Connolly’s Corner

  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Pathetic Paradise – CHVRLI BLVCK

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Pathetic Paradise – CHVRLI BLVCK

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™‹๐™–๐™ฉ๐™๐™š๐™ฉ๐™ž๐™˜ ๐™‹๐™–๐™ง๐™–๐™™๐™ž๐™จ๐™š – ๐˜พ๐™ƒ๐™‘๐™๐™‡๐™„ ๐˜ฝ๐™‡๐™‘๐˜พ๐™†


    Charles wastes your time out of vengeanceโ€ฆ


    Would you like some amusement? Would you like to laugh at me and my stupid life? Then letโ€™s begin. I think perhaps a lot of people think I have an idyllic life, free from responsibilities (like children – or blobs), mortgage payments, debt, drug addiction, alcoholism, danger, natural disasters, war and pets. But this โ€œidyllic lifeโ€ of mine is more an idyllic lie. Correction, all of the above is true, but it is not tantamount to paradise. Sure, my job is pretty much my dream job. Sure, I live on the top floor of a lovely house built in 1890, in a lovely leafy area of London. Sure, I live with my girlfriend, and our relationship is just peachy, to say the least. But there are things that make life simply exhausting. The kind of things that would make a stronger, braver (stupider?) man punch a hole in the wall. The kind of things that MOST of us have to deal with.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: ยฟPensar es suficiente para existir? – Adรกn Ramรญrez

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: ยฟPensar es suficiente para existir? – Adรกn Ramรญrez

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ยฟ๐™‹๐™š๐™ฃ๐™จ๐™–๐™ง ๐™š๐™จ ๐™จ๐™ช๐™›๐™ž๐™˜๐™ž๐™š๐™ฃ๐™ฉ๐™š ๐™ฅ๐™–๐™ง๐™– ๐™š๐™ญ๐™ž๐™จ๐™ฉ๐™ž๐™ง? – ๐˜ผ๐™™๐™–ฬ๐™ฃ ๐™๐™–๐™ข๐™žฬ๐™ง๐™š๐™ฏ


    Charles is tuned to perfectionโ€ฆ


    The humble piano has been around even longer than I. More than 300 years, to be roughly precise. It is an instrument with which we are ALL most familiar. We know its sound intimately. Even if YOU have never tinkled a single ivory in your life, YOU will know that sound. Which is more than most can say about the oboe – an instrument not much older. The period of an instrumentโ€™s existence has little to do with its popularity. The Ondioline was invented as recently as 1939, and have you heard of it? Is it in countless records you know and love? It is not. And yet, our ancient humble piano continues to attract just about every genre – even electronic. Why is this? Well, I still stand strong in my belief that it is the greatest instrument because of one factor. Its versatility. Would you prefer to impersonate Debussy or Rachmaninov, or would you rather don the silly glasses and do an impersonation of Elton John? Either way, you will need a piano. I call it humble, but have you ever actually SEEN what goes on inside a piano? It is so complicated that itโ€™s quite amazing they ever bothered with its completion. Why would such a heavy, immovable, complex and expensive thing attract such a wide audience? Let us travel to Camden Town in London to find outโ€ฆ


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Sheโ€™s Called Grace – Mats Dernรกnd

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Sheโ€™s Called Grace – Mats Dernรกnd

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™Ž๐™๐™šโ€™๐™จ ๐˜พ๐™–๐™ก๐™ก๐™š๐™™ ๐™‚๐™ง๐™–๐™˜๐™š – ๐™ˆ๐™–๐™ฉ๐™จ ๐˜ฟ๐™š๐™ง๐™ฃ๐™–ฬ๐™ฃ๐™™


    Charles introduces with an introduction that is completely unnecessary.


