Charles Connolly

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙉𝙞𝙩𝙚 𝙍𝙞𝙩𝙚 𝙣’ .2 – 𝘼𝙡𝙗𝙚𝙧𝙩𝙤 𝙋𝙖𝙧𝙢𝙚𝙜𝙞𝙖𝙣𝙞, 𝙎𝙤𝙪𝙡 𝙃𝙪𝙣𝙩𝙚𝙧𝙨

Charles shows good sportsmanship.

A couple of days ago, there was a game of football. Or soccer, if you prefer. One team wearing white, the other, blue. I rooted for white. Sometimes, things just don’t go to plan. They did however for the blues. I am not a football fan, but this was one of the few times when an Englishman is allowed to be patriotic. It is seen as okay. The way to be. The thing to do. The hopes were high, but eventually, after much sweaty tension, the feeling was low. A big shame. But someone has to win, and someone has to, well, come second. It has always been the way. 22 men fought like brave soldiers; courageous yet civil and respectful. My only real CONCERN about England coming in ‘second place’, was the possible aftermath. English football fans have something of a reputation for acting, shall we say, a little less gentlemanly than they maybe should. Which is why I am of the opinion that “if you can’t beat ‘em, join em’”. Not the fans, but the winners. Let’s all come together and celebrate a joyous occasion. Not as joyous as one would have hoped, of course, but let’s simply take part in the festivities and good vibes, rather than turning the good vibes to bad. Let us enjoy and revel in the good times we’ve had over the weeks, and just understand that the result of a game of football must not be taken as a personal attack, but simply an outcome that had to go either way.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙇𝙞𝙡𝙮 𝙁𝙡𝙤𝙬𝙚𝙧 – 𝙍𝙞𝙘𝙝 𝘼𝙡𝙡𝙚𝙣

Charles errs on the side of c̶a̶u̶t̶i̶o̶n̶ daring for 101…

Books. Remember them? Ya know: paper and that. Woyds an’ ting. I’m sure you’ve at least SEEN them. Garish on the outside, hollow on the inside. That is, until you start reading. Then that loud cover becomes sterile and plastic as the words come together to form a brave new world of yours. I am not however going to talk about Aldous Huxley, but someone of a similar ilk. I am going to speak about the most chilling and horrifyingly astounding book I have ever read. And I guarantee you have heard of it. It goes by the name of Nineteen Eighty-Four. The year I was born, but written many moons before said year, in 1949 (the year my mother was born). I am a squeamish person when it comes to film, but rarely with the written word. This book was one HUGE exception. I won’t go into the theme, as you already know it (damned well SHOULD know it anyway). However, there is a scene that takes place in the Ministry of Love (oh, the irony). Following my 100th review, what better time to mention Room 101 – some of you might be quite familiar with its meaning these days. It is a torture chamber for those who have “done wrong”. Or at least what is considered wrong by the “Party”… A place of your personal worst nightmares. Think Nazism meets extreme communism meets sadism – not a nice place, basically. They decide what is right and what is wrong, and should you choose to disagree or go against any of that, you will pay severely. In reality, it would surely be your duty to escape from a prison camp, no? You would see it as the only option, but THEY would see it as “against the rules”, and so must be punished should you even attempt such a thing.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙇𝙤𝙣𝙙𝙤𝙣 𝙐𝙣𝙙𝙚𝙧𝙜𝙧𝙤𝙪𝙣𝙙 – 𝙎𝙦𝙪𝙖𝙧𝙚 𝘿𝙖𝙣𝙘𝙚 𝘾𝙖𝙡𝙡𝙚𝙧

