Charles Connolly

  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Cold (feat. Vichaโ€™e Nance) – Origin Crxss

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Cold (feat. Vichaโ€™e Nance) – Origin Crxss

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.

    ๐˜พ๐™ค๐™ก๐™™ (๐™›๐™š๐™–๐™ฉ. ๐™‘๐™ž๐™˜๐™๐™–โ€™๐™š ๐™‰๐™–๐™ฃ๐™˜๐™š) – ๐™Š๐™ง๐™ž๐™œ๐™ž๐™ฃ ๐˜พ๐™ง๐™ญ๐™จ๐™จ


    Tentatively, Charles opens up.


    My corner. My messy little corner strewn with toys, glitter, hats and sweets. I live it. YOU know it; you come here every week! But do you REALLY know itโ€ฆ? I mean, many of you may feel you know me quite well through my weekly musings and my odd appearance elsewhere, not to mention my own music. But is this it? Is there perhaps more to this singular chap than meets the eye? I am always more than happy to speak about what I have done, observed and created, but do I ever speak about the future? My future? What I am working on, for example? No. Never. I am a private soul who doesnโ€™t like to show or tell until something is complete and ready for the general public (apologies for generalising – with a bit of luck, you all simultaneously took offence). You may be familiar with at least some of my music, but you are never to know what is coming next. I never divulge. Partly because I might not know myself, but also because I simply donโ€™t want to. So! People may have decided they know my style of music, both in taste and in creation – thereโ€™s pop, indie, maybe a bit of orchestral thrown in. People seem to note the happy, upbeat style through my music. I have personally never seen it that way. People also know I am never going to come out with a hip-hop track in collaboration with another artist. People have maybe seen the lack of hip-hop and rap in my reviews – โ€œhe obviously just doesnโ€™t like hip-hop and rap, and doesnโ€™t do collaborationsโ€. When examining this seemingly innocent little corner of mine, there seems to be a small hidden door. It says ‘PUSH’ – doesnโ€™t open. Pulling, however seems to have done the trick (sneaky chap, this Connolly). Oh Christ, weโ€™re in his mind. MY mind. The โ€˜TO DOโ€™ pile is hitting the roof. The โ€˜DONEโ€™ pile is thin and dusty. Ah, here we are: โ€˜WORK IN PROGRESSโ€™. Thatโ€™s pretty damned tall too! Bugger, and now itโ€™s all over the floor. Wait, whatโ€™s this? A hip-hop track? Rap? Collaboration?? โ€œBut heโ€ฆ But itโ€ฆ No, but he canโ€™tโ€ฆโ€ – Ah, but I CAN, you see, and so I will.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Collide – DeBlocka

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Collide – DeBlocka

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜พ๐™ค๐™ก๐™ก๐™ž๐™™๐™š – ๐˜ฟ๐™š๐™—๐™ก๐™ค๐™˜๐™ ๐™–


    Charles hits the wall and bounces offโ€ฆ


    YouTube is a thing. A thing we all use for one thing or another. Or maybe both one thing AND another. In fact, it is the second most viewed website in the world, with a figure that is slightly staggering. Utterly staggering, really: around 5 billion viewsโ€ฆ PER DAY!!! And thatโ€™s just me and Adele! Nah, just kidding. Adele doesnโ€™t get those kinds of figures. So what are we all watching? What is it that glues us to that screen? Are you more of a โ€œpot luckโ€ kind of person? Do you just dip in occasionally to see what YouTube has pushed you this time? Maybe โ€œpot luckโ€ of a different sort. Maybe you like videos on decorating pots. Making pots? Collecting pots, perhaps? Rare Roman pots unearthed? Or maybe you like videos on different strains of pot and how best to grow it? Whatever you feel like viewing (within reasonโ€ฆ), it is there. It has become the video version of Google. You will never find โ€œYour search did not match any videosโ€. My personal YouTube obsession is using it for education. It schools me and helps me to find better ways of mixing. All for no pennies. Utterly free! Whoโ€™da thunk it?? So this is what I do. Whether I am looking for a specific technique when attempting to compress a bass guitar, or maybe more information on โ€œdifferent kinds of saturationโ€, there will always be many videos to help me along my journey to perfection. Sometimes I just browse and think โ€œthat looks interestingโ€ – only to find it wasnโ€™t. But Iโ€™m nevertheless eager to learn. Dedicated to the core, to my profession. Of course, REAL one-to-one tuition would be far superior and more helpful, but it comes at a price. A price I cannot afford right now.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Colour of Water – The Safety Word

