Charles Connolly

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙁𝙖𝙩𝙚 𝙊𝙣𝙘𝙚 𝙁𝙤𝙪𝙣𝙙 𝙈𝙚 / 𝙁𝙤𝙪𝙧 𝙁𝙖𝙡𝙡𝙨 – 𝙉𝙞𝙘𝙝𝙤𝙡𝙖𝙨 𝙆𝙖𝙧𝙡 𝙈𝙘𝙉𝙖𝙡𝙡𝙮

Charles is taking sides…

To make up for last week’s “lazy” article, I will be doubling up this week… What is a single? I mean these days. It used to be a shiny black groovy platter with a great song on one side, and a very mediocre one on the other. This disc was 7 inches in diameter. I will skip over cassette tapes. Then came the CD. The CD single usually had two or three (or occasionally seven) songs on one side (usually one being decent), and no songs on the other. The disc was 4.75 inches in diameter. I will skip over downloads. Now we have streaming. It is ubiquitous. A modern single for streaming services has no sides, and no diameter. It usually has one song. Usually not that great. There is something so sterile about releases these days, especially when it comes to single singles. No backside, no B-side, and nothing to hold. There isn’t even a barcode to ruin what would have been a perfectly good design. But speaking of design, its cover measures roughly 2 inches on an average sized phone screen. Do you think the cover of Sgt. Pepper would have been devised had it been designed for a canvas of 2 inches…?

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙁𝙪𝙧𝙜𝙤́𝙣 – 𝙀𝙡 𝙋𝙧𝙤𝙮𝙚𝙘𝙩𝙤 𝙙𝙚 𝙅𝙤𝙧𝙜𝙚 𝙋𝙚𝙣𝙙𝙞𝙚𝙣𝙩𝙚

Charles speaks but one language…

Andiamo! Despite my blood being decidedly foreign (not meaning I am ridden with germs), I am English. I mean, I was born in England, and have been here all my life. That makes me English, at least in the modern way of viewing things. Right? Well my foreign ancestry takes me back to two other places in the world. My native heritage lies in Italy and Ireland. Or Ireland and Italy, so as not to offend. I believe I am still roughly half English, but it may be less. I am not about to pay a rather large fee for someone to analyse my blood to find out. I don’t care enough. I am who I am, and that is fine with me. England is my love, and so is the English language. But I also feel a huge warmth and fondness for pretty much anything to do with Italy. I also quite like Guinness, when the time is right. And U2. When the time is right. But predominantly it is England that wins my heart. Paddy’s Day is universally known and celebrated. On Saturday it was St. George’s Day, otherwise known as England Day. Did you know? Would you have known if Google hadn’t told you? “England” and “English” are pretty much seen as dirty words here in London. I can’t think why. It saddens me. Everyone should be proud of their own nation. Almost everyone. Ooh! Contention! Joking, of course.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙂𝙧𝙚𝙣𝙖𝙙𝙚 – 𝘿𝙤𝙢 𝙋𝙞𝙥𝙚𝙧

Charles proverbially quotes: Many hands make light work…

“Help! I need somebody. Help! Not just anybody. Help! You know I need someone. Help!” Where would we be without a little help from our friends? What would we do without a helping hand? How much worse off would we be without that leg up from people and things? I think most of us would be pretty useless without stuff and people. Sure, we would still have our wonderfully tailored minds and expertly honed skills, but could we do it alone? What are doctors without medicine? And could they deal with critical procedures without nurses? With all that knowledge and experience, they can’t ALL just say “you’ll get better soon”, because they won’t. Not without help. Does that mean the doctor is not needed if we have medicine and nurses? Of course not. Can’t just pop pills with the hope that one will do the trick. And what about a humble cobbler? For those of a foreign nature or those less endowed with knowledge, a cobbler is not someone who cobbles, but someone who mends shoes (just so you know). Surely this would be a solitary affair and would need no help from others? Well, yes, this is true. But take away their hammer and anvil, and ultimately all you have is a worn booty admirer. So with these tools at hand, is there really a need for said cobbler? Well unless you’re content with hurty feet and hurty thumbs, there is.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙁𝙪𝙨𝙨 – 𝙋𝙖𝙩𝙧𝙞𝙠 𝘼𝙝𝙡𝙢

Charles lost his soul…

The other night I rediscovered jazz. I had one little melody stuck in my head but I couldn’t think what it was. I was sure it was something from jazz singer Stacey Kent. I scanned through her entire discography. I was wrong. In my head it was both old and relatively new sounding. It wasn’t quite the old grainy jazz of the late 40s and early 50s, but it also didn’t quite have the lustre and close sparkle of newer jazz. I was mainly a bit stuck because I knew that I knew it extremely well, and yet I know VERY little jazz… At first I thought this melody (which introduces the song – I knew THAT much) was piano, but I quickly realised it was saxophone (or trumpet – I just couldn’t quite solidify it in my mind). I had the feel of the playing, but I still couldn’t be definite about the sound. It bugged me for a good half hour. I even tried many Miles Davis tracks, hoping it was either his own trumpet playing, or perhaps John Coltrane on the saxophone. Still couldn’t find it. Something suddenly clicked. I got it instantly. It was Paul Desmond playing the sax. The sound was cemented in my mind and I knew that had to mean one thing. It was a Dave Brubeck song. I have only ever had one album by Brubeck. But it’s an album you all own in one way or an other. Literally each and every one of you has this LP in your possession. And yet, you will all have different versions by different artists. So different that it’s impossible to believe they share the same title. I personally have loads of copies by numerous artists. Any guesses for the title of said album? No…? All right, I’ll tell you. It’s called Greatest Hits. Despite this song I was searching for apparently being on his 1963 album Bossa Nova USA, I only knew it from his 1966 Greatest Hits album. And I cannot imagine how many times I have played this record. It must be hundreds. I know almost every single note of every solo. And yet… I have never really been into jazz…

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙃𝙤𝙪𝙨𝙩𝙤𝙣 – 𝙒𝙧𝙚𝙩𝙘𝙝𝙚𝙙 𝙋𝙞𝙣𝙝𝙚𝙖𝙙 𝙋𝙪𝙥𝙥𝙚𝙩𝙨

Charles realises that practice makes perfect.