Charles minds the gap…

Tickets please! We’re going DOWN. Next stop: anywhere you please. I’m fumbling for my card as I’m barged from behind. This sea of dissimilar creatures snaking through the automatic barriers at ground level, in a rush to be elsewhere. Anywhere but here. Please hold the handrail, as you slowly descend into the hot, airless atmosphere of underneath. That unmistakable smell of speedy machinery on wheels. That frequent cyclone that makes your jacket flap. Your plastic bags ruffle and ripple with excitement as you squint and hold on to your hat. It’s all happening here.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙈𝙖𝙜𝙞𝙘 – 𝘾𝙚𝙧𝙪𝙡𝙚𝙖𝙣 𝘾𝙝𝙖𝙢𝙚𝙡𝙚𝙤𝙣, 𝙎𝙪𝙢𝙢𝙚𝙧 𝙇𝙚𝙚 𝘾𝙖𝙧𝙡𝙨𝙤𝙣

Charles casts a spell…

It’s a new dawn; it’s a new day; it’s a new life for me… And I’m feeling good. Hopefully your bodies and minds have recovered from the copious amounts of shandy booze, and I trust your ears have stopped ringing from the relentless colourful cannon fire. Some of you might have been saddened or even offended by having not received a New Year message from me. Even in the public chats, I was completely absent. But then again, most of you probably couldn’t give a monkey’s. Quite right. For those of you who have nothing better to do than to frown and weep and mourn the lack of a review for an entire week, have no fear: CC is here! Do not worry your pretty little head. I was simply saving that message for this here public broadcast. I have also been truly enjoying life without screen. There’s a whole world out there, ya know…! What did YOU all do between the festives (24th/25th) and the bing-bangs (31st/1st)? Did you read that book you were given for Christmas? Did you drink yourself into oblivion? Did you resent having to work between the two significant dates? Perhaps you just pigged out while listening to whatever Spotify told you to listen to? Well my favourite day was so simplistic it might even barely bear mentioning. But it is so often the simple things in life that we cherish the most. It was December 30th. I was heavily hungover from the night before – don’t ask. Feeling groggy can be awful, but it can also make you feel cosy at home. Like a yawning puppy. I knew I wasn’t going to get any work done. How could I possibly judge the balance of audio when I couldn’t even remember to put on trousers… Think of it as a duvet day. Yes, I know this is starting to sound like a teenage girl’s slumber party, but I assure you it wasn’t. My girlfriend and I did a jigsaw puzzle from start to finish, while listening to music. It was as simple as that. And a highlight of the music was Kaminski’s album from 2022 (no longer “last year”). We both had such a special time despite there being pretty much nothing to it. I suppose this is what love is all about. It is the magic of it. How something so simple can be so special.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙈𝙖𝙣𝙝𝙖̃ 𝘿𝙤𝙪𝙧𝙖𝙙𝙖 – 𝙅𝙤𝙖𝙤 𝘼𝙧𝙖𝙣𝙝𝙖

Charles is just being nice…

I’m a bad man. Rotten to the core. Cruel and sadistic. Horrid horrid horrid. This is what everyone says about me. Okay. This is not what everyone says about me. At least, not to my face anyway. Then why say it here? Because sometimes we have thoughts. Irrational thoughts. Absurd and fictional thoughts, based on absolutely nothing. It was also a punchy way of starting the article. Ahem. Negative thoughts of oneself can easily creep in when surrounded by negative, bad and ugly. Take last week’s article, for example. I decided not to comply. I decided not to embrace a thing called HAL. I decided not to see the potential positive effect of it on art. While I won’t be changing my stance any time soon, this negativity can lead to heavier things. If one sees only doom and gloom, one feels only doom and gloom. And it is easy to slide down the slippery slope of “I’m no good”. These days, I would have said my thoughts and views are pretty balanced. Also, these days I think I’m pretty comfortable with who I am, and what I’m like. Am I bad? Am I mean? Am I cruel? Am I dishonest? Am I a criminal? No. Am I perfect? Pahahaha! No. Very far from it. While being in a generally healthy state of mind, I could always be better. We all could. But I’d just like to give the good guys a pat on the back for being so good. While we could all be better, just think how much worse we could be? All those liars and fakers and cheaters out there. We could be like that. We could be going around, spitting on grannies and tripping up children. I saw you, laughing at the idea of the kid falling over. I chuckled too. Because it’s funny. Okay, the kid isn’t laughing, but we mustn’t lose our sense of humour. Stifle that natural laughter, then help the kid up. For most of us, good enough, is good enough. Don’t try to be a positive drone. If it ain’t natural, it ain’t natural.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙈𝙚𝙡𝙖𝙣𝙞𝙚 𝙆𝙡𝙚𝙞𝙣 – 𝙁𝙧𝙖𝙣𝙠 𝙅𝙤𝙨𝙝𝙪𝙖

