Charles Connolly

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙈𝙖𝙜𝙞𝙘 – 𝘾𝙚𝙧𝙪𝙡𝙚𝙖𝙣 𝘾𝙝𝙖𝙢𝙚𝙡𝙚𝙤𝙣, 𝙎𝙪𝙢𝙢𝙚𝙧 𝙇𝙚𝙚 𝘾𝙖𝙧𝙡𝙨𝙤𝙣

Charles casts a spell…

It’s a new dawn; it’s a new day; it’s a new life for me… And I’m feeling good. Hopefully your bodies and minds have recovered from the copious amounts of shandy booze, and I trust your ears have stopped ringing from the relentless colourful cannon fire. Some of you might have been saddened or even offended by having not received a New Year message from me. Even in the public chats, I was completely absent. But then again, most of you probably couldn’t give a monkey’s. Quite right. For those of you who have nothing better to do than to frown and weep and mourn the lack of a review for an entire week, have no fear: CC is here! Do not worry your pretty little head. I was simply saving that message for this here public broadcast. I have also been truly enjoying life without screen. There’s a whole world out there, ya know…! What did YOU all do between the festives (24th/25th) and the bing-bangs (31st/1st)? Did you read that book you were given for Christmas? Did you drink yourself into oblivion? Did you resent having to work between the two significant dates? Perhaps you just pigged out while listening to whatever Spotify told you to listen to? Well my favourite day was so simplistic it might even barely bear mentioning. But it is so often the simple things in life that we cherish the most. It was December 30th. I was heavily hungover from the night before – don’t ask. Feeling groggy can be awful, but it can also make you feel cosy at home. Like a yawning puppy. I knew I wasn’t going to get any work done. How could I possibly judge the balance of audio when I couldn’t even remember to put on trousers… Think of it as a duvet day. Yes, I know this is starting to sound like a teenage girl’s slumber party, but I assure you it wasn’t. My girlfriend and I did a jigsaw puzzle from start to finish, while listening to music. It was as simple as that. And a highlight of the music was Kaminski’s album from 2022 (no longer “last year”). We both had such a special time despite there being pretty much nothing to it. I suppose this is what love is all about. It is the magic of it. How something so simple can be so special.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙎𝙣𝙖𝙠𝙚 – 𝙆𝙖𝙩𝙚 𝙎𝙩𝙖𝙣𝙩𝙤𝙣, 12 𝘽𝙚𝙡𝙤𝙬

Charles is instrumentally deceptive…

The song is called Snake. So therefore I’m going to write my little intro on snakes. But of course. The way they slither. The way they slide and worm across just anything. Those scales reflecting light at every angle. That warning tongue that rasps with knowing arrogance. A snake is scared of nothing. It is cold blooded in all ways. And while this image of a snake in movement may make most shudder, there are people who are almost turned on by it. To the extent that they start to take on the dark characteristic of this quick-witted reptile. This type of person can be referred to as a snake. A person that lies and deceives, only for their own selfish gain. In fact, I have changed my mind. This kind of person is so off-putting to me, that I would rather not give them this attention, for they deserve none. So, in fact, I will NOT be talking about snakes. But of course NOT. Apologies to those who were just starting to get into it. Sorry to deceive – what a snake-like thing to do!

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙎𝙞𝙡𝙚𝙣𝙩 𝙒𝙞𝙩𝙣𝙚𝙨𝙨 (𝙏𝙝𝙚 𝙄𝙣𝙨𝙩𝙧𝙪𝙢𝙚𝙣𝙩𝙖𝙡𝙨) – 𝙍𝙞𝙘𝙝 𝘼𝙡𝙡𝙚𝙣

Charles presses play…

No words.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙎𝙝𝙚’𝙨 𝘾𝙖𝙡𝙡𝙚𝙙 𝙂𝙧𝙖𝙘𝙚 – 𝙈𝙖𝙩𝙨 𝘿𝙚𝙧𝙣𝙖́𝙣𝙙

Charles introduces with an introduction that is completely unnecessary.

You know that feeling when you find out that your favourite artist is playing in your hometown? The excitement and anticipation that you will soon be in the same room. That personal touch, where they will be playing for YOU. So much more than streaming on Spotify. It just means so much. The thrill of it all. You rush to buy tickets. You sweat slightly as they are running out fast. Seats or standing? Doesn’t matter. You will be there, if you manage to get tickets of ANY kind. You succeed! You have spent rather a lot of money but you don’t care. Then comes the day. You get there early, because that’s what people do. Far too early because you’re so eager. You buy overpriced lager in a plastic cup. You buy a hot dog that you don’t really want. You take your seat (or stand). It is all about YOU. After a while, the support act comes on stage. This is what I am getting at – the support act. You tap your foot and nod your head a bit, while still chatting with your guest about the act you came to see. You also chat impatiently and pointlessly about the size of the vast venue and how many people there are. You wonder if now is a good time to go to the loo – ‘John’ is a man’s name, a ‘bathroom’ contains a bath, I am not exhausted enough for a ‘restroom’, and ‘toilet’ is simply a vile word. And so, what is this ‘support act’ actually for? A time to ponder on the capacity of one’s bladder? An introduction to the real reason you arrived? Something to put you in the mood? “And now the moment you’ve all been waiting for: a man who needs no introduction” – why do they always introduce the act by saying they need no introduction? The lights are low, and it is time for everything you ever wanted. I am the support act. My time is up. Please welcome Mats Dernánd.

