Connolly’s Corner

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙄.𝙊.𝙐. – 𝙋𝙝𝙞𝙡𝙞𝙥 𝙈𝙤𝙧𝙜𝙖𝙣 𝙇𝙚𝙬𝙞𝙨

Charles gets the feeling he owes you…

Ordinarily, yesterday would have been just another day. The start of a new week. A humble Monday. For me, it is the day that I write my weekly “review” (or article/piece/column/chunk o’ woyds/cushion of praise). And in this respect it was no different. But this time around, the day of the week was somewhat irrelevant. It was Valentine’s Day. Or probably soon to be called International Love Day – for fear of offending the dumb-dumbs who just don’t understand. Love Day was traditionally the day that forced men to go out and buy a bunch of flowers and a cheap box of chocs from the petrol/gas station, for the woman waiting at home for a bunch of flowers and a cheap box of chocs from the petrol/gas station. Nowadays, of course, due to equality and our modern culture shift… little has changed. Perhaps these days the “other half” is equally moved to “show their affection” in a similar manner. And so, we end up with two bunches of flowers and two cheap boxes of chocs, that frankly no one wanted in the first place. It takes a very clever society indeed to play on one’s guilt, where it is not so important what one does, as the feeling of guilt if one doesn’t do. It is a tick box.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙄 𝙒𝙖𝙡𝙠 𝘼𝙡𝙤𝙣𝙚 – 𝙒𝙖𝙣𝙖𝙠𝙖

Charles has been down this road before…

More and more increasingly I find myself alienated. This is a common thing in age. Always has been. And as this happens, the older generations huddle together to both chit and chat about the good old days, and to chuckle at what is now the norm, to the younger ones. The older ones were always allowed to live out their life the old fashioned way. But I am not 60 or 70. I am not even 40. And I find it increasingly difficult to find like-minded lost individuals. In fact, I am finding 25-30 year olds equally struggling to keep up with an obsessively progressive world, but unhappily they do seem to manage. They seem to feel the urge to change with the times. This seems to be the difference between myself and the younger mob. We all seem to be feeling out of touch, out of date and unhappy, but they seem to feel the need to go with it all. I, on the other hand, am not partial to being bullied, and I care more for things that matter. And if I even so much as mention anything slightly different to the modern way, I get “the look”, as if I am to be mentally reported to the Thinkpol by the Party (Orwell reference, should you have wondered). You see, I didn’t want any of this. I never asked for it. And neither did anyone else. We were all quite content, as is often the case throughout the decades. It is clear to me when something is wrong and needs work. And it is clear to me when something is fine and should therefore be left alone. But we insist on change. Constant, ill-thought out, cheap and nasty, ugly change. And an obsession with ease. Ease makes laze. Laze makes civilisation fall apart.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙆𝙞𝙡𝙡𝙞𝙣𝙜 𝙏𝙞𝙢𝙚 – 𝙀𝙢𝙞𝙡𝙮 𝙂𝙧𝙖𝙮

Charles murders your precious little time…

“The leaves that are green, turn to brown” – thank you, Simon also ‘Gumfarkel’. It is officially Autumn. We know this because we all changed our clocks. Or rather, for those in the digital age, our clocks changed without us realising. Due to the magic technology of now, we can be even lazier than ever. We don’t have to change a clock. Not meaning you used to have to hurl your alarm clock out of the window and buy a new one. Not that kind of clock change. It’s that time of year when the clocks move back an hour. How do we know whether it’s forward or back? The saying goes: “Spring forward, Autumn back”. No it doesn’t. It’s “Spring forward, Fall back”. For merry cans call Autumn, Fall. And in this instance, I prefer the word Fall. In all other instances I prefer the word Autumn. This beautiful season is the easiest way to watch time passing. Day by day, the leaves change colour, and day by day the ground becomes obscured by leaves that have lived a life and felt the world’s climate. Providing it isn’t miserable and wet, Autumn truly is a beautiful season. I adore the views from my flat in London. Of course, Winter gives us stark contrast with the unlikely possibility of snow, Spring brings the subtle excitement of a new and pretty dawn, and Summer is simply ideally glorious. But Autumn is the velvet. The lush. The radiant. But it is also the brief. So brief that you must snatch it while you can, before it’s all gone. But of course, aside from today (the day of writing), it has been raining raining raining. Just seemingly constantly. It washes away those warmly daubed pigments and coldly reminds you of what follows Autumn. That bleakest Winter. So what do we do to while away the time until the sunshine lights these fiery trunks? Well, what DID we do this week? We got excited and listened to the new Beatles single, of course.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙇𝙚𝙩 𝙂𝙤 – 𝙋𝙖𝙩𝙧𝙞𝙠 𝘼𝙝𝙡𝙢