    You know that feeling when you find out that your favourite artist is playing in your hometown? The excitement and anticipation that you will soon be in the same room. That personal touch, where they will be playing for YOU. So much more than streaming on Spotify. It just means so much. The thrill of it all. You rush to buy tickets. You sweat slightly as they are running out fast. Seats or standing? Doesnโ€™t matter. You will be there, if you manage to get tickets of ANY kind. You succeed! You have spent rather a lot of money but you donโ€™t care. Then comes the day. You get there early, because thatโ€™s what people do. Far too early because youโ€™re so eager. You buy overpriced lager in a plastic cup. You buy a hot dog that you donโ€™t really want. You take your seat (or stand). It is all about YOU. After a while, the support act comes on stage. This is what I am getting at – the support act. You tap your foot and nod your head a bit, while still chatting with your guest about the act you came to see. You also chat impatiently and pointlessly about the size of the vast venue and how many people there are. You wonder if now is a good time to go to the loo – โ€˜Johnโ€™ is a manโ€™s name, a โ€˜bathroomโ€™ contains a bath, I am not exhausted enough for a โ€˜restroomโ€™, and โ€˜toiletโ€™ is simply a vile word. And so, what is this โ€˜support actโ€™ actually for? A time to ponder on the capacity of oneโ€™s bladder? An introduction to the real reason you arrived? Something to put you in the mood? โ€œAnd now the moment youโ€™ve all been waiting for: a man who needs no introductionโ€ – why do they always introduce the act by saying they need no introduction? The lights are low, and it is time for everything you ever wanted. I am the support act. My time is up. Please welcome Mats Dernรกnd.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Polar Foil – Lila Proof

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Polar Foil – Lila Proof

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™‹๐™ค๐™ก๐™–๐™ง ๐™๐™ค๐™ž๐™ก – ๐™‡๐™ž๐™ก๐™– ๐™‹๐™ง๐™ค๐™ค๐™›


    Charles sculpts anotherโ€ฆ


    Freshness is everything. In all ways. No one likes stale. No one likes a mundane song, or a sandwich that curls at the edges. Thatโ€™s right, Iโ€™m not just talking about music, Iโ€™m talking about food, just like I did briefly last week. And why not? We eat it every few hoursโ€ฆ All of us. Itโ€™s one of the few things we all have in common. Lately I have found it increasingly difficult to keep food fresh. It could be the warming of the weather right now in London. It could be that I am simply eating less and therefore allowing the food to go off. It could be that my fridge is dying. It could be that my cling film has been moth-eaten, though probably unlikely. If you donโ€™t know what cling film is, you will probably know what Saran wrap is. I never liked using cling film, though I must admit it works, and works well. Foil is just SO much more satisfying, and frankly easier. The problem is, it doesnโ€™t work in the same way as cling film. It just doesnโ€™t cling.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Silent Witness (The Instrumentals) – Rich Allen

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Silent Witness (The Instrumentals) – Rich Allen

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™Ž๐™ž๐™ก๐™š๐™ฃ๐™ฉ ๐™’๐™ž๐™ฉ๐™ฃ๐™š๐™จ๐™จ (๐™๐™๐™š ๐™„๐™ฃ๐™จ๐™ฉ๐™ง๐™ช๐™ข๐™š๐™ฃ๐™ฉ๐™–๐™ก๐™จ) – ๐™๐™ž๐™˜๐™ ๐˜ผ๐™ก๐™ก๐™š๐™ฃ


    Charles presses playโ€ฆ















































    No words.















































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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Snake – Kate Stanton, 12 Below

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Snake – Kate Stanton, 12 Below

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™Ž๐™ฃ๐™–๐™ ๐™š – ๐™†๐™–๐™ฉ๐™š ๐™Ž๐™ฉ๐™–๐™ฃ๐™ฉ๐™ค๐™ฃ, 12 ๐˜ฝ๐™š๐™ก๐™ค๐™ฌ


    Charles is instrumentally deceptiveโ€ฆ


    The song is called Snake. So therefore Iโ€™m going to write my little intro on snakes. But of course. The way they slither. The way they slide and worm across just anything. Those scales reflecting light at every angle. That warning tongue that rasps with knowing arrogance. A snake is scared of nothing. It is cold blooded in all ways. And while this image of a snake in movement may make most shudder, there are people who are almost turned on by it. To the extent that they start to take on the dark characteristic of this quick-witted reptile. This type of person can be referred to as a snake. A person that lies and deceives, only for their own selfish gain. In fact, I have changed my mind. This kind of person is so off-putting to me, that I would rather not give them this attention, for they deserve none. So, in fact, I will NOT be talking about snakes. But of course NOT. Apologies to those who were just starting to get into it. Sorry to deceive – what a snake-like thing to do!


