Connolly’s Corner

  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Furgรณn – El Proyecto de Jorge Pendiente

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Furgรณn – El Proyecto de Jorge Pendiente

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™ช๐™ง๐™œ๐™คฬ๐™ฃ – ๐™€๐™ก ๐™‹๐™ง๐™ค๐™ฎ๐™š๐™˜๐™ฉ๐™ค ๐™™๐™š ๐™…๐™ค๐™ง๐™œ๐™š ๐™‹๐™š๐™ฃ๐™™๐™ž๐™š๐™ฃ๐™ฉ๐™š


    Charles speaks but one languageโ€ฆ


    Andiamo! Despite my blood being decidedly foreign (not meaning I am ridden with germs), I am English. I mean, I was born in England, and have been here all my life. That makes me English, at least in the modern way of viewing things. Right? Well my foreign ancestry takes me back to two other places in the world. My native heritage lies in Italy and Ireland. Or Ireland and Italy, so as not to offend. I believe I am still roughly half English, but it may be less. I am not about to pay a rather large fee for someone to analyse my blood to find out. I donโ€™t care enough. I am who I am, and that is fine with me. England is my love, and so is the English language. But I also feel a huge warmth and fondness for pretty much anything to do with Italy. I also quite like Guinness, when the time is right. And U2. When the time is right. But predominantly it is England that wins my heart. Paddy’s Day is universally known and celebrated. On Saturday it was St. George’s Day, otherwise known as England Day. Did you know? Would you have known if Google hadn’t told you? โ€œEnglandโ€ and โ€œEnglishโ€ are pretty much seen as dirty words here in London. I canโ€™t think why. It saddens me. Everyone should be proud of their own nation. Almost everyone. Ooh! Contention! Joking, of course.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Fuss – Patrik Ahlm

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Fuss – Patrik Ahlm

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™ช๐™จ๐™จ – ๐™‹๐™–๐™ฉ๐™ง๐™ž๐™  ๐˜ผ๐™๐™ก๐™ข


    Charles lost his soulโ€ฆ


    The other night I rediscovered jazz. I had one little melody stuck in my head but I couldnโ€™t think what it was. I was sure it was something from jazz singer Stacey Kent. I scanned through her entire discography. I was wrong. In my head it was both old and relatively new sounding. It wasnโ€™t quite the old grainy jazz of the late 40s and early 50s, but it also didnโ€™t quite have the lustre and close sparkle of newer jazz. I was mainly a bit stuck because I knew that I knew it extremely well, and yet I know VERY little jazzโ€ฆ At first I thought this melody (which introduces the song – I knew THAT much) was piano, but I quickly realised it was saxophone (or trumpet – I just couldn’t quite solidify it in my mind). I had the feel of the playing, but I still couldn’t be definite about the sound. It bugged me for a good half hour. I even tried many Miles Davis tracks, hoping it was either his own trumpet playing, or perhaps John Coltrane on the saxophone. Still couldn’t find it. Something suddenly clicked. I got it instantly. It was Paul Desmond playing the sax. The sound was cemented in my mind and I knew that had to mean one thing. It was a Dave Brubeck song. I have only ever had one album by Brubeck. But it’s an album you all own in one way or an other. Literally each and every one of you has this LP in your possession. And yet, you will all have different versions by different artists. So different that it’s impossible to believe they share the same title. I personally have loads of copies by numerous artists. Any guesses for the title of said album? No…? All right, I’ll tell you. It’s called Greatest Hits. Despite this song I was searching for apparently being on his 1963 album Bossa Nova USA, I only knew it from his 1966 Greatest Hits album. And I cannot imagine how many times I have played this record. It must be hundreds. I know almost every single note of every solo. And yetโ€ฆ I have never really been into jazzโ€ฆ


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Hands – Kaminski

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Hands – Kaminski

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™ƒ๐™–๐™ฃ๐™™๐™จ – ๐™†๐™–๐™ข๐™ž๐™ฃ๐™จ๐™ ๐™ž


    Charles finally has his Europe in the Summertime…


    Who knew heโ€™d talk about his holiday?? Quite impossible. Surely not! Well, surely. Predictability, with a twist.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Hanging Out – Alcotomic

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Hanging Out – Alcotomic

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™ƒ๐™–๐™ฃ๐™œ๐™ž๐™ฃ๐™œ ๐™Š๐™ช๐™ฉ – ๐˜ผ๐™ก๐™˜๐™ค๐™ฉ๐™ค๐™ข๐™ž๐™˜