Charles refuses to let go…

This might be complete and utter fiction, but I always have the feeling that some of you moan or complain in private when I review someone I have reviewed before. It might be entirely in my head – lord knows, SOMEthing’s gotta be in there. But should this be the case, I’d like to set the record straight (wicked song by Reef, if you know it). Favouritism… “CC just picks his favourites”… Er… Yes. That’s the whole point of this weekly column of mine. To pick my fave new releases. BUT!! I will never simply pick my favourite artists out of blind support for my musical chums. Which is why it was 19 weeks since I reviewed last week’s artist, and why it is 37 weeks since I reviewed this week’s. Speaking of whom, he had three great singles in a row that I didn’t review. Five, if you include the one with Seven Streams and the one with Jane Marie (gorgeous song that I had stuck in my head for half of Sunday). Four of the last five reviews (this year so far), have been artists I have never reviewed before. And three of those four were immensely grateful. So you see, I am very much innocent in this way. Probably guilty in many other ways, but that’s beside the point. Those who might have held some sort of grudge (again, might be all in my head and a thoroughly fictional matter) against me for reviewing an artist I have reviewed before, I simply ask that you let go of this nonsense and enjoy the articles. Or ignore them altogether. Entirely up to you. If you want a (pretty much) guaranteed review from me, simply make an absolutely fabulous song. Either that or something completely original or fresh. Basically, something I can’t ignore that really piques my little cells. It must however be of decent quality sound, and hold a certain level of professionalism. You must show you care and have actually bothered. If you’d like to deposit £1000 in my account, this can also sway me. No no no. I don’t, have never, and will never take bribes.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙇𝙚𝙩 𝙄𝙩 𝙂𝙤 – 𝙐𝙣𝙤𝙗𝙡𝙞𝙩𝙚𝙧𝙖𝙩𝙚𝙙

Charles has a black Sabbath…

Unnecessary stress comes to us all. Doesn’t it? You know it does. Why, right now you could be reading without taking it in. I said, right now you could be reading without taking it in. Sometimes a little repetition can help things sink in. But I know; you’re stressed. You’re thinking about other things. You’re worried. You’re concerned. I know how it goes. It happens to all of us. All in different ways. Completely understandable. And usually it’s completely pointless. I had an unnecessarily stressful day on Sunday. A Sunday that should have been pleasant, positive and maybe even exciting. Before I continue, I am fully aware that many of you are going through REAL stress of a serious nature. I bring you my nonsense not to tread on or water down your life-goings-on, but to briefly take your mind off it all. A diversion of a kind. Despite being grounded and level-headed, I am prone to nerves. Nerves from the littlest thing. I think too much. I think too much into everything when I should just ride the wave. Here’s my Sunday. It all started with breakfast. It was the best bit of the day. It was before my mind had started to work. Dopey in the best way. That Sunday feeling. Then I made a quick plan for the day. The plan was thus:

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙇𝙚𝙩 𝙈𝙚 𝘽𝙧𝙚𝙖𝙩𝙝𝙚 – 𝙀𝙢𝙞𝙡𝙮 𝙂𝙧𝙖𝙮, 𝙈𝙤𝙣𝙨𝙞𝙚𝙪𝙧 𝙎𝙩𝙤𝙣𝙚

Charles realises the importance of length…

What a stupid week I’m having. Quite absurd, honestly. There is no crisis and nothing terrible has happened. For which I am most fortunate. I speak of home problems. Not “problems at home”, as people say, but problems with the home itself. The good thing about renting, is that you don’t have to fork out yet more money when something goes wrong. The bad thing about renting is everything else. At least this is how I had come to think about it. This week, however, has shown me that there is in fact nothing good about renting. It is, as we English say, “a mug’s game”. So! With this in mind, I will relay to you my stupid saga. Several weeks ago, my shower decided to drip profusely, to the point where I decided that many litres per hour was too much to ignore any longer. Within a couple of days a plumber arrived to fix it. He barely spoke any English – but of course. I tried to explain the problem by miming with sound effects, and at last he seemed to understand. Much noise and mess later, he uttered a noise. He proudly showed me how the thermostat knob was no longer stiff, and gestured for me to try it for myself (perhaps to prove that he didn’t have something up his sleeve). I declined the offer and took his word for it. Baffled by why he was showing me this, I then politely asked, “and the drip?”. His reply was a look, as if to say I had stripped in front of him and done a little dance. I repeated, complete with miming and sound effects. “Ah okay okay. Noh. Repless repless”. What he meant was, it couldn’t be done (he couldn’t do it) without replacing the whole shower mixer (I now learn this is what it is called, for it mixes hot and cold – clever). Days passed, and he arrived again. He did the job very swiftly and that was that. Weeks passed, but now the tap itself was dripping. I ignored it as it wasn’t that bad. However, by this point, my kitchen sink decided it was full, and refused to drink anymore. Oh what joy. They ask if I can do 8am the following day. I ask if 10am is possible. All is arranged for 10am.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙇𝙚𝙩’𝙨 𝙇𝙞𝙫𝙚 – 𝙏𝙝𝙚 𝙔𝙚𝙡𝙡𝙤𝙬 𝙒𝙖𝙡𝙡𝙥𝙖𝙥𝙚𝙧

