Connolly’s Corner

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙃𝙤𝙬 𝙏𝙤 𝙎𝙖𝙮 𝙏𝙝𝙚 𝙍𝙞𝙜𝙝𝙩 𝙏𝙝𝙞𝙣𝙜𝙨 – 𝙋𝙖𝙪𝙡 𝙈𝙘𝘾𝙤𝙧𝙢𝙞𝙘𝙠

Charles reviews Paul McC…

I’ve been thinking about niceness recently. Niceness, politeness and good will. Kindness and honesty. Selflessness. I’m quite nice, but I’m no saint. I will quite naturally be good, but I won’t be a pushover. I will put up a fight if I believe in something strongly enough. But then again, sometimes I will lose that battle either because I’m not strong enough, or because I don’t have the energy, or, because my opponent is simply stronger; or stronger willed. And this is how I came to thinking about niceness. Are nice people too nice? Are they too good for their own good? Can being too nice be unhealthy or even detrimental?

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙃𝙪𝙣𝙜 𝙈𝙚 𝙊𝙪𝙩 𝙏𝙤 𝘿𝙧𝙮 – 𝙁𝙤𝙧𝙚𝙫𝙚𝙧 𝙁𝙤𝙧𝙚𝙫𝙚𝙧

Charles won’t leave you hanging…

Do you ever get that feeling when you’re so totally alone? I don’t mean being lonely. I don’t even mean some sort of fear of isolation. I just mean when you see and hear everything around you, but it feels like no one else is speaking the same language… Does that seem familiar to you? Or how about when nothing specific has happened, but you feel abandoned, or even spat upon? Do you ever get that feeling? It could be personal; it could be very distant, yet still affecting. Sometimes I think about my country and my government, and they don’t seem to mesh. Sometimes I think about my health service that doesn’t work. Sometimes I think about my work and how previously good clients have shown a darker side in more recent times. Sometimes I think about my landlord and my neighbours refusing to do the right thing. Sometimes I think about the artists I have reviewed, refusing to do the right thing. And sometimes, I just think.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙄’𝙙 𝙍𝙖𝙩𝙝𝙚𝙧 𝘽𝙚 𝘿𝙮𝙞𝙣𝙜 𝙞𝙣 𝙖 𝙁𝙖𝙞𝙧𝙮𝙩𝙖𝙡𝙚 – 𝙮𝙖

Charles wonders if decrypting the enigma is a wise choice…

Life is a big old thing. Or moreover, the world is a big old thing. A world chock full of billions of beings and trillions of things. We’re not put here to understand every single one of them. Even if equipped with the best of brains, it would be quite literally impossible. Just not enough time, and not enough interest to do so – not to mention the diverse cognitive ability to undertake such a task. It would hardly be a doddle or a walk in the park. The simplest things can baffle me, but I simply and naturally learn to accept it. I urge you not to be a pedant or an irritating little blighter when reading and possibly commenting on this article. Chances are, you are cleverer than I, and that you should be proud of this knowledge. Quietly proud. Allow me to be simple and unknowledgeable. Permit me to be contentedly lost in a world of people and things.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙄 𝘿𝙤𝙣’𝙩 𝘾𝙖𝙧𝙚 – 𝙃𝙤𝙢𝙚𝙡𝙚𝙨𝙨 𝙍𝙖𝙙𝙞𝙤

Charles can’t help but care…

Sometimes, being topical is unavoidable. This is one of those times. The world has not been a lucky place in the last couple of years. Back in 2019, everything seemed to be bumbling along oh-so averagely. #MeToo was still very much a thing. Trump was being Trump. Brexit was on people’s lips. Notre Dame was in people’s hearts. Theresa May stepped down, and Boris Johnson tripped up. Then a great big pandemic came along. George Floyd lost his life and rose to fame, as the world’s people proudly showed their masked faces and threw their fists to the air. Prince Philip passed away at the age of 99. So did Eddie Van Halen, admittedly not nearly so old. It has been a hard and bitter time. Era, you could call it. So unique and unprecedented were the times, that the collective feeling was that of being lost.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙄𝙣 𝙔𝙤𝙪𝙧 𝙋𝙤𝙬𝙚𝙧 – 𝘽𝙡𝙪𝙚 𝙎𝙘𝙖𝙧𝙧, 𝘼𝙞𝙢𝙚́𝙚 𝘽𝙧𝙞𝙩𝙖𝙣𝙣𝙞𝙖