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Colour of Water – The Safety Word

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜พ๐™ค๐™ก๐™ค๐™ช๐™ง ๐™ค๐™› ๐™’๐™–๐™ฉ๐™š๐™ง – ๐™๐™๐™š ๐™Ž๐™–๐™›๐™š๐™ฉ๐™ฎ ๐™’๐™ค๐™ง๐™™


    Charles makes it clearโ€ฆ


    You remember when people used to use Facebook to document their entire life in public? Sorry: you remember when people used to use Facebook? It was rather ahead of its time. And believe it or not, it still exists today! I know, impossible but itโ€™s true. Still sitting there with its dated blue and white F logo. This logo is regularly redesigned for millions of dollars, but as with most redesigns, no one notices. Because no one cares. Because people donโ€™t use it anymore. But in the noughties, oh MY it was popular. Went on a bit of a bender last night? Stick the embarrassing photos up on Facebook in the morning, for the world to see! Or even direct from the drinking hole itself! Iโ€™ll tag myself with my exact location right now so that everyone can stalk me – a splendid idea and a wise use of technology. Playing โ€œWords With Friendsโ€ (poor manโ€™s Scrabble) on Facebook with someone on the other side of the world who you met once at a party – bafflingly brilliant. Status: โ€œfeelin groggy heres a pic of my puppy she looks so warm i wish i was that fluffyโ€. We actually wrote this guff, as if anyone would care. But hey, it was new! It was the beginning of the modern era. I believe some even still do this – God help them. The problems started arising when they introduced something called Relationship Statusโ€ฆ What a dangerous little info box this was. In a relationship. Single. Engaged. Marred. Sorry, Married. And then there was the classic: โ€œItโ€™s complicatedโ€. This screwed with everyone. It was so clever, yet so detrimental to so many. Loverโ€™s tiff? โ€œIโ€™m changing my relationship statusโ€ – NOOOOOOO!!!! – said the partner. โ€œIt is NOT complicated, I beg you! It is oh so simple. I love you and you love me! How is that complicated??โ€โ€ฆ But the thing is, this little info box was a feast for the gossipmongers. โ€œOoh, did you see Lucyโ€™s changed her status to Itโ€™s complicated. I know! I thought they were going to be together forever!โ€. Suddenly something so private was there for the world to see. Well, the mini world that cared at all. It only made things far more complicated than they already were (probably not complicated at all). A live real-life soap opera.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Colourblind – Sabrina Barreto

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Colourblind – Sabrina Barreto

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜พ๐™ค๐™ก๐™ค๐™ช๐™ง๐™—๐™ก๐™ž๐™ฃ๐™™ – ๐™Ž๐™–๐™—๐™ง๐™ž๐™ฃ๐™– ๐˜ฝ๐™–๐™ง๐™ง๐™š๐™ฉ๐™ค


    Charles begs you to look back.


    Iโ€™ve spoken about age once or twice quite recently. I canโ€™t remember when exactly, for this is what happens with age. Not that Iโ€™m oldโ€ฆ I spoke about how people over the age of 23 are made to feel middle-aged these days, or even past it by the age of 25. Well letโ€™s go back way before that so you can REALLY feel old. Cast your mind back to a different era (or a not-so different era, depending how old you are). I ask you one question: What were you like when you were 13? What were you doing when you were 13? How did you feel when you were 13? Okay, so 3 questions. When I was 13, I had more hair, but it never did what I wanted it to do. I wanted it to look like Paul McCartneyโ€™s (circa 1965), but frankly it looked more like a blonde mushroom on my noggin. I was really into music, but only in the sense of listening to it. I was not remotely into sport – not a lot has changed there. Of course, I wanted to be a rock star – or pop star – but I had no real talents. Sure, I could play the drums and the guitar a little, and my voice was fine, but there were many others of my age – and of course, older – who could do the same. I was lazy and didnโ€™t bother to push myself in music, but even if I had been a little more โ€pro-activeโ€, I wouldnโ€™t have seen the point at such a young age. Who would have taken me seriously? Coming back to the point, though – I had no real talents to show. 13 is a funny age. It can be very unfunny too. Maybe I mean a peculiar age. Truly in limbo. Should one be playing with toys? Should one be hanging out with the older kids, coughing oneโ€™s first smoke? Toys are safer, but then again they โ€œmay contain small partsโ€. Should a 13 year old be interested in a member of the opposite sex? Should a 13 year old be interested in a member of the same sex? Should a 13 year old be interested in anything at all? These are just some of the questions you can feel free to answer in the comments below. My point is that one does not expect anything much from a 13 year old, except perhaps for them to turn 14.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Complicated – Alcotomic