(more…)

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙍𝙚𝙩𝙞𝙘𝙚𝙣𝙩 – 𝙗𝙞𝙜𝙗𝙖𝙡𝙙𝙗𝙚𝙣, 𝙇𝙤𝙜𝙖𝙣, 𝙒𝙖𝙮𝙬𝙖𝙧𝙙 𝙆𝙞𝙘𝙠𝙨

Charles holds back…

I should probably keep this brief. I probably won’t, but I probably should. The world is a loud place these days. In the words of Harry Nilsson, “Everybody’s Talkin’”. All the time. People have learnt to speak their mind. All the bloody time. Sometimes this is wise, sometimes very much not. And rarely ever are they asked to be so forthcoming with their thoughts, views and ponderings. But sometimes we do genuinely ask people to open up. In the words of Coldplay, “Let’s talk”. In the words of C. Duncan, “Talk Talk Talk”. They might, they might not. All depends, really. On whether they trust you, and whether they actually want to talk. But as I said, modern people are wired a different way. Wired to speak their mind. To open up and say what’s really on their mind. As if we are all dying to know. Typically though, the talkative types tend to have the least to say, while the quieter ones are usually far more interesting. Which I suppose must make me dull as dishwater. I think I am probably known for saying rather a lot. For opening up and being truthful. But while I don’t ever lie, it might not have occurred to you that I don’t (and won’t) speak about EVERYthing. Some things are best kept to oneself. I would give you an example, but of course that would rather oppose my point.

(more…)

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙍𝙚𝙖𝙡𝙡𝙮 𝘿𝙤𝙣’𝙩 𝘾𝙖𝙧𝙚 – 𝙏𝙝𝙚 𝘽𝙡𝙞𝙢𝙥

Charles hunts for the missing info…

I am a thin man. I used to be slim, but now I am decidedly thin. To the point where I lack the strength to lift even so much as a pencil case. Okay, it’s not quite that bad, but I am pretty bloody useless at the moment. My usual wandering mind wonders about whether there is any purpose in us measuring our BMI (body mass index), because a man of fat will probably weigh about the same as a man of muscle… I am neither. I wondered then if it might be mood based (!), but it’s not. Obviously. I sit. All day long. Doing magical musical things. Which is nice, but I just sit. Hence why I am finally starting to do something about it. Starting to. Bit by bit, I will not sit, in order to be somewhat fit. Noyce. I have one concern though. Being fit means changing shape. So while in time I might be fit, my clothes might not fit. So I must make sure I don’t become Schwarzenegger too soon. Admittedly, this is unlikely. But I don’t want to have to get an entire new wardrobe. There is a limit to altering clothes. Although I must say, my alteration chap is rather fast, so if he were able to succeed, I don’t think I’d have to wait too long. What I mean to say is, my tailor’s swift.

(more…)

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙍𝙚𝙖𝙙𝙮 – 𝘾𝙚𝙧𝙪𝙡𝙚𝙖𝙣 𝘾𝙝𝙖𝙢𝙚𝙡𝙚𝙤𝙣, 𝙎𝙪𝙢𝙢𝙚𝙧 𝙇𝙚𝙚 𝘾𝙖𝙧𝙡𝙨𝙤𝙣

Charles is mad for it…

What’s been the biggest news in Britain in the last week? Ukraine trucking on like troopers? Hamas doing what terrorists do best? Perhaps it’s the ever-growing bullet-pointed list of national destruction updated daily by Keir Starmer? Maybe the Paralympics…? No no; unlike the Olympics, the Paralympics rarely gets any news coverage. Well, it must be that Germany is – as the news outlets are less than subtly attempting to lead us to believe – about to “go all Nazi on yo ass”…! How about Trump, Harris, Harris, Trump, Trump, Harris? Mm. Meh. Nope. It wasn’t any of these. I’ll give you a clue. It was music related. “Oh no, has some mega rock legend died, and I didn’t know about it??” – nope, no one major has died. “Oh phew. Oh, you don’t mean…” – I do. While this has been world news (amazingly), Britain has seemingly had a delirious little fling with the relatively recent past. If you had read the English Press this past week, you might be forgiven for thinking that each and every one of the 68 million people in Britain was foaming at the mouth with the news of Oasis reuniting for a few gigs. This comes after many quotes from Noel Gallagher in recent years, stating he would never EVER get back with his brother and the band. The news also comes the very year after his £20 million divorce… Hmmm… Not suspicious at all. How is he possibly expected to survive on the remnants of his meagre fortune (apparently a mere £30 million left)…? Well, to Liam’s delight, Noel caved and reluctantly chose to accept the idea of Oasis making a purported total of around £50 million from these 2025 shows. We can’t have poor little Noel barefoot in the street, busking in Leicester Square. I’m not sure anyone would notice him: there’s always someone there playing Wonderwall.

