Connolly’s Corner

  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Wasted Time – Mercury Teardrop, J.H.M

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Wasted Time – Mercury Teardrop, J.H.M

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™’๐™–๐™จ๐™ฉ๐™š๐™™ ๐™๐™ž๐™ข๐™š – ๐™ˆ๐™š๐™ง๐™˜๐™ช๐™ง๐™ฎ ๐™๐™š๐™–๐™ง๐™™๐™ง๐™ค๐™ฅ, ๐™….๐™ƒ.๐™ˆ


    Charles considers the formative yearsโ€ฆ


    When did time begin? Okay, letโ€™s narrow that down a bit. When did YOUR time begin? More to the point, when did it start to matter? I was born in the 80s. As a young Calvin Harris once said, “It was acceptable in the 80s”. So I will assume I was generally accepted and I wasnโ€™t a wretched outcast from day one. That came later (a-ho-ho). Cool! So there I was, all blob and no backbone in Orwellโ€™s infamous favourite year. Prod my right shoulder and I fall to my left with a giggle. Prod my left shoulder and I fall to my right with a giggle. You get the picture. This could and almost certainly did go on for hours (minutes, in adult time). I was probably thinking about very little at the time, letโ€™s face it. Weโ€™re all useless at that age. My first computer was a bloody expensive thing that did almost nothing. But thank you Daddy, for buying it for me. EYE was a bloody expensive thing that did almost nothing. And Iโ€™m sure I rarely showed any signs of yield. I had no purpose at all! Meaning of life? Hah! To eat and poo and giggle and dribble and injure myself. But I was far from being alone. I was cared for deeply by two gullible adults who seemed to think it would be worth it. This conception (as it were) is not uncommon. In fact, it is โ€œthe normโ€. We were pretty much ALL in this situation at one time. And it comes back near the end when weโ€™re senile and useless, with life becoming once again an amalgam of eating, pooing, giggling, dribbling and injuring oneself, being looked after, fed and wiped by the very people who followed in the natural chain of events. Swings and roundabouts, my dear! Depressing swings, and crippling roundabouts. But letโ€™s not even think about the end, for there lies bad juju. Let us instead ponder on that beginningโ€ฆ


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: We Need To Talk – Wilko Wilkes

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: We Need To Talk – Wilko Wilkes

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™’๐™š ๐™‰๐™š๐™š๐™™ ๐™๐™ค ๐™๐™–๐™ก๐™  – ๐™’๐™ž๐™ก๐™ ๐™ค ๐™’๐™ž๐™ก๐™ ๐™š๐™จ


    Charles wishes to speakโ€ฆ


    I used to be completely invisible. Not literally of course, as that would be impossible, not to mention quite cool. But there used to be very few people on this planet who had heard of me. In the old days, our goal was not the world. That was only for billionaire power junkies and Bond villains. We knew only a handful of people, and only a handful of people knew us. That was normal. But these days we are so naturally and casually connected with so many people all over the world. Just think about that for a sec. Weird, isnโ€™t it. But also kinda neat. And unlike real life, you can cut them all off with the press of a button. No strings! Which is probably why the world is so beastly on the internet. In NOT being the type to cut people off and blank them (because itโ€™s so darned easy), I instead use this international connection as a positive. So yes, I used to be invisible. Then I started to get a tiny little bit of attention with my music. Which was nice. Then that went a bit further. So what came next? Was I edging closer to billionaire-power-junkie? Nah. Iโ€™m not rich enough, and I donโ€™t like the idea of having that much power. Sway sounds like a nice thing, but ultimate power? No thank you. So was I turning into a Bond villain, then? Nah. Iโ€™m allergic to cats and violence. So surely, I am going to take over the world musically? Hah!! I donโ€™t think so. The thing is, I am now probably most known for my Corner. That and the producer/engineer stuff. While the fixey/mixey/producer side of me earns the pennies, the Corner gets a lot more attention. You see, people like stories, and I seem to be known these days as a storyteller.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: What I Told My Boss – June Holland

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: What I Told My Boss – June Holland

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™’๐™๐™–๐™ฉ ๐™„ ๐™๐™ค๐™ก๐™™ ๐™ˆ๐™ฎ ๐˜ฝ๐™ค๐™จ๐™จ – ๐™…๐™ช๐™ฃ๐™š ๐™ƒ๐™ค๐™ก๐™ก๐™–๐™ฃ๐™™