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Complicated – Alcotomic

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜พ๐™ค๐™ข๐™ฅ๐™ก๐™ž๐™˜๐™–๐™ฉ๐™š๐™™ – ๐˜ผ๐™ก๐™˜๐™ค๐™ฉ๐™ค๐™ข๐™ž๐™˜


    Charles makes matters more difficultโ€ฆ


    In the words of the late, great Bowie, โ€œIt Ainโ€™t Easyโ€. I mean, it REALLY ainโ€™t. Oh, and by the way, yet another week passed with no message from the artist I reviewed. Just speechless. Unfortunately literally speechless, but I meant me. You remember a few weeks ago when I wrote a whole initial paragraph about how so many artists donโ€™t thank me for having spent hours writing about them? Well, even that week, that artist said nothing. Not a single word. Good old Kele did, though. Or as some commenters decided to call her: Kyle(!!). Such a lovely lady she is. So yeah, Bowie was right. It ainโ€™t easy. But we truck on. Donโ€™t we? Well, we try to. Lord, we try. Of course, it doesnโ€™t help that Iโ€™ve got a rotten, stinking cold right now, but Iโ€™m only writing that for context. Please donโ€™t write any pity comments. Itโ€™s a cold; it will pass. Meh. Anyway. It really is hard to pick a blinder of a song while at the same time know that the artist is deserving of the praise, attention and effort. The thing is, I never know until it is already published. Automatically too late. So, a while ago, I decided to simply base it on the music. Not be biased about the artist in any way. I still have to have my HAL (A.I.) antenna on at all times, but aside from that, I just let the music itself be my guide. Otherwise itโ€™s just too complicated.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Demon – Talked Across The Room

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Demon – Talked Across The Room

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜ฟ๐™š๐™ข๐™ค๐™ฃ – ๐™๐™–๐™ก๐™ ๐™š๐™™ ๐˜ผ๐™˜๐™ง๐™ค๐™จ๐™จ ๐™ฉ๐™๐™š ๐™๐™ค๐™ค๐™ข


    Charles meets his alter egoโ€ฆ


    So the legend goes, we are all apparently born with morals. So they say. The obvious, clear differentiation between good and bad. A young baby – as opposed to an old one – is as innocent as the bright blue sky. It knows what to do and what not to do. Admittedly it doesnโ€™t really know HOW to do it, hence the green mush all down its front. But at least it TRIED to get said mush in its pie-hole. As a baby, it simply wants to be content and happy. There is no gain in doing something โ€œwrongโ€. Everything is there for them. Food, warmth, fun silly colourful plastic things to poke in to anywhere theyโ€™re not supposed to go. This in itself could be construed as โ€œdoing a bad thingโ€, but this young bundle of joy is really just being inquisitive. Finding things out. All innocent enough. When toddlerdom comes along however, it discovers a cheeky side. It realises that doing something โ€œwrongโ€ can make them giggle. And who doesnโ€™t like giggling?? Or – a wondrous phrase my girlfriend came up with – โ€œI wasnโ€™t laughing, I was just smiling out loudโ€. Inspired! Back to our toddling friend. It is only when it sees gain, and ways of gaining said gain, that things start to change. It is by now, a young child. It can reach the cupboards and the fridge. It has had dinner. It knows it is not supposed to eat something straight afterwards. Not due to an uber-trendy vegan diet, but simply because it shouldnโ€™t turn into a fat pig too early on. This naughty young thing is still craving a certain sweetness. To get said sweetness, it is to be anything but sweet. It knows that if it asks for the sweet treat, the answer will predictably be โ€œNoโ€. Not because the mother is Lois from Malcolm in the Middle, but because this little person has had this treat five times within the week, and so she feels she has to lay down some rules. No one wants a spoilt chubba-bubba – as cute as it is to squeeze Sweet Cheeksโ€™ sweet cheeks.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: December (A Warm Embrace) – Andres Guazzelli

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: December (A Warm Embrace) – Andres Guazzelli

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜ฟ๐™š๐™˜๐™š๐™ข๐™—๐™š๐™ง (๐˜ผ ๐™’๐™–๐™ง๐™ข ๐™€๐™ข๐™—๐™ง๐™–๐™˜๐™š) – ๐˜ผ๐™ฃ๐™™๐™ง๐™š๐™จ ๐™‚๐™ช๐™–๐™ฏ๐™ฏ๐™š๐™ก๐™ก๐™ž


    Uninvited, Charles quietly passes through a memorial service, to breathe in the emotion.


