Welcome all to ๐๐ผ๐ป๐ป๐ผ๐น๐น๐โ๐ ๐๐ผ๐ฟ๐ป๐ฒ๐