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Porcelain – Eleanor Collides, Cecilee

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Porcelain – Eleanor Collides, Cecilee

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™‹๐™ค๐™ง๐™˜๐™š๐™ก๐™–๐™ž๐™ฃ – ๐™€๐™ก๐™š๐™–๐™ฃ๐™ค๐™ง ๐˜พ๐™ค๐™ก๐™ก๐™ž๐™™๐™š๐™จ, ๐˜พ๐™š๐™˜๐™ž๐™ก๐™š๐™š


    In all honesty, Charles almost falls andโ€ฆ


    Sunday in London was a beautiful thing. Knowing full well (funny expression) the weather was to be glorious, I had set aside the entire day for a long wander on the lovelier side of life, with my girlfriend. Free from screens, free from distractions, free from even music. Yes, I know. Sacrilege. Think of it as a necessary healing. To be anointed by the sun, and little else (I was fully clothed). This little else was in fact mucho else. It was nature and beauty all around. It all does such a great deal for the soul. These simple pleasures. Plus the odd spot of nibbles and drinkies, for we are civilised adults who like a bit of this and also a bit of that. It turns out it is rather easy to enjoy oneself. To do little and yet be utterly contented. But one must let oneself go. It is important to make sure your brain doesnโ€™t scurry back to its usual train of thought in terms of work and โ€œreal lifeโ€. It was all so perfect. Every moment of this oh-so simple day was just right, to the point where I started to wonder how long it would last. My brain kicked back into action, all suspicious-like. โ€œIf everything is so perfect, I must pay for this somehow. Somethingโ€™s got to give. This canโ€™t last forever. Is something going to spoil this blissful day?โ€ – What kind of weak-minded individual thinks like this??


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Presents – Sabrina Barreto

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Presents – Sabrina Barreto

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™‹๐™ง๐™š๐™จ๐™š๐™ฃ๐™ฉ๐™จ – ๐™Ž๐™–๐™—๐™ง๐™ž๐™ฃ๐™– ๐˜ฝ๐™–๐™ง๐™ง๐™š๐™ฉ๐™ค


    Charles realises what Christmas is all aboutโ€ฆ


    The most special time of year is upon us, whether you like it or not – youโ€™re a right Scrooge if you donโ€™t. Whether youโ€™re a Bible basher or simply a lover of niceness and good times, Christmas is and will always be something special to most of us. A light dusting of snow on the ground, the twinkling of stars in the night sky. Distant carol singers from around the corner. Sure this may not be the case in actuality, but it is present in our hearts. The FEELING of Christmas. All warm and fuzzy. That cosiness that differs from duvet-cosiness. The time for family and cheer. The time for merriment and a kind of chaos that just doesnโ€™t matter and instead makes you laugh. Even in the whitest of modern minimalist rooms, gaudy colourful decorations will adorn the mantelpiece and of course the vital tree. Those who feel that Christmas ornaments should be white and tasteful, I feel have maybe missed the point of Christmas. It is not to blend in with its cold, austere surroundings, but to make one feel like it used to in the old days. A feeling of fondness and warmth. A feeling of peace in a simpler time. Speaking of treesโ€ฆ That smell!!! There is nothing quite like it to bring out the festive mood. The twinkling fairy lights only add to the excitement. It is also the time to bring out the old Christmas records. Seemingly the only time these days when music is allowed to be both popular and old. Whatโ€™s your favourite kind of Christmas music? Choirs? Carols? Sinatra? Perhaps itโ€™s all that wonderful pop stuff made famous by the โ€œNow Thatโ€™s What I Call Music – Christmas Albumโ€ from the 80s – at least in Britain anyway. Maybe you have a secret penchant for one of the Streisand Christmas albums? Weirdly, I personally like it all! As soon as the calendar clicks into December, I listen to little else – aside from new releases from the New Artist Spotlight, of course.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Pretty Mumma – Soulhole

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Pretty Mumma – Soulhole

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™‹๐™ง๐™š๐™ฉ๐™ฉ๐™ฎ ๐™ˆ๐™ช๐™ข๐™ข๐™– – ๐™Ž๐™ค๐™ช๐™ก๐™๐™ค๐™ก๐™š