    Charles has just the oneโ€ฆ


    Temptation isโ€ฆ Well, what IS temptation? Something that lures. Something too good to resist. Something that sits on your shoulder refusing to allow you to forget. But is this a bad thing? Thatโ€™s whatโ€™s interesting. Temptation tends to err towards the negative. There is usually the feeling of โ€œI really shouldnโ€™t, butโ€ฆโ€. Like when youโ€™ve already had two slices of chocolate cake, but now thereโ€™s only one slice leftโ€ฆ It would be a shame to waste itโ€ฆ And wouldnโ€™t it be more satisfying for that plate to be rid of remnantsโ€ฆ? And so, like a wild animal, you pounce and devour. Crumbs a-plenty! Face like a used pig pen. And the plate has relinquished its duty to hold and present. Do you now feel the purest satisfaction? Do you now feel replete? Not really. You feel guilt, and you have a stomach ache. That final slice wouldnโ€™t have had to go to waste. You could have had it the next day. And now you WISH you had had it the next day. But itโ€™s too late. The deed is done. At least you have learnt not to do this silly thing ever again. At least you know now to be abstemious, should this predicament arise in the futureโ€ฆ


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Happy Now (feat. Jack Ronan) – June Holland

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Happy Now (feat. Jack Ronan) – June Holland

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™ƒ๐™–๐™ฅ๐™ฅ๐™ฎ ๐™‰๐™ค๐™ฌ (๐™›๐™š๐™–๐™ฉ. ๐™…๐™–๐™˜๐™  ๐™๐™ค๐™ฃ๐™–๐™ฃ) – ๐™…๐™ช๐™ฃ๐™š ๐™ƒ๐™ค๐™ก๐™ก๐™–๐™ฃ๐™™


    Charles socks it to you with a smileโ€ฆ


    The life of an artist can be a trying one. Oh, letโ€™s face it, the life of a person can be a trying one. There is always so much to do. So much to think about. So much to worry about. So much to push for. So much to strive for. And so much to bring you down. So letโ€™s have breakfast and look at the news. Bad, worse, absolutely bloody terrible. Itโ€™s exhaustingly negative, and all true. This is not how I wanted to start my day. I have a lot to do! Ah, now hereโ€™s something. Itโ€™s โ€œlightheartedโ€ and jovial. โ€œDolce & Gabbana launches luxury perfume for dogsโ€. And Iโ€™m sad to say that this was not made up. This is a genuine article headline in The Times today (Monday – when I write these things). Riiiiight. So thatโ€™s all good. Paper to one side, methinks. I mean, if it isnโ€™t catastrophically dreadful and deeply depressing, itโ€™s absolutely downright moronic. Coffee. Thatโ€™s a good thing. Sip sip sip. Noyce. But I have heard that it can be bad for the heart. Hmmโ€ฆ Well, Iโ€™ll put that on my list of things to mildly concern me and look into later. As I start my day, I realise itโ€™s Monday. Well, I donโ€™t realise; I KNOW. Monday has that big invisible clanging bell hanging over it as soon as the wakey-wakey alarm does its thang. Bastard Monday. The best and worst thing Bob Geldof ever did was to make us all come together in agreement, in not liking Mondays. I donโ€™t even have to tell you why.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Heavy Heart – Coumarin

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Heavy Heart – Coumarin

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™ƒ๐™š๐™–๐™ซ๐™ฎ ๐™ƒ๐™š๐™–๐™ง๐™ฉ – ๐˜พ๐™ค๐™ช๐™ข๐™–๐™ง๐™ž๐™ฃ


    In ignorance, Charles has a heavy heartโ€ฆ


    A lot of bad stuff is going on in the world. Always. Even at the best of times, there is always bad stuff. Bad people, bad things, bad decisions. Even nature itself can be bad. Itโ€™s enough to flip that smile for a while. Each page turn of the paper; or scroll of your preferred news outlet can often lower the soul, despite it often being so disconnected from our own little world. So why not ignore it? Why not cocoon oneself within oneโ€™s own blinkered existence? Why not, indeed! Well, because we need this information. More than ever, these days we crave the latest goings-on. It has almost become โ€œcoolโ€ to know exactly what is happening everywhere in the world, the split second it happens. But seemingly not in all ways. In many ways we stay within the comfortable confines of what we know and what we are happy not to know.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Hooks You In – Faded Element

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Hooks You In – Faded Element

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™ƒ๐™ค๐™ค๐™ ๐™จ ๐™”๐™ค๐™ช ๐™„๐™ฃ – ๐™๐™–๐™™๐™š๐™™ ๐™€๐™ก๐™š๐™ข๐™š๐™ฃ๐™ฉ