(more…)

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙍𝙚𝙖𝙘𝙝 – 𝙂𝙚𝙛𝙖𝙝𝙧𝙜𝙚𝙞𝙨𝙩

Charles goes to church…

For someone so irreligious as I, God and his troves do make quite a number of appearances in my articles. Please do not forsake me oh Lord, for not conforming to your scriptures, but I give thanks for leading me to my own weekly scriptures. Or some such rubbish. Let’s face it, there is something very satisfying and wholesome about this way of speaking. A church remains largely unaltered by the modern world, with the exception of a card reader in place of a donation box. Even the almighty Lord himself is not impervious to contactless payment… On/Off topic, when at the Roman Baths in Bath the other week, I did chuckle at the sign which read “Do not throw coins into the water, please instead use the contactless donation device located to your right” – completely missing the point of throwing coins into fountains and the like. As if to say that places without such modern payment methods would have dedicated evening staff fishing the pennies out of the water, in order to pay for that leaky roof. It gives a different meaning to Sinatra singing about “three coins in the fountain”… I would imagine the same goes for the “Love Locks” on countless bridges and railings all over the world – they are simply donating padlocks to the nation. That must be the reason. Now if only they supplied the key as well, then we’d all be secure. God almighty, I forgot what we were talking about! Oh yes: God Almighty. Aside from the beauty and romance of it all, even non-believers will turn to it for another reason. Desperation. When almost all hope is lost, one cries for help.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙉𝙤𝙩 𝙅𝙪𝙡𝙞𝙚𝙩 – 𝙃𝙚𝙖𝙩𝙝𝙚𝙧 𝙇𝙚𝙚

Charles doth oft prove a prophet…

“To be, or not to be, that is the question”. Or rather, that is A question. A question into which I will briefly delve later on. To the world, William Shakespeare was a bard. To the English, he is The Bard. That is actually how we refer to him – should we refer to him at all (young Shakespeare is less in the modern narrative than when EYE was young). I know ‘English’ is a dirty word these days, but so far Shakespeare has been left unscathed by the modern obsession of screwing up the only good we have left from the past. He has not yet to have been found a slave driver, nor a hater of any race or gender. And nor was he a snob or a tycoon. Sure, he was apparently vain and pennily comfortable, but that is RIGHT! We are still allowed to mention him, talk about him, discuss and debate his work, without some whistleblower storming through the window with a tin of paint and a sign to spoil all the innocent fun and joy he has brought us all for just SO long. Now, I know what you’re thinking. You’re reacting much as I would if I were to be accosted and threatened by a tribesman: “Don’t shake spear at me!” – well, tough. I am going to shake that spear whether you like it or not. Because, as long ago as his writing was, his greatest and most famous moments of inspiration are as potent as ever.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙉𝙤𝙩𝙝𝙞𝙣𝙜 𝙏𝙤 𝙎𝙚𝙚 𝙃𝙚𝙧𝙚 – 𝙐𝙣𝙤𝙗𝙡𝙞𝙩𝙚𝙧𝙖𝙩𝙚𝙙

Charles winces and wonders…

It’s a funny ole’ world, innit. So much is going on, all the time, everywhere. Some good; mostly not. Yet we’re rarely aware of any of it. Sometimes it’s due to our own ignorance, but usually it’s because we’re kept in the dark. Why is it when someone says “nothing to see here”, there is always something to see there…? Most people take what they’re given. Most people don’t question. With eyes wide open, most people only see. They do not observe and they do not perceive. They do not think. If they argue, it’s because others are arguing. A sheep will stand not comfortably but not uncomfortably. It will simply stand there. It will only bolt if other sheep are moving at speed… So, why? Why do we react so automatically? Is it ease? Is it laziness? Is it trust? Or is it none of these…? Are we actually all thinking the same “that can’t be right”, but are too afraid to open our mouths? Are we perhaps simply scared of querying? Nervous of the potentially worse response? Maybe we just don’t WANT to know. Maybe the whole “ignorance is bliss” thing is safer in our minds. Calmer. We’re all in this together anyway, so maybe if there’s something bad, it’s bad for everyone so I won’t be alone…? That seems a rather strange frame of mind to me. Surely it should be more like the words of The Animals: “We Gotta Get Out Of This Place”, rather than to all go down together…

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