Charles listens wherever egos…

Well, THAT was quite a week, wasn’t it! Phew. That big little article I wrote about Fair Play for Independent Artists garnered rather a lot of attention. Ya see, these things take time to put together. That article was not just cobbled together in half an hour with masking tape temporarily stopping it from falling to bits. It took me hours. And days in the planning. I say planning: it was mildly swimming around my mind for a bit beforehand. I needed to gather together all the information that might have been necessary, and then I knew it had to have some sort of structure. So I proceeded to ignore most of that information and just go by what I knew. This was pure laziness, but I wanted this to feel real. To be from the heart; not just a list of statistics and a rant. Tone was vital. It was all rather daunting if I’m honest. Which I am. Honest, not daunting. I mean, yes, I am used to writing weekly articles. But this was different. I am naturally silly. I like doing the humour thing. With humour. I like to pull facial expressions with words. I like to be light but not pointless. No, I like to think there is weight in what I write, but not deep, dark, depressing weight. No, no. Like Queen. I try to write like the music of Queen. Proper and unexpected, but fun and poppy on the surface. Yeah, that’ll do. This article last week was to be something new. Something different. Something to really stretch me. Lord knows, I need a stretch. It got to the point where I was having dreams about it. Not very healthy, but there you go. This is because it was and is important.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙄 𝙂𝙪𝙚𝙨𝙨 𝙄 𝘿𝙤𝙣’𝙩 𝙇𝙤𝙫𝙚 𝙔𝙤𝙪 – 𝙎𝙝𝙖𝙮𝙖𝙣 𝙍𝙚𝙜𝙖𝙣

Captivated, Charles stops staring at the screen, looks up and discovers a true shining star – in his most in-depth review yet.

The telephone. The humble ring-ring telephone. A simple, everyday tool we have used for many decades, well, every day. Of late, however, you might have noticed that they are somewhat different and more habitual these days than of those. In fact, rarely is the thing to leave one’s hands for more than a few moments, before being swiftly whipped up again. Or swiped to ground with the aim of a clumsy child – thank goodness for cases and carpets! What exactly are we staring at this entire time? What are we actually doing? Does that thumb of yours get tired? Do you ever wonder if in years to come, one thumb will be horrifically disfigured when compared to the other? Should we be frequently swapping hands to avoid this concern? Maybe using the little pinky from time to time…? Phones have in many cases taken the place of a laptop. Hell, in a lot of cases they have taken the place of LIFE! They are capable of just about anything you can think of. We have come a long way from texting. Keyboards have disappeared entirely (R.I.P. Blackberry). The blower has moved on from being a handy tool to being a way of life. It is all about consumption. Not meaning the phone will give you tuberculosis…! It forgoes conversation and closeness and replaces with content. One can also take beautiful (or inane) photos and videos in breathtaking resolution. One can use A.I. to pretend one has a puppy – I’m not that lonely yet. One can beam one’s location to another on the other side of the world – should one wish to. Even 3D graphics can be cast and rendered on these tiny little devices. They are how most people watch and listen to anything and everything all over the world. Tens of millions of songs at your fingertips. Hundreds of billions of videos to go blind to. And then there’s gaming – God help us. One of the most handy things for me is the Voice Memos app – what with coming up with some sort of musical idea every few hours… What is your most used app? What do you use your phone for the most? I’ll bet isn’t making a phone call… Let me know in the comments below!

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙄 𝙇𝙞𝙫𝙚 𝙛𝙤𝙧 𝙔𝙤𝙪 (𝙎𝙩𝙧𝙞𝙣𝙜𝙨 𝙑𝙚𝙧𝙨𝙞𝙤𝙣) – 𝙈𝙞𝙘𝙝𝙖𝙚𝙡 𝙅𝙖𝙘𝙤𝙗

Charles travels the world (musically speaking), and ends up back in Europe.

I have seen very few places in the world. I have always wanted to go to America – New York, Arizona, Chicago – but have never quite managed it. I have never travelled to the opposite side of the world where the large island of Australia resides. I certainly have never immersed myself in deeply foreign cultures, found in places such as India or Africa. Through music however, I have been on a lifelong journey, giving me the feeling of having travelled the entire planet. Music gives me the thoughts, observations, dreams, imagination and cravings that I need to survive. Music has educated me to an extent and shown me the various cultures of the world. Black soul, blues and funk artists have allowed me aboard their ship on which to groove. Latin elements have made me understand the importance of rhythm, and given me the ability to not only count differently but almost think differently. Eastern music has brought me new sounds in instruments with which I had not previously been familiar, and has shown me there is far more to harmony than I had initially realised. My soul however seems to lie in Europe, with its many micro-cultures that exist clustered together in a relatively small chunk of the world. Eastern Europe has shown me its own take on classical and folk music. It fascinates and haunts me, yet I cannot help but smile in wonder. TRUE Europe though – ‘classic’ Europe is what makes my heart sit in its right place. The amalgamation of just a few countries’ music is enough to make me spark. France, with its kookiness and pride. Germany, with its boldness and strength. Italy, with its fondness and warmth. And Spain, with its rhythm and fun.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙄’𝙡𝙡 𝙃𝙖𝙫𝙚 𝙩𝙝𝙚 𝙎𝙖𝙢𝙚 – 𝙅𝙪𝙣𝙞𝙤𝙧 𝘽𝙤𝙣𝙚𝙨