    Death, is the one and only thing we can be sure of. Those who have been fortunate enough to join this Earth, will eventually leave it. Or at least move on to greener pastures, depending on your view. It is an inevitable fact of โ€œlifeโ€, that it will cease. We only hope that it comes late enough to give us time to have a rich and fulfilling life beforehand. Our dear friend – the Gentleman of Rock – Charlie Watts, passed away very recently. This was very saddening, what with him being the rock of the Stones, but he certainly could be said to have lead a full life, and managed a whole 8 decades before removing his Savile Row suit, to sleep. This will be The Last Time.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Donโ€™t Care – Patrik Ahlm

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Donโ€™t Care – Patrik Ahlm

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜ฟ๐™ค๐™ฃโ€™๐™ฉ ๐˜พ๐™–๐™ง๐™š – ๐™‹๐™–๐™ฉ๐™ง๐™ž๐™  ๐˜ผ๐™๐™ก๐™ข


    Charles is all caught upโ€ฆ


    The following piece is simply my views and my views only. It says nothing about the New Artist Spotlight and its views (of which it has none). I promised myself I wouldnโ€™t talk about the war. But since it was only a promise to myself, I donโ€™t feel too guilty for breaking it.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Dosie Issneun Daenamusup – Alvaro Herrรกn

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Dosie Issneun Daenamusup – Alvaro Herrรกn

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜ฟ๐™ค๐™จ๐™ž๐™š ๐™„๐™จ๐™จ๐™ฃ๐™š๐™ช๐™ฃ ๐˜ฟ๐™–๐™š๐™ฃ๐™–๐™ข๐™ช๐™จ๐™ช๐™ฅ – ๐˜ผ๐™ก๐™ซ๐™–๐™ง๐™ค ๐™ƒ๐™š๐™ง๐™ง๐™–ฬ๐™ฃ

    Charles talks science – and artโ€ฆ

    We’re so often reading about “The Science” in the papers. The news seems to speak of it like this impossibly unreachable superpower that only the special people will be able to comprehend. Or like it is a filthy rag that no one wants anything to do with. “The Scienceโ€: there’s always this slight pause before those two words are delivered. As if it were to be a warning to brace yourself, or to pinch your nose tightly. It also seems as though this pause is for comical effect, as if those two innocent words were to make us corpse in hysterical laughter once uttered. But aside from all this polite observation of mine, it is really just an easy save these days in politics. “Our team of experts has looked at โ€˜The Scienceโ€™, and the facts are indisputable”. Huh. Handy get-out clause. Noyce. Blame “The Science”. It is easy because most of us DON’T understand it, so we simply can’t argue. Facts are facts, rightโ€ฆ?


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Did You Cry? – Rich Allen

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Did You Cry? – Rich Allen

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐˜ฟ๐™ž๐™™ ๐™”๐™ค๐™ช ๐˜พ๐™ง๐™ฎ? – ๐™๐™ž๐™˜๐™ ๐˜ผ๐™ก๐™ก๐™š๐™ฃ


    Charles sees beauty in sadnessโ€ฆ


    Shit happens. Americans eloquently spout this wisdom so often, that it has seeped into the vernacular of so many nations. But as simple as it sounds, it somehow manages to sum up every part of the feeling when something bad occurs. When things are out of our control and take a downturn, predictably or not. It is a phrase not usually used for the abominable sinkholes that life so generously donates, but more for the little nuisances. The pains. Les petits bastards. These things tend to simply make one swear, before muddling through and sorting out the problem. Say for example, if you drop a hammer on your toe whilst working in the outhouse, you will most likely not shed a tear, but tear the shed to pieces in revenge. Stupid revenge, because it was not the fault of the shed. But basically, it is fine. This minor pooey occurrence will be relatively brief and inconsequential. Shit, does indeed happen. However there are times when this mandatory colloquial utterance will not suffice. Say, for example if one experiences years or even decades of the deepest, darkest depression. Or if someone close to you dies unexpectedly. This is not the same as your phone not turning on. This is serious stuff. There will be no swearing. There will rarely be any initial anger. There will be no โ€œsorting outโ€ of the problem, because it will seem like there is no answer. But there will be tears. And plenty of them. The feeling is so deep and complicated that our brain can barely cope. We are not in control. And so the emotional side takes over the rational.


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