Teenagers have been known to occasionally learn the odd new word (I know, astounding!) and use it over and over again, usually in the wrong way or wrong context. Any teenagers reading this, feel free to take offence: I gather you’re rather good at that – winky smiley face. I went to school with someone who would constantly say “I don’t know… It’s a little bit dubious. I dunno man, I’m a little bit dubious.” Or “jewbyus” was actually how he used to say it. Confused me at first, then made me laugh, then inevitably drove me crazy. This went on for years. The same can be said for artists when they start to mix their own music. Not meaning that they say “jewbyus” at any given chance, but that when they find “the answer” in terms of mixing and production, they use it everywhere. Badly.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙃𝙖𝙣𝙙𝙨 – 𝙆𝙖𝙢𝙞𝙣𝙨𝙠𝙞

Charles finally has his Europe in the Summertime…

Who knew he’d talk about his holiday?? Quite impossible. Surely not! Well, surely. Predictability, with a twist.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙃𝙤𝙬 𝙏𝙤 𝙎𝙖𝙮 𝙏𝙝𝙚 𝙍𝙞𝙜𝙝𝙩 𝙏𝙝𝙞𝙣𝙜𝙨 – 𝙋𝙖𝙪𝙡 𝙈𝙘𝘾𝙤𝙧𝙢𝙞𝙘𝙠

Charles reviews Paul McC…

I’ve been thinking about niceness recently. Niceness, politeness and good will. Kindness and honesty. Selflessness. I’m quite nice, but I’m no saint. I will quite naturally be good, but I won’t be a pushover. I will put up a fight if I believe in something strongly enough. But then again, sometimes I will lose that battle either because I’m not strong enough, or because I don’t have the energy, or, because my opponent is simply stronger; or stronger willed. And this is how I came to thinking about niceness. Are nice people too nice? Are they too good for their own good? Can being too nice be unhealthy or even detrimental?

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙃𝙪𝙣𝙜 𝙈𝙚 𝙊𝙪𝙩 𝙏𝙤 𝘿𝙧𝙮 – 𝙁𝙤𝙧𝙚𝙫𝙚𝙧 𝙁𝙤𝙧𝙚𝙫𝙚𝙧

Charles won’t leave you hanging…

Do you ever get that feeling when you’re so totally alone? I don’t mean being lonely. I don’t even mean some sort of fear of isolation. I just mean when you see and hear everything around you, but it feels like no one else is speaking the same language… Does that seem familiar to you? Or how about when nothing specific has happened, but you feel abandoned, or even spat upon? Do you ever get that feeling? It could be personal; it could be very distant, yet still affecting. Sometimes I think about my country and my government, and they don’t seem to mesh. Sometimes I think about my health service that doesn’t work. Sometimes I think about my work and how previously good clients have shown a darker side in more recent times. Sometimes I think about my landlord and my neighbours refusing to do the right thing. Sometimes I think about the artists I have reviewed, refusing to do the right thing. And sometimes, I just think.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙄’𝙙 𝙍𝙖𝙩𝙝𝙚𝙧 𝘽𝙚 𝘿𝙮𝙞𝙣𝙜 𝙞𝙣 𝙖 𝙁𝙖𝙞𝙧𝙮𝙩𝙖𝙡𝙚 – 𝙮𝙖

Charles wonders if decrypting the enigma is a wise choice…

Life is a big old thing. Or moreover, the world is a big old thing. A world chock full of billions of beings and trillions of things. We’re not put here to understand every single one of them. Even if equipped with the best of brains, it would be quite literally impossible. Just not enough time, and not enough interest to do so – not to mention the diverse cognitive ability to undertake such a task. It would hardly be a doddle or a walk in the park. The simplest things can baffle me, but I simply and naturally learn to accept it. I urge you not to be a pedant or an irritating little blighter when reading and possibly commenting on this article. Chances are, you are cleverer than I, and that you should be proud of this knowledge. Quietly proud. Allow me to be simple and unknowledgeable. Permit me to be contentedly lost in a world of people and things.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙄 𝘿𝙤𝙣’𝙩 𝘾𝙖𝙧𝙚 – 𝙃𝙤𝙢𝙚𝙡𝙚𝙨𝙨 𝙍𝙖𝙙𝙞𝙤

Charles can’t help but care…

Sometimes, being topical is unavoidable. This is one of those times. The world has not been a lucky place in the last couple of years. Back in 2019, everything seemed to be bumbling along oh-so averagely. #MeToo was still very much a thing. Trump was being Trump. Brexit was on people’s lips. Notre Dame was in people’s hearts. Theresa May stepped down, and Boris Johnson tripped up. Then a great big pandemic came along. George Floyd lost his life and rose to fame, as the world’s people proudly showed their masked faces and threw their fists to the air. Prince Philip passed away at the age of 99. So did Eddie Van Halen, admittedly not nearly so old. It has been a hard and bitter time. Era, you could call it. So unique and unprecedented were the times, that the collective feeling was that of being lost.

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