Charles analyses the situation…

There has been an increasing rarity of something in my reviews lately. Please don’t all shout at once: “Rap! Death Metal! Brevity!”… I know, I know. I’m more talking about something that used to be quite common in these parts. But has only come up maybe three or four times this year. We’ve had plenty of the rock, the indie, the alternative, the folk, the classical, the soul, the pop, the prog, and even the reggae. So, what am I talking about? What is missing? It’s something that is actually relatively common. But rarely of a high standard, because it’s bloody hard to do well; notoriously so. It has to sound polished. It has to sound classic. It usually has to sound professional (but there can be a certain charm when it’s not). It can be peaceful, but usually it’s sad; and it can be heart-wrenching. I’m talking about ballads.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙈𝙤𝙡𝙡𝙮 𝘽𝙡𝙤𝙤𝙢’𝙨 𝙈𝙤𝙣𝙤𝙡𝙤𝙜𝙪𝙚 – 𝙆𝙚𝙡𝙚 𝙁𝙡𝙚𝙢𝙞𝙣𝙜

Charles isn’t yet brave enough…

Hands Up who’s sick to death of Spotify…? Who is absolutely fed up with everything it has become in recent years? The way it is less a music listening platform, and more a social media platform…? Oh, but it goes so much deeper than that. It ain’t just an ugly interface. Sorry, you can all put your hands down now; I saw “y’all”. Spotify has become a fully-fledged greed machine. It has no scruples or morals of any kind. It does not care about a single artist. It does not care about the music industry. It does not care about music. It is (only recently) trying to look like it is doing something about HAL (A.I.) – but even that is all a ruse. It is widely known (though not officially proven) that Spotify is not only adding HAL music to its own editorial playlists, but actually making fully HAL playlists, to the extent that there isn’t a single human-made track on such playlists (again, not proven, but known). Spotify has been punishing innocent independent artists for quite a while now, having whole artist catalogues removed due to one song unknowingly having been placed on a rogue bot-playlist (a playlist that is streamed automatically by robots in order to accrue streaming royalties). The artist did nothing here. And Spotify gives no warning. Because Spotify too is run by robots. Everything is automatic, and humans have little or nothing to do with its running. This is art, baby! And what about royalties? What does the artist get in return for someone listening to their song once? Let’s just say it would take about 300 plays of that song to buy the artist a Mars bar. So, not very much.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙈𝙤𝙧𝙚 𝙉𝙤𝙩𝙚𝙨, 𝙇𝙚𝙨𝙨 𝙑𝙞𝙗𝙧𝙖𝙩𝙤 – 𝙏𝙝𝙚 𝘼𝙧𝙜𝙤𝙣𝙖𝙪𝙩𝙨

