Connolly’s Corner

  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Hung Me Out To Dry – Forever Forever

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Hung Me Out To Dry – Forever Forever

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™ƒ๐™ช๐™ฃ๐™œ ๐™ˆ๐™š ๐™Š๐™ช๐™ฉ ๐™๐™ค ๐˜ฟ๐™ง๐™ฎ – ๐™๐™ค๐™ง๐™š๐™ซ๐™š๐™ง ๐™๐™ค๐™ง๐™š๐™ซ๐™š๐™ง


    Charles wonโ€™t leave you hangingโ€ฆ


    Do you ever get that feeling when youโ€™re so totally alone? I donโ€™t mean being lonely. I donโ€™t even mean some sort of fear of isolation. I just mean when you see and hear everything around you, but it feels like no one else is speaking the same languageโ€ฆ Does that seem familiar to you? Or how about when nothing specific has happened, but you feel abandoned, or even spat upon? Do you ever get that feeling? It could be personal; it could be very distant, yet still affecting. Sometimes I think about my country and my government, and they donโ€™t seem to mesh. Sometimes I think about my health service that doesnโ€™t work. Sometimes I think about my work and how previously good clients have shown a darker side in more recent times. Sometimes I think about my landlord and my neighbours refusing to do the right thing. Sometimes I think about the artists I have reviewed, refusing to do the right thing. And sometimes, I just think.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Iโ€™d Rather Be Dying in a Fairytale – ya

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Iโ€™d Rather Be Dying in a Fairytale – ya

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™„โ€™๐™™ ๐™๐™–๐™ฉ๐™๐™š๐™ง ๐˜ฝ๐™š ๐˜ฟ๐™ฎ๐™ž๐™ฃ๐™œ ๐™ž๐™ฃ ๐™– ๐™๐™–๐™ž๐™ง๐™ฎ๐™ฉ๐™–๐™ก๐™š – ๐™ฎ๐™–


    Charles wonders if decrypting the enigma is a wise choiceโ€ฆ


    Life is a big old thing. Or moreover, the world is a big old thing. A world chock full of billions of beings and trillions of things. Weโ€™re not put here to understand every single one of them. Even if equipped with the best of brains, it would be quite literally impossible. Just not enough time, and not enough interest to do so – not to mention the diverse cognitive ability to undertake such a task. It would hardly be a doddle or a walk in the park. The simplest things can baffle me, but I simply and naturally learn to accept it. I urge you not to be a pedant or an irritating little blighter when reading and possibly commenting on this article. Chances are, you are cleverer than I, and that you should be proud of this knowledge. Quietly proud. Allow me to be simple and unknowledgeable. Permit me to be contentedly lost in a world of people and things.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: I Donโ€™t Care – Homeless Radio

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: I Donโ€™t Care – Homeless Radio

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™„ ๐˜ฟ๐™ค๐™ฃโ€™๐™ฉ ๐˜พ๐™–๐™ง๐™š – ๐™ƒ๐™ค๐™ข๐™š๐™ก๐™š๐™จ๐™จ ๐™๐™–๐™™๐™ž๐™ค


    Charles can’t help but care…


    Sometimes, being topical is unavoidable. This is one of those times. The world has not been a lucky place in the last couple of years. Back in 2019, everything seemed to be bumbling along oh-so averagely. #MeToo was still very much a thing. Trump was being Trump. Brexit was on people’s lips. Notre Dame was in people’s hearts. Theresa May stepped down, and Boris Johnson tripped up. Then a great big pandemic came along. George Floyd lost his life and rose to fame, as the worldโ€™s people proudly showed their masked faces and threw their fists to the air. Prince Philip passed away at the age of 99. So did Eddie Van Halen, admittedly not nearly so old. It has been a hard and bitter time. Era, you could call it. So unique and unprecedented were the times, that the collective feeling was that of being lost.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: I Donโ€™t Know – Noa Gil

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: I Donโ€™t Know – Noa Gil

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™„ ๐˜ฟ๐™ค๐™ฃโ€™๐™ฉ ๐™†๐™ฃ๐™ค๐™ฌ – ๐™‰๐™ค๐™– ๐™‚๐™ž๐™ก


    Charles opens up, writes an honest review, and tells no lie.


