a thing for that cruddy song โ€˜Watermelon Sugarโ€™โ€ฆ Anyway! I said last week how sadness is a bigger feeling than happiness. Hence the Blues. But the Blues isnโ€™t just a genre of music; itโ€™s a lifestyle. Well, for some it is, but I only really said that because it sounded cool in my head. What I really meant was, the Blues doesnโ€™t really need to be in the style of Blues music. Itโ€™s about feeling blue. So in a way, any sad song is a Blues song. Which sounds ridiculous, but itโ€™s kinda true if you think about it.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Together Forever – Von Marlon

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Together Forever – Von Marlon

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™ค๐™œ๐™š๐™ฉ๐™๐™š๐™ง ๐™๐™ค๐™ง๐™š๐™ซ๐™š๐™ง – ๐™‘๐™ค๐™ฃ ๐™ˆ๐™–๐™ง๐™ก๐™ค๐™ฃ


    Charles falls into the groove.


    Letโ€™s play a drinking game. Those under the legal age, please leave the room and play with your toys. This is serious man stuff. No offence to the minors or the women. Actually, women are allowed if they think theyโ€™re man enough – lovely phrase. Right! Letโ€™s begin. Every time I mention groove or anything groove related, you have to down a shot. Or at least, have a large gulp of your alcoholic beverage of choice. Weโ€™ll have none of that sipping lark, thank you very much. We are about to step into the groove. You should be on your fourth by now – this might get a little messyโ€ฆ


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: To Whom but You – Scruffy Saints

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: To Whom but You – Scruffy Saints

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™ค ๐™’๐™๐™ค๐™ข ๐™—๐™ช๐™ฉ ๐™”๐™ค๐™ช – ๐™Ž๐™˜๐™ง๐™ช๐™›๐™›๐™ฎ ๐™Ž๐™–๐™ž๐™ฃ๐™ฉ๐™จ


    Charles begins the resurrectionโ€ฆ


    So that was Easter. For those who don’t celebrate it, Easter is a time for celebrating Coco, the god of chocolate. I therefore can’t imagine why anyone wouldn’t celebrate such a thing. Unless you’re allergic to chocolate, in which case it may be best to treat it as any other weekend. Okay, there is no god of chocolate. It’s all about Jesus having risen from the dead – as ya do. Clever lad. I must say, I like the idea. But do I believe in it all? Well… It’s a hard one to swallow. I mean, the whole idea seems a little far fetched, no? But if you want to believe, then by all means, believe! There’s no harm in it. Whatever floats your boat. There is beauty in this idea. It is not morbid. Quite the opposite, if you think about it. And this is the side of religion of which I am most fond. The peaceful beauty of it all. The unworldly nature of it all. The magic. Just like when one watches children use their imagination. Does that still happen these days? Do they still use their imagination? Well, let’s just say they do. It is delightful, endearing and somewhat captivating. So in this sense I think of religion as holding on to that child-like wonder. And why not??


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Time – Ed Corrado

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Time – Ed Corrado

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™ž๐™ข๐™š – ๐™€๐™™ ๐˜พ๐™ค๐™ง๐™ง๐™–๐™™๐™ค


    Charles contemplates time and its association with the stigma of age.


    Youth is everything. Youth is the very essence of life. Youth is vital. But it is the ever-diminishing tight boundaries of its definition that concern me. I am all for praising the young and their talents, but why should someone aged 25 be made to feel middle-aged? Are they destined to depart this Earth at the age of 50? People only live longer these days, so that canโ€™t be right. Despite this embiggened life, our โ€œyouthโ€ continues to truncate. Surely it would only be better to live longer if we can have more of the good bits? Not to say adults of wise and experienced maturity are having a terrible time, but it is simply different. Almost ALL emphasis seems to be on youth and youth only, in this modern era. The world is tackling racism and sexism at an enormous and rather astounding pace, but ageism is rampant and continues to grow with every year. I simply do not understand. Experience is in my opinion the greatest asset, and is by definition the one thing the young can almost never have. Age is also the ONLY thing we all have in common – we start young, we grow old. I will leave you to ponder that thought and mull it over.


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  • ๐—•๐—ฟ๐—ฎ๐—ฑโ€™๐˜€ ๐—•๐—ถ๐˜ – this week: This is How the Story Begins – Charles Connolly, Wilko Wilkes

    ๐—•๐—ฟ๐—ฎ๐—ฑโ€™๐˜€ ๐—•๐—ถ๐˜ – this week: This is How the Story Begins – Charles Connolly, Wilko Wilkes

    This week, Brad (aka Mercury Teardrop) takes over ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ to pay homage to Charles, the man, the myth, the legendโ€ฆ and to dive into โ€œThis is How the Story Beginsโ€, his latest single featuring Wilko Wilkes.