    Charles is talking about quittingโ€ฆ


    A jobโ€™s a job. How many times have we heard that? Itโ€™s both optimistic and pessimistic, but ultimately saying a whole load of nothing. A job. We all have one; or most of us anyway. Some of you un/lucky ones are retired. Some of you are still students. But the majority is kept busy most of the time in a means of making money, in order to live. Seems simple enough. Some are content in their work, or simply donโ€™t mind it; a jobโ€™s a job. I am one of the lucky ones (I imagine a rarity) in being able to earn my living from doing what I am best at, and doing what I love. Producing and mixing music. This doesnโ€™t mean I donโ€™t work hard; I just donโ€™t resent it. Each and every project is to me a worthwhile endeavour. Of course, I could do with a few more clients (preferably of the disgustingly rich variety), but things are fine, and my life is generally not a bad one. Still though: โ€œCome to me, my pretties!โ€ Go on. Iโ€™ll make you shine. And no, I am not also a part-time window cleaner. And you – to be fair – are not a window. But I feel I can still see through most of you. Youโ€™re unhappy in your work, arenโ€™t you. You can tell me. I wonโ€™t let on. Pour yourself into Uncle Charlieโ€™s ears. Let it all out. Most of you accept it and get on with it. But given the chance youโ€™d flee the scene if there werenโ€™t a camera by the exit door and a great sense of guilt in doing so. Your feeling of elation and freedom would last a matter of minutes before you come to your senses and realise that you still need to put food on the table. And your partner might not feel the same elation: โ€œYouโ€™ve done WHAT?? That is the most selfish unthought-out thing youโ€™ve ever done! Go back there right now and grovel to Mr. Potato Head for your job back, and pray that he lets you off lightly. If he has you back at all. I wouldnโ€™t if I were himโ€ – yes, these fictitious lovers fondly call the boss, Mr. Potato Head.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: When I Hold You (Hollyโ€™s Song) – Go Birch

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: When I Hold You (Hollyโ€™s Song) – Go Birch

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™’๐™๐™š๐™ฃ ๐™„ ๐™ƒ๐™ค๐™ก๐™™ ๐™”๐™ค๐™ช (๐™ƒ๐™ค๐™ก๐™ก๐™ฎโ€™๐™จ ๐™Ž๐™ค๐™ฃ๐™œ) – ๐™‚๐™ค ๐˜ฝ๐™ž๐™ง๐™˜๐™


    Charles speaks of songs and daughtersโ€ฆ


    Children, eh? Kids! Canโ€™t live with โ€˜em, canโ€™t live without โ€˜em. Or so Iโ€™m told. I personally canโ€™t stand the blighters. Rotten little noisy things with snotty noses, always whining about this or about that. I mean, why would anyone WANT such a thing?? Actually CHOOSE to have one? Or even SEVERAL? I mean, are you people completely and utterly out of your mind?? Why would you DO that to yourself? To inflict such pain and misery on an otherwise relatively decent lifeโ€ฆ Speaking of life, youโ€™ve spent oh so many years sorting out whatever life was supposed to be, and finally youโ€™re on track. Things are clear. Things are good. You and partner. All working well, in both senses of the word. Youโ€™re comfortable, in terms of money, and , well, comfort. You feel good. You do not hate your job too much. There is a natural flow to the way of life. Youโ€™ve just got into the swing of things. Et voilร . Repeat until the cycle is complete. The thing isโ€ฆ There is no cycle. There is an end. Nothing to pass on. It all ends there. And THEN what have you got. A couple who spent their life doing life. Just their own life. Pah. What is that. โ€œA discontented lazy rabble, instead of a thrifty working classโ€ฆ?โ€ – sorry, I do like the occasional quote.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: When The Streets Fall Silent – Bryan Cooper

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: When The Streets Fall Silent – Bryan Cooper

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™’๐™๐™š๐™ฃ ๐™๐™๐™š ๐™Ž๐™ฉ๐™ง๐™š๐™š๐™ฉ๐™จ ๐™๐™–๐™ก๐™ก ๐™Ž๐™ž๐™ก๐™š๐™ฃ๐™ฉ – ๐˜ฝ๐™ง๐™ฎ๐™–๐™ฃ ๐˜พ๐™ค๐™ค๐™ฅ๐™š๐™ง