Charles goes back in time to lose his mind once more…

There is a chunk of my life that none of you knows about. Not one. I used to a be a woman. No, no: with this beard, that would be most silly and quite unrealistic. Although I have always been quite proud of my eyelashes. I am going to tell you about that chunk. Cue dream-scene wavy lines – doodly doodly doo. And we’re here. The year is 2006. I am 22. My hair is quite long and naturally blonde. My beard is straggly and thin in parts, which makes me look somewhat like a terrorist stereotype. Nah, I can’t do this in the present tense – all too real and freaking me out. Let me tell you about the time anyway. Having recently obtained my music degree, I thought it best to have a lot of fun. And so I did. I was out every night of the week. Girls, parties, pubs, girls, drink, smoke, girls, drink, smoke, drink, smoke – ahem. I was YOUNG!! Leave me alone. So, there was all of that, as per usual. But as with today, there was one constant. Music. Always listening, always discovering, always playing, always going to gigs. But always PLAYING gigs. Good old giggity-gigs. I was in several bands through the years, but there was always one particular one that stays with me. We were really rather good – if you like that sort of thing. A simple four-piece consisting of guitar, bass, drums and vocals. Joe King was the incredible bassist. Yes, his real name was Joe King – his parents must have been having a laugh. Blah was the guitarist, and other blah was the singer. I say Blah because we didn’t particularly get on in the end, and the other blah was his girlfriend and so backed him up on everything he said or did. She also couldn’t sing and didn’t understand the concept of a melody. It was more of a drunk croon from someone occasionally walking on hot coals. You know these medic types (for that was what she was studying at the time)… This guitarist though – he was good, but his fingers were like spider legs. The simplest movement on the neck of the guitar made his hand look contorted like someone suffering from rheumatoid arthritis. Basically, his fingers weren’t as good as his brain. He came up with really good licks, but couldn’t quite play them well enough. And then there was me. I was on drums.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙇𝙤𝙫𝙚 𝙄𝙨 𝙅𝙪𝙨𝙩 𝙏𝙤𝙤 𝙋𝙧𝙚𝙘𝙞𝙤𝙪𝙨! – 𝙏𝙝𝙚 𝙉𝙖𝙩𝙝𝙖𝙣𝙞𝙚𝙡 𝙃𝙖𝙧𝙙𝙮 𝙋𝙧𝙤𝙟𝙚𝙘𝙩

Charles finds his soul…

Every ten years a decade passes. Every decade brings change. Some decades more than others. Good change, bad change and arguable change, but change nevertheless. While there are many different kinds of change, I will not focus on forced change, such as war, for war is not worth talking about. I prefer the lighter side of life. So… In the last century, which decade has brought the most change? Again, excluding those where war has been the changing factor. I can only really talk about the Western World here, as that is all I am really familiar with. Which has been the most changing decade? Some might say the noughties (00s) due to the rise of the internet. It certainly did change the world; there’s no doubt in that. Some would say the 60s because, THE SIXTIES!! I mean, just EVERYTHING changed, right? Well I can’t argue that it was a revolutionary decade. But more so for the young. The older ones were still living part two of the 50s. How about the 80s, then? With its big hair and technological advancements? Well it certainly wasn’t like anything before. And then there’s the 20s. These 20s, rather than those 20s. The 2020s. The now. BIG change. The problem is, it feels like all this current change is negative change. Which, like war, is not worth talking about. For me, the answer is…….. The 70s. The change didn’t feel as forced or rebellious as the 60s. The change didn’t affect just the young. And seemingly pretty much every aspect changed, almost by the year.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙉𝙞𝙜𝙝𝙩 𝙏𝙤 𝘿𝙖𝙮 – 𝙎𝙠𝙞𝙣𝙣𝙮 𝘿𝙞𝙥𝙥𝙚𝙧𝙨

Charles catches the sun and puts it in his pocket…

The sun is a wondrous thing. It shines bright from behind the blue. It both creates and eradicates shadow, turning dark into light, and light into darker. Leaves and yolk-filled petals bask, as we burn and cower. Said scented blooms will turn in synchronisation with its beam, always to be head-to-head with the god of the sky. Those of us who do wish to confront its rays will do so with a youthful pride. Head held high, arms glistening with salty beads. What is it about these golden rays that makes us smile? A simple thing of brightness and warmth. Can it be as simple as that? Could it be the Vitamin D that our bodies make, much like a human equivalent of photosynthesis…? It is more powerful than chemistry, surely. We have learnt of solar power relatively recently, but have felt it within ourselves for millennia. This is where nature competes and wins every time. Everyone benefits. Well, almost everyone. Farmers with their droughts, skin cancer sufferers, people whose land regularly deals with forest fires, even little freckle-faced Billy who can’t go out to play because of his sensitive skin… There are negatives. Oh and then there’s the big old climate change stuff… But on the whole, The sun is a wondrous thing.

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