    As I have shed my filthy years of youth and grown less immature, I have noticed one thing dying and one thing growing. I speak not of hair and warts, but of lies and truth. Very few of us will have led a completely sin-free life. A young person might rarely see the wrong in telling a lie – or not telling the whole truth – but will often only see the benefits. There can be benefits! But is it therefore RIGHTโ€ฆ? Young people might not really care if it is RIGHT or not. But as I grow less young, I care more and more about honesty.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Iโ€™ll Have the Same – Junior Bones

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Iโ€™ll Have the Same – Junior Bones

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™„โ€™๐™ก๐™ก ๐™ƒ๐™–๐™ซ๐™š ๐™ฉ๐™๐™š ๐™Ž๐™–๐™ข๐™š – ๐™…๐™ช๐™ฃ๐™ž๐™ค๐™ง ๐˜ฝ๐™ค๐™ฃ๐™š๐™จ


    Given the choice, Charles is unimaginativeโ€ฆ


    Choice is a wonderful thing. It is something with which we are all so familiar these days, to the extent that we might feel spoilt rotten. We have choice in everything. So many options. Say youโ€™re in a shop and you need to buy shampoo (or hair soap, if youโ€™re far too macho to use such a frilly word). When you eventually find the section for degreasing those soiled roots – that in itself is quite a task – you are confronted by banks and banks of ugly white plastic bottles (or black, for said macho types). Why is shampoo always hideously designed, and oh-so outdatedโ€ฆ? Good question. You look among the labels and start to read. Who said reading was a thing of the pastโ€ฆ? โ€œFor dry, dull hairโ€. โ€œFor fine, flat hairโ€. Youโ€™ve got to admire the alliteration here, but who wants dry, dull, fine or flat hair?? This confused me for years. I mean YEARS. Should I opt for the one that boasts 50% more volume? Or should I maybe opt for the one that boasts 50% more volume, with added keratin and argan oil. I am slightly concerned that this much volume might be just a tad too loud and may cause damage to my sensitive ears. Ah, here we are. โ€œFor sensitive skinโ€ – definitely not one for the machista. What would the girl at the checkout thinkโ€ฆ? If youโ€™re thinking about that, you ainโ€™t no macho man. So this one for my sensitive skin boasts what it DOESNโ€™T have. No parabens. No phosphates. No paraffins. Again, the marvellous use of alliteration, butโ€ฆ Headache pills? Toxic gas? Flammable liquid? There is evidently so much I donโ€™t know. So am I to assume that all the other shampoos contain these fearful ingredients?? Well if this simplistic hair soap is free from almost everything, it must at least be mighty cheap. But no. Itโ€™s the most expensive one! Quel surprise. 10 minutes have passed, and I am still staring at ugly bottlesโ€ฆ I think Iโ€™ll get it online, where everyone isnโ€™t staring at me.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Iโ€™ll Quit Everything – Modern Angel

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Iโ€™ll Quit Everything – Modern Angel

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.

    ๐™„โ€™๐™ก๐™ก ๐™Œ๐™ช๐™ž๐™ฉ ๐™€๐™ซ๐™š๐™ง๐™ฎ๐™ฉ๐™๐™ž๐™ฃ๐™œ – ๐™ˆ๐™ค๐™™๐™š๐™ง๐™ฃ ๐˜ผ๐™ฃ๐™œ๐™š๐™ก


    Charles packs it all in…


    Each week comes with private messages from artists wishing me to review their latest single. While some might think I find this annoying or tedious, I am actually flattered. It suggests that my Corner is somewhat of an aspiration. Something special for which to strive. Like a poor manโ€™s Mercury Music Prize, but weekly. Which makes the whole thing rather difficult. The more popular my Corner gets, the more pressure there is on choosing the โ€œrightโ€ artist and song. Back when I started, it was getting only a handful of views, then rather quickly it started taking off. Soon it was reaching something like 60-80 views. In recent months however, it is now being read by around 300 people per week. Which astounds me. Having said that, the New Artist Spotlight currently has close to 1,000 members, so therefore more than two thirds of them are not even glancing at it. Seems a shame perhaps, but I am certainly content with a few hundred views. My goal has always been to popularise a certain song by a certain artist. A song which I feel deserves that spotlight. This could be a relatively unknown artist whoโ€™s been with us a while, or it could be one of the notoriously talented top dogs of the community. Lately, however, I have been trying to review artists I have never reviewed before. Incredible talent that very few know about. Itโ€™s fair, and itโ€™s right. It can also help to coax a quieter artist out of its shell. But itโ€™s also a gamble. What I do is so much more than picking a decent song and briefly telling you itโ€™s good. It involves a lot of work, time, effort and thought – which in a way I hope does not come across when reading them – I like them to seem effortless and natural.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Iโ€™m a Heat Machine – Steve Okwor, Alissa Kay

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Iโ€™m a Heat Machine – Steve Okwor, Alissa Kay