    Charles fishes for complimentsโ€ฆ


    Today, Iโ€™m going to be talking about sport. Which may come as a surprise from someone who neither plays nor enjoys it in the slightest, save the odd game of badminton on a balmy sunny summer’s day. But since we don’t get many of them in London, even those feeble serves are slim. I am not going to talk about something so common as football or tennis (Happy Centenary, Wimbledon), but rather something altogether less taxing. In fact, it involves little movement at all. Most would even struggle to bring themselves to call it a sport. And no, it’s not golf. Golf would maybe seem positively exhausting compared to this. It could be considered a team sport, though it is quite often and maybe usually achieved solo. And when I say solo, I mean there is no human opponent. But this does not mean victory is easy. In fact, it can be pretty brutal, usually resulting in multiple deathsโ€ฆ! Strangely enough, the sport is very often accompanied by a dozen bottles of beer. I know, this is really starting to sound peculiar. What is this drunken violence?? It involves a great deal of sitting, and very often in the rain. Suddenly it sounds rather less crazed and rather more stupid. The player has a long slender stick (more violence?), but much of the time said stick rests alone and remains untouched by human hands. From the stickโ€™s narrowest point, a string dangles downward (as only a thing can dangle). It is kept taut by a weight at the end. This is starting to sound less like a weapon and more like an ancient mathematical instrument for measuring earthquakes. But earthquakes are difficult to measure in the water. Oh yes, did I not mention? This thread dangles below the surface of the water. It still sounds rather scientific. But what with the beer and the Kangol hat, it all starts to look like a bit of a practical joke. Oh, did I not mention the sun hat? But of COURSE! What else are you meant to wear whilst sitting in the pouring rain?


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Houston – Wretched Pinhead Puppets

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Houston – Wretched Pinhead Puppets

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™ƒ๐™ค๐™ช๐™จ๐™ฉ๐™ค๐™ฃ – ๐™’๐™ง๐™š๐™ฉ๐™˜๐™๐™š๐™™ ๐™‹๐™ž๐™ฃ๐™๐™š๐™–๐™™ ๐™‹๐™ช๐™ฅ๐™ฅ๐™š๐™ฉ๐™จ


    Charles realises that practice makes perfect.


    Teenagers have been known to occasionally learn the odd new word (I know, astounding!) and use it over and over again, usually in the wrong way or wrong context. Any teenagers reading this, feel free to take offence: I gather youโ€™re rather good at that – winky smiley face. I went to school with someone who would constantly say โ€œI don’t knowโ€ฆ Itโ€™s a little bit dubious. I dunno man, Iโ€™m a little bit dubious.โ€ Or โ€œjewbyusโ€ was actually how he used to say it. Confused me at first, then made me laugh, then inevitably drove me crazy. This went on for years. The same can be said for artists when they start to mix their own music. Not meaning that they say โ€œjewbyusโ€ at any given chance, but that when they find โ€œthe answerโ€ in terms of mixing and production, they use it everywhere. Badly.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: How To Say The Right Things – Paul McCormick

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: How To Say The Right Things – Paul McCormick

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™ƒ๐™ค๐™ฌ ๐™๐™ค ๐™Ž๐™–๐™ฎ ๐™๐™๐™š ๐™๐™ž๐™œ๐™๐™ฉ ๐™๐™๐™ž๐™ฃ๐™œ๐™จ – ๐™‹๐™–๐™ช๐™ก ๐™ˆ๐™˜๐˜พ๐™ค๐™ง๐™ข๐™ž๐™˜๐™ 


    Charles reviews Paul McCโ€ฆ


    I’ve been thinking about niceness recently. Niceness, politeness and good will. Kindness and honesty. Selflessness. I’m quite nice, but I’m no saint. I will quite naturally be good, but I won’t be a pushover. I will put up a fight if I believe in something strongly enough. But then again, sometimes I will lose that battle either because I’m not strong enough, or because I don’t have the energy, or, because my opponent is simply stronger; or stronger willed. And this is how I came to thinking about niceness. Are nice people too nice? Are they too good for their own good? Can being too nice be unhealthy or even detrimental?


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Hung Me Out To Dry – Forever Forever

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Hung Me Out To Dry – Forever Forever

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™ƒ๐™ช๐™ฃ๐™œ ๐™ˆ๐™š ๐™Š๐™ช๐™ฉ ๐™๐™ค ๐˜ฟ๐™ง๐™ฎ – ๐™๐™ค๐™ง๐™š๐™ซ๐™š๐™ง ๐™๐™ค๐™ง๐™š๐™ซ๐™š๐™ง


    Charles wonโ€™t leave you hangingโ€ฆ


    Do you ever get that feeling when youโ€™re so totally alone? I donโ€™t mean being lonely. I donโ€™t even mean some sort of fear of isolation. I just mean when you see and hear everything around you, but it feels like no one else is speaking the same languageโ€ฆ Does that seem familiar to you? Or how about when nothing specific has happened, but you feel abandoned, or even spat upon? Do you ever get that feeling? It could be personal; it could be very distant, yet still affecting. Sometimes I think about my country and my government, and they donโ€™t seem to mesh. Sometimes I think about my health service that doesnโ€™t work. Sometimes I think about my work and how previously good clients have shown a darker side in more recent times. Sometimes I think about my landlord and my neighbours refusing to do the right thing. Sometimes I think about the artists I have reviewed, refusing to do the right thing. And sometimes, I just think.


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