    Charles reviews a charmful manโ€ฆ


    I am going to indulge myself in sticking with a theme. Last week I wrote about two amusing yet thuggish Mancunians. 30 years ago they took over Britain. Shortly after that they took over the world. The same thing happened 30 years previous with four amusing yet charming Liverpudlians. Both sets of Northerners were always incredibly entertaining in very different ways when it came to interviews. In both cases, it was a welcome back to Britannia ruling the waves – the radio waves. Before the mop-tops, it was a quiff-laden pelvis. Before the coked-up thugs, it wasโ€ฆ Umโ€ฆ Hmmโ€ฆ Who was world famous before them? An unusual man who walked backwards with style? The thing is, Britain was finally back on top form; certainly in terms of popularity anyway. But it wasnโ€™t just one beat combo to rule the roost; they were simply the top of the league. Many other Britonians marched to the beat of the same drum. But aside from going with this united flow, there was competition. There was supposed rivalry for these young men from Liverpool. This rivalry was a band my father likes to call The Strolling Prunes. And what excellent publicity it turned out to be! There are two important facts to be known howeverโ€ฆ One: these two โ€œrivalsโ€ were actually good chums, and it was all just a well planned media binge. Two: no one could seriously even try to pretend that these Southerners were a threat to the greatness of these Northerners. They just werenโ€™t as good. Example: compare Sgt. Pepper’s Lonely Hearts Club Band with Their Satanic Majesties Request…


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Why Did You Go? – CHVRLI BLVCK

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Why Did You Go? – CHVRLI BLVCK

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™’๐™๐™ฎ ๐˜ฟ๐™ž๐™™ ๐™”๐™ค๐™ช ๐™‚๐™ค?๐˜พ๐™ƒ๐™‘๐™๐™‡๐™„ ๐˜ฝ๐™‡๐™‘๐˜พ๐™†


    Charles is giving up…


    A tree. A humble tree. There it stands in simple pride, to gaze around with much the same open pensive quality as when I gaze at the tree through my bedroom window. Or at least, this WAS the scene for many years until a couple of weeks ago, when I received a text. The text from my neighbour informing me that I should expect a lot of noise the following day. My heart leapt. This tall, healthy bay tree standing in a garden, a while away from the house, was to be “dismantled”. I put it this way so as not to trigger my sensitive heart once more. And maybe yours. It was crippling to me. Crushing and very lowering indeed. As promised, there was a lot of noise for a while, followed by an eerie silence. I could not even draw open the curtain for two days for fear of an expansive overload of daylight. Eventually I plucked up the courage. And in doing so, I sighed and felt like giving up. I had one question for the tree: Why did you go?


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Turn Down The Loud – Jam Tako

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Turn Down The Loud – Jam Tako

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™ช๐™ง๐™ฃ ๐˜ฟ๐™ค๐™ฌ๐™ฃ ๐™๐™๐™š ๐™‡๐™ค๐™ช๐™™ – ๐™…๐™–๐™ข-๐™๐™–๐™ ๐™ค


    Charles makes something out of somethingโ€ฆ


    Where does it all come from? I mean, where do we get it all? What made us do it? Where do things come from? How do we know how to do things? How do we know what to do? What a lot of generally vague questions to answer. This demands a lot of thought – a difficult thing to do with all the noise these days. Everyone is doing things all the time, but few think about what they are doing. They just do what they do. And make a lot of noise while doing it. So let me zone out for a bit and think. Nope, not working. Too much going on inside my head – donโ€™t laugh. Food. That should help. Yes, food. โ€œOh this is delicious!โ€, I said. โ€œItโ€™s my motherโ€™s old recipeโ€, she said. โ€œOh right, well compliments to your old mother!โ€, I scoffed. โ€œNot my old mother, my motherโ€™s old recipe!โ€, she barked. And so the noise resumed. But it made me think. She didnโ€™t make this noodle wonder from nothing. In the words of a certain Spanish waiter, she โ€œlearnt it, frrrom a booookโ€. Her old motherโ€™s recipe book. Sorry: motherโ€™s old recipe book. It was passed down, from generation to generation. This in turn, made me realise that pretty much everything comes from something in the past. We build upon older, wiser knowledge. We donโ€™t start from scratch each and every time. If we did, we would still be hitting rocks with rocks. I never quite understood why they apparently did that, but anyway. Perhaps a nice interesting tone for sampling at a much later date? Perhaps not.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Wildfire – Lekursi