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™„โ€™๐™ข ๐™– ๐™ƒ๐™š๐™–๐™ฉ ๐™ˆ๐™–๐™˜๐™๐™ž๐™ฃ๐™š – ๐™Ž๐™ฉ๐™š๐™ซ๐™š ๐™Š๐™ ๐™ฌ๐™ค๐™ง, ๐˜ผ๐™ก๐™ž๐™จ๐™จ๐™– ๐™†๐™–๐™ฎ


    Charles cooks up a hot messโ€ฆ


    This week, you are going to be in my shoes. You are going to be like me and think like me. You are going to realise the absurdity of what I do on a weekly basis. Pick a song and write about it. Sounds easy enough. But itโ€™s not. Not the way I do it. You all know my big little introsโ€ฆ Well, they all have to relate to the song or the artist, or the wherecumference of the artist. There has to be some sort of link between article and review. It has to be interesting or entertaining, or both. And I donโ€™t ever write an intro then try to find a song that suits the intro. It always has to be in order of importance: choose music first, write drivel after. So when I come up against a song with the title โ€œIโ€™m a Heat Machineโ€, I am plagued by thoughts and quandaries.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Iโ€™m Not Perfect – Sabrina Barreto

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Iโ€™m Not Perfect – Sabrina Barreto

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™„โ€™๐™ข ๐™‰๐™ค๐™ฉ ๐™‹๐™š๐™ง๐™›๐™š๐™˜๐™ฉ – ๐™Ž๐™–๐™—๐™ง๐™ž๐™ฃ๐™– ๐˜ฝ๐™–๐™ง๐™ง๐™š๐™ฉ๐™ค


    Charles aims for perfectionโ€ฆ

    Any anti-royalists may turn the page now – I donโ€™t want a whole hunk oโ€™ junk in the comments.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: I Miss You – Ed Eagle

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: I Miss You – Ed Eagle

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™„ ๐™ˆ๐™ž๐™จ๐™จ ๐™”๐™ค๐™ช – ๐™€๐™™ ๐™€๐™–๐™œ๐™ก๐™š


    Charles is Edโ€™s brother from another motherโ€ฆ

    We are all born much the same. A cute, squidgy blob that dribbles. As time goes by, some of us change little. But for most of us, we all end up different. What makes you, YOU? Now, Iโ€™m not talking about your preferred hairstyle or your penchant for baggy flares, but something less tangible. Our being. The way we do things. Our voice, our manner, our gestures. Was it all picked up at school? Was it an obsession with a character from a Netflix production? Maybe youโ€™re NOT so different and you prefer to blend in with the crowdโ€ฆ Even if so, you will still be different. To figure this out, one has to go back to the start. We are all born much the same. A cute, squidgyโ€ฆ Yes yes yes, weโ€™ve done this. The point is, we were born. We were not manufactured on a production line. We were born as the eventual outcome of a coupleโ€™s canoodling. Eurghh! I donโ€™t want to even think about it. Despite the severing of the cord, there is (almost) always the strongest connection between blob and makers. Not only is said blob born, but so too is a family. The messy young blighter embiggens the household by one. For many years, this wriggly thing knows nothing outside parent one and parent two. These two โ€œcarersโ€ ARE the world of this wispy-haired giggler. And so it is only natural that over time it should start to take on characteristics and maybe even sentiments of its elders.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: I.O.U. – Philip Morgan Lewis

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: I.O.U. – Philip Morgan Lewis

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™„.๐™Š.๐™. – ๐™‹๐™๐™ž๐™ก๐™ž๐™ฅ ๐™ˆ๐™ค๐™ง๐™œ๐™–๐™ฃ ๐™‡๐™š๐™ฌ๐™ž๐™จ


    Charles gets the feeling he owes youโ€ฆ


    Ordinarily, yesterday would have been just another day. The start of a new week. A humble Monday. For me, it is the day that I write my weekly โ€œreviewโ€ (or article/piece/column/chunk oโ€™ woyds/cushion of praise). And in this respect it was no different. But this time around, the day of the week was somewhat irrelevant. It was Valentineโ€™s Day. Or probably soon to be called International Love Day – for fear of offending the dumb-dumbs who just donโ€™t understand. Love Day was traditionally the day that forced men to go out and buy a bunch of flowers and a cheap box of chocs from the petrol/gas station, for the woman waiting at home for a bunch of flowers and a cheap box of chocs from the petrol/gas station. Nowadays, of course, due to equality and our modern culture shiftโ€ฆ little has changed. Perhaps these days the โ€œother halfโ€ is equally moved to โ€œshow their affectionโ€ in a similar manner. And so, we end up with two bunches of flowers and two cheap boxes of chocs, that frankly no one wanted in the first place. It takes a very clever society indeed to play on oneโ€™s guilt, where it is not so important what one does, as the feeling of guilt if one doesnโ€™t do. It is a tick box.


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