    ๐™๐™๐™ž๐™จ ๐™ž๐™จ ๐™ƒ๐™ค๐™ฌ ๐™ฉ๐™๐™š ๐™Ž๐™ฉ๐™ค๐™ง๐™ฎ ๐˜ฝ๐™š๐™œ๐™ž๐™ฃ๐™จ – ๐˜พ๐™๐™–๐™ง๐™ก๐™š๐™จ ๐˜พ๐™ค๐™ฃ๐™ฃ๐™ค๐™ก๐™ก๐™ฎ, ๐™’๐™ž๐™ก๐™ ๐™ค ๐™’๐™ž๐™ก๐™ ๐™š๐™จ


    Brad does his bitโ€ฆ


    My early memories of music are some of the most vivid memories I have from my childhood. I was one of those kids who grew up surrounded by music. I remember sitting for hours in my parentsโ€™ living room, records all over the shag carpet and giant headphones hanging on my tiny ears, listening to album after album. There was the typical โ€œpopโ€ of the day in the house, but for the most part, I would listen to anything I could get my hands on. From ABBA to ZZ Top, I couldnโ€™t get enough. At about eight years old, I started to buy my own records. For you kids out there – โ€œkidsโ€ being operationally defined as anyone born after 1985 – this was not as easy as it sounds. It was an entire coordinated effort to save the money required, curate a list of albums you wanted, decide on the pinnacle of that list to spend your life savings on, and then, find someone who would take you to the record store. I would often wait for months before I could buy a single record. One of the first records I bought was โ€œOut of the Blueโ€ by The Electric Light Orchestra. I remember the day like it was yesterday.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: #StopPayola – Ed Eagle

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: #StopPayola – Ed Eagle

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    #๐™Ž๐™ฉ๐™ค๐™ฅ๐™‹๐™–๐™ฎ๐™ค๐™ก๐™– – ๐™€๐™™ ๐™€๐™–๐™œ๐™ก๐™š


    Charles bucks the trend of loveโ€ฆ


    So itโ€™s love day. So of course, Charles is going to write a soppy piece about love. Well obviously. What would you expect from someone so predictable as CC. Well Iโ€™m not going to, you see. Iโ€™m just not. Not because I donโ€™t like love. I LOVE love. Itโ€™s the most perfectly wonderful thing ever in the history of the world and probably beyond. If you believe in love beyond Earth. Ah, I see where heโ€™s going with this. Itโ€™s going to be another piece on Space. Alien love. Heโ€™s going to review a funky song about aliens making love, probably called Alien Love Making. Oh, as if I would write about something so crude as that. Besides, Iโ€™ve probably done that before. Iโ€™ve written about a lot of things, ya see. In fact, it can be difficult to come up with something entirely new, week after week after week. Love is love, and we all know it. Hallmark, Cadburyโ€™s Milk Tray, Interflora and Durex have taught us well. So I feel it is time for something a little different. An alternative message of love to our founder and to all of you. Here goesโ€ฆ!


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The Scar – Dany Horovitz

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The Scar – Dany Horovitz

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™๐™š ๐™Ž๐™˜๐™–๐™ง – ๐˜ฟ๐™–๐™ฃ๐™ฎ ๐™ƒ๐™ค๐™ง๐™ค๐™ซ๐™ž๐™ฉ๐™ฏ


    Charles speaks of love from a distanceโ€ฆ


    Have you ever had a crush on someone? Obvs. Obvs, utts, totes, abs and deffo. Of course you have. Youโ€™re only human, after all. I certainly have, anyway. From my own personal experience, I can only speak from the perspective of a heterosexual male. I would love to say her name was Sophia, but alasโ€ฆ Letโ€™s talk about Sharon. The glint quickly snapped from an eye. The way her hair just falls and bounces in THAT way as she turns around. The perfectly formed nose that wrinkles when amused. That slender, elegant neck forcing oneโ€™s eyes down towards herโ€ฆ collarbone. Proud shoulders that hang from invisible threads, not highly strung but still supported. The sweetest laugh that only I have noticed. An occasional cackle denoting a darker, more intriguing side to this wonder.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The Point – Nicholas Karl McNally

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: The Point – Nicholas Karl McNally