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Wildfire – Lekursi

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™’๐™ž๐™ก๐™™๐™›๐™ž๐™ง๐™š – ๐™‡๐™š๐™ ๐™ช๐™ง๐™จ๐™ž


    Charles spreads eastโ€ฆ


    Today I will be loose in my terms. I will speak of East and West. Please allow me this over-simplicity in order to make this coherent and enjoyable.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Two Souls – Ed Corrado

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Two Souls – Ed Corrado

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™๐™ฌ๐™ค ๐™Ž๐™ค๐™ช๐™ก๐™จ – ๐™€๐™™ ๐˜พ๐™ค๐™ง๐™ง๐™–๐™™๐™ค


    Charles unconsciously lies to himselfโ€ฆ


    Love is heaven. Love is bliss. Love is life. Love is everything. Love is hell. Love is cruel. Love is a curse. Love is the death of a heart gone cold. One never knows how anything is going to turn out, but one always hopes for the best. Sometimes though, it is not hope that we feel, but โ€œfactual knowledgeโ€. For the sake of simplicity, letโ€™s keep this heterosexual. Somewhere in the world, there is a man. Somewhere else in the world there is a woman. Neither knows the other, but each has one thing in common: they are alone. They muddle through in the way that we do. The travelator of life. The zombie conveyor belt. For without love, there is little but this. For the sake of argument, letโ€™s call these two souls Brian and Ethel. Brian likes gardening. It keeps him busy, and takes his mind off the loneliness of life. The flowers are his friends. The crops are his sustenance – in more ways than ones. But ultimately he is numb. He is empty. He is also lazy. He just doesnโ€™t put himself about. In the words of Arctic Monkeys: โ€œBrian, top marks for not tryinโ€™โ€. And so, the beat goes on. Ethel, on the other hand spends most of her time in the kitchen. A plump lady, who likes to bake cakes. But with no one to bake for, it feels like a foolโ€™s errand. She simply gets a little more plump. When she can eat no more, she sits at the kitchen table, smoking (she has the idea this will make her lose weight), and staring out of the window at the neighbourโ€™s garden (for her own leaves much to be desired). She sighs and puts the kettle on. Or the Kethel. While coffee enriches and invigorates the soul, tea was invented to pass the time. Fact. As the water is brought to the boil, the whistle tells her so and insistingly prompts her to remove the kethel from the hob. She does so. But as she does so, she catches a glimpse of a shiny bonce. A polished noggin. It belongs to the body of man busy pruning. How had she not noticed Brian before? Had she been too busy staring at his roses? Was she pondering on her doubts about the quantity of flour? Be it flour or flowers, the tea is now far down on her to-do list.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Woman – The Striders

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Woman – The Striders

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™’๐™ค๐™ข๐™–๐™ฃ – ๐™๐™๐™š ๐™Ž๐™ฉ๐™ง๐™ž๐™™๐™š๐™ง๐™จ


    Charles knows what women are likeโ€ฆ


    Women. Letโ€™s talk about women. โ€œYou sexist, chauvinist pig! How dare you-โ€ WAIT!!! I havenโ€™t said anything yet. Damned trigger people. You see a man talking about women, and instantly youโ€™re on the alert, ready to pounce. โ€œBut youโ€™re obviously going to be saying something negative, otherwise why would you-โ€œ WHY am I OBVIOUSLY going to say something negativeโ€ฆ? What makes you think that? Am I that pessimistic that I only speak negatively of things? โ€œA woman is not a THING!!โ€ Yes, yes, I know that. Thatโ€™s not what I meant, and you know it. Simmer down, and let me speak. Good God, if I said I was going to talk about black people, is that instantly no-go territory because Iโ€™m white? What if I was going to praise Marvin Gaye, Michael Jackson, Stevie Wonder, Dr. Dre and John Legend? โ€œOh, well thatโ€™s okay thenโ€. So let me say something first. THEN you can decide whether pouncing is the necessary action. So. Ahem. Letโ€™s talk about women.


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