Charles celebrates life…

Last week, I spoke of standards. But this past week on the New Artist Spotlight has been anything but standard. You all know how volatile it has been lately, what with our petition, Spotify being bad and only getting worse, and the ongoing suspension of our founder’s Spotify curator account. The scammers continue to spam our inboxes and social media profiles, yet continue to get away with it. We are all quite used to this now. We take it in our stride, despite being constantly perturbed by it. As artists must, we go on. Last Tuesday I published my weekly review. Nothing out of the ordinary there. It had been a perfectly normal Tuesday – business as usual. As night fell in London, I checked my phone one last time before bed. At the top of my Instagram feed was a post from the familiar face of a known NAS artist. He was looking good, healthy, cool, and sharp in a suit. “I’m guessing he has a new release coming soon, then”, I thought. But as I stared at it, my mind started to curl like the red cellophane fortune teller fish we all had as a child. Under his image lay dates. Not release dates. Then an impossibility dawned on me as the colour drained from my face. It was unfathomable and inconceivable to actually realise and believe. But it was in fact true. Kyle M. Watson had died. He was my age.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙇𝙚𝙩 𝙔𝙤𝙪 𝙂𝙤 – 𝘽𝙞𝙡𝙡𝙮 𝙇𝙤𝙬𝙧𝙮

Charles something something (for want of a better something)…

Another week, another review. Another plod through the same old words in a different order. Sorry to put you all through this ordeal every week. I suppose it could be worse. Death is worse. Yeah, my reviews/articles/musings are better than death. There we go! And who says I’m not a positive optimist?? As opposed to the negative variety… The Easter weekend left me with good vibes. It treated me to family I have not seen in over two years. It also treated me to something else I have not experienced in quite a while. A hangover. This ghastly, heavy, HEAVY feeling. I have tried the English cure of “Plink, plink, fizz”, and I have also tried the American cure of “Plop, plop, fizz, fizz”. Those who know, know. Those who don’t: accept your fortunate lack of pointless knowledge and move on. My brain, however is chock-full of pointless knowledge. Nothing useful whatsoever. I think to an extent, it is what makes me, me. I may have listened to a LOT of songs over the years, and I may ADORE music in general, but I am far from any kind of trained music theorist. There is probably a better term, but like I say – I know nothing useful. Who wants to read that kind of in-depth jargon anyway? It would bore the panties off me. And so I turn to imagination. Usually, anyway. Today, My imagination is snoozing. Deeply. Where it is normally a lithium-charged sparkler, right now it is little more than a twitching twig close to decomposition. I am useless to you now. Lobotomies are us!

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙇𝙞𝙛𝙚𝙗𝙤𝙖𝙩𝙨 – 𝙀𝙡𝙚𝙖𝙣𝙤𝙧 𝘾𝙤𝙡𝙡𝙞𝙙𝙚𝙨

Charles goes on a day-day…

The focus of late has been on England. Okay, Britain, if you wish. All right then, the Ewe Kay. The Far West of Europe…? Call it what you will, it has been in the press and on the tongues of most, this past week or so. Due of course, to the nature of all things royal. Yesterday gave me such immense pride. It was a sombre and unbelievably moving affair. A day to remember for the rest of time. Truly a fine end to a fine era, on a scale never witnessed before. For more crownly thoughts, have a read of last week’s review, here. For now, though, I would like not to run away from England quite yet. I wish to go back to a time when the Queen still reigned. Or more precisely, Saturday the 6th of August.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙄𝙣𝙛𝙤𝙧𝙢𝙖𝙩𝙞𝙤𝙣 𝘼𝙜𝙚 – 𝙎𝙩𝙚𝙫𝙞𝙚 𝘽𝙤𝙮𝙚𝙨

Charles urges you to stop IT…

Despite the title of this song and article, I will NOT be talking about HAL (my name for A.I.). The topic of HAL is a dull one because HAL-generated music is a dull thing released by dull, unimaginative pretenders. Now on to something more fun.

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