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™๐™š ๐™‹๐™ค๐™ž๐™ฃ๐™ฉ – ๐™‰๐™ž๐™˜๐™๐™ค๐™ก๐™–๐™จ ๐™†๐™–๐™ง๐™ก ๐™ˆ๐™˜๐™‰๐™–๐™ก๐™ก๐™ฎ


    Charles remains blunt yet pointyโ€ฆ


    Last week I made several points; and Iโ€™m sure you did too. I thought that would have been enough for the time being, but it seems there are yet more to uncover. Letโ€™s call this an unofficial โ€œpart twoโ€, as I seem to like ordering things by number these days. Let us say that last week was unfinished business. Last week I spoke of 2024 being my new found discovery of classical music. Better late than never, as they say. Saturday evening was a special little treat for my mother, my girlfriend and myself. We went to see the Royal Philharmonic Orchestra at Londonโ€™s Royal Festival Hall. The programme comprised an overture by Verdi, a piano concerto by Rachmaninov (yes, THAT piano concerto), and finally, the piรจce de rรฉsistance: The Planets by Holst. The whole concert was wondrous and very special indeed. Basically flawless, but in a good way. It was organic and very real indeed. Jupiter (if you are familiar with The Planets) had me watery-eyed and tingly all over. Despite the hallโ€™s vast size (capable of holding 2,700 people – and it was jam-packed), the sound was surprisingly dry. Although a purist might not go for this lack of humidity (reverb), I found it refreshing. Refreshing because most concerts and almost all traditional recordings of a symphony orchestra are full of the sound of the room. Everything usually lingers in the air quite a time after it has been played. But not in the case of the Royal Festival Hall. This meant that there was more clarity and precision in the sound. While this might not be ideal for Verdi and Rachmaninov, it was certainly most welcome for Holst. You see, The Planets is often very rhythmic and tight. There are many spiccato notes which might be lost in a large hall that actually sounds like a large hall. For those who might be unaware, here is a brief rundown of three articulations for strings. Staccato is a brief bow of the string. Staccatissimo is an even briefer one. While spiccato (the briefest of all) is more of a bounce – as soon as the bow has hit the string, it is back up in the air. And it is THIS articulation that might have been somewhat lost in a wetter room. Cue the sprinkler jokesโ€ฆ


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  • ๐—•๐—ฟ๐—ฎ๐—ฑโ€™๐˜€ ๐—•๐—ถ๐˜ – this week: The Key – Charles Connolly, The Blindfold Experience

    ๐—•๐—ฟ๐—ฎ๐—ฑโ€™๐˜€ ๐—•๐—ถ๐˜ – this week: The Key – Charles Connolly, The Blindfold Experience

    This week, Brad (aka Mercury Teardrop) takes over ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ to pay homage to N.A.S. legends Charles Connolly and The Blindfold Experience, and to dive into โ€˜The Keyโ€™, their brand new single.


    ๐™๐™๐™š ๐™†๐™š๐™ฎ – ๐˜พ๐™๐™–๐™ง๐™ก๐™š๐™จ ๐˜พ๐™ค๐™ฃ๐™ฃ๐™ค๐™ก๐™ก๐™ฎ, ๐™๐™๐™š ๐˜ฝ๐™ก๐™ž๐™ฃ๐™™๐™›๐™ค๐™ก๐™™ ๐™€๐™ญ๐™ฅ๐™š๐™ง๐™ž๐™š๐™ฃ๐™˜๐™š


    Brad does his bitโ€ฆ


    As I think back to my favourite musical collaborations from my youth, a few significant ones still stand out. As some of you โ€˜N.A.S.-ersโ€™ may already know, Iโ€™m someone who is firmly planted in middle-age and have been active in music, in various ways, over the past four decades. However, despite loving playing live in a band, writing and producing, I am first and foremost a life-long music FAN. I love music from many eras and most genres (disclaimer: I have sincerely tried to enjoy Country, but most of it, I just canโ€™t get into, Sorry!). Growing up, I never understood why most people I knew seemed to like only one type of genre; or, at least a relative lack of diversity in musical taste. Honestly, it seemed completely silly to me. I loved all types of music and always took every opportunity to explore my curiosity. I grew up on a steady diet of 60s and 70s Rock, Jazz, Psychedelic and Folk. I recall roadtrips with my family listening to albums like Hejira by Joni Mitchell, Band on the Run by Wings, Blue Moves by Elton John (one of my faves), and so many more. But I do recall a few times my parents fell in love with songs that seemed to have a unique sense of novelty, the duets! And, in the 70s and 80s there were a lot!


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