Given the choice, Charles is unimaginative…

Choice is a wonderful thing. It is something with which we are all so familiar these days, to the extent that we might feel spoilt rotten. We have choice in everything. So many options. Say you’re in a shop and you need to buy shampoo (or hair soap, if you’re far too macho to use such a frilly word). When you eventually find the section for degreasing those soiled roots – that in itself is quite a task – you are confronted by banks and banks of ugly white plastic bottles (or black, for said macho types). Why is shampoo always hideously designed, and oh-so outdated…? Good question. You look among the labels and start to read. Who said reading was a thing of the past…? “For dry, dull hair”. “For fine, flat hair”. You’ve got to admire the alliteration here, but who wants dry, dull, fine or flat hair?? This confused me for years. I mean YEARS. Should I opt for the one that boasts 50% more volume? Or should I maybe opt for the one that boasts 50% more volume, with added keratin and argan oil. I am slightly concerned that this much volume might be just a tad too loud and may cause damage to my sensitive ears. Ah, here we are. “For sensitive skin” – definitely not one for the machista. What would the girl at the checkout think…? If you’re thinking about that, you ain’t no macho man. So this one for my sensitive skin boasts what it DOESN’T have. No parabens. No phosphates. No paraffins. Again, the marvellous use of alliteration, but… Headache pills? Toxic gas? Flammable liquid? There is evidently so much I don’t know. So am I to assume that all the other shampoos contain these fearful ingredients?? Well if this simplistic hair soap is free from almost everything, it must at least be mighty cheap. But no. It’s the most expensive one! Quel surprise. 10 minutes have passed, and I am still staring at ugly bottles… I think I’ll get it online, where everyone isn’t staring at me.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙄’𝙡𝙡 𝙌𝙪𝙞𝙩 𝙀𝙫𝙚𝙧𝙮𝙩𝙝𝙞𝙣𝙜 – 𝙈𝙤𝙙𝙚𝙧𝙣 𝘼𝙣𝙜𝙚𝙡

Charles packs it all in…

Each week comes with private messages from artists wishing me to review their latest single. While some might think I find this annoying or tedious, I am actually flattered. It suggests that my Corner is somewhat of an aspiration. Something special for which to strive. Like a poor man’s Mercury Music Prize, but weekly. Which makes the whole thing rather difficult. The more popular my Corner gets, the more pressure there is on choosing the “right” artist and song. Back when I started, it was getting only a handful of views, then rather quickly it started taking off. Soon it was reaching something like 60-80 views. In recent months however, it is now being read by around 300 people per week. Which astounds me. Having said that, the New Artist Spotlight currently has close to 1,000 members, so therefore more than two thirds of them are not even glancing at it. Seems a shame perhaps, but I am certainly content with a few hundred views. My goal has always been to popularise a certain song by a certain artist. A song which I feel deserves that spotlight. This could be a relatively unknown artist who’s been with us a while, or it could be one of the notoriously talented top dogs of the community. Lately, however, I have been trying to review artists I have never reviewed before. Incredible talent that very few know about. It’s fair, and it’s right. It can also help to coax a quieter artist out of its shell. But it’s also a gamble. What I do is so much more than picking a decent song and briefly telling you it’s good. It involves a lot of work, time, effort and thought – which in a way I hope does not come across when reading them – I like them to seem effortless and natural.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙄’𝙢 𝙖 𝙃𝙚𝙖𝙩 𝙈𝙖𝙘𝙝𝙞𝙣𝙚 – 𝙎𝙩𝙚𝙫𝙚 𝙊𝙠𝙬𝙤𝙧, 𝘼𝙡𝙞𝙨𝙨𝙖 𝙆𝙖𝙮

Charles cooks up a hot mess…

This week, you are going to be in my shoes. You are going to be like me and think like me. You are going to realise the absurdity of what I do on a weekly basis. Pick a song and write about it. Sounds easy enough. But it’s not. Not the way I do it. You all know my big little intros… Well, they all have to relate to the song or the artist, or the wherecumference of the artist. There has to be some sort of link between article and review. It has to be interesting or entertaining, or both. And I don’t ever write an intro then try to find a song that suits the intro. It always has to be in order of importance: choose music first, write drivel after. So when I come up against a song with the title “I’m a Heat Machine”, I am plagued by thoughts and quandaries.

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