    Charles is a mummyโ€™s boyโ€ฆ


    Just over a week ago was Mothering Sunday, or more commonly known as Motherโ€™s Day. Having induced an almighty heart thump in the American, Australian and Mexican readers, donโ€™t worry – you did not forget. Yours is in May. As for the rest of you around the world, please consult your diary. I only know about England, for I am English. Heart thump for the forgetful Englishโ€ฆ So, on that typically sunny cloudy rainy dry windy still Sunday, I took my mother to lunch in a posh restaurant. No I didnโ€™t. I canโ€™t afford a posh restaurant, and neither had I the foresight to book a table enough in advance even if I COULD have afforded it. Planning is everything. So on the Saturday we spoke on the telephonic communication system, otherwise known these days as a phone. There had always been a lovely old unchanged pub somewhat near where she lives. I used to frequent this drinking hole quite a bit. She had been there MANY years ago – I believe. It was always full of old junk. In a good way. Ancient street signs, original beer and tobacco adverts, stuffed animals and even a beautiful curved backlit stained glass โ€œwindowโ€ in the corner. Old church pews and cracked green leather banquettes grounded beneath the ornately Rococo-framed portrait of Sir Richard Steele as he peered down at the exciting eccentric hoard with disgrace. The pub had been unimaginatively named in honour of this late 17th century writer: The Sir Richard Steele. Or as we locals called it, The Steeles. It was fabulous. One of my absolute favourite pubs in London, and ever so popular. So what did they do? They closed it and gutted it. Apparently in order to โ€œrefreshโ€ the appearance and make it โ€œmore appealing to a modern audienceโ€. I went back months later after it had reopened, and I almost wept. The beautiful stained glass of which I spake was now the entrance door. I didnโ€™t get much further than that. Cheap pop music blasted through the place in the mid afternoon, as literal toddlers toddled all over the floor. The place was made of cheap purple plastic. Even the floor. They had a bouncer. Ahem, sorry: a doorman. That was new. Didnโ€™t used to be necessary. Kinda shows what kinda clientele they were expectingโ€ฆ I didnโ€™t actually walk in, I just peered around the door, shuddered and left. Before wandering up the road in a dispirited frame of mind, I spoke to the doorman softly with a hand on his shoulder, explaining how it used to be. He replied in kind, hand on mine. He said โ€œTake your hand off my shoulder or Iโ€™llโ€ฆโ€ – no he didnโ€™t. He said how he had heard so much about the old place and how sad everyone is that itโ€™s gone. It seemed as though he would have loved it. The place was empty, and stayed that way. Hence the inevitable closure not too long after.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Pretty Please – CHVRLI BLVCK

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Pretty Please – CHVRLI BLVCK

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™‹๐™ง๐™š๐™ฉ๐™ฉ๐™ฎ ๐™‹๐™ก๐™š๐™–๐™จ๐™š – ๐˜พ๐™ƒ๐™‘๐™๐™‡๐™„ ๐˜ฝ๐™‡๐™‘๐˜พ๐™†


    Charles considers the โ€œHome Aloneโ€ effectโ€ฆ


    It is coming to the end. I know this is infamously the bleak midwinter, but thatโ€™s not quite what I meant. What I meant was, the year is fast coming to a close. It is a time for collecting oneโ€™s thoughts. Yes, all of them. Thatโ€™s a lot of thoughts. Let’s face it, we all started the year with plans. But did we all fulfil said plans? This time last year, I said I would release far more music. How many releases did I manage? Three. Three measly tunes in an entire year. And one of those I didnโ€™t even write! Useless. So that plan fell flat on its face. Maybe next year. Next! I planned to go to Italy in the Summer. Did I succeed in doing so? Did I, heck. Maybe next year. Next! Howโ€™s about the hair? I said I would try my hardest to grow more hair on my head. No matter how much I held my breath and screwed up my face like a child whoโ€™s just swallowed a teaspoon of vinegar, it just wouldnโ€™t grow. Ah well. We can but try. Next! What about the career? The mixing and producing? Well, I think Iโ€™ve succeeded there. In that respect, things are starting to take shape and come to fruition. Well at least thatโ€™s one thing. So Iโ€™m not a COMPLETE and utter failure. Okay, well I think thatโ€™s my thoughts collected – most of them have been collected already in my yearโ€™s worth of Connollyโ€™s Corner articles (Iโ€™m not really calling them โ€œreviewsโ€ anymore – despite each reviewing a song). So now that my thoughts are neatly filed away, alphabetically, chronologically and by mood, what is there to do? Well if thereโ€™s anything you really wanted to do in 2022, nowโ€™s your last chance. You have but a few days. I would suggest not choosing anything too daring, dramatic or adventurous, or you simply wonโ€™t have time. Also, sod that for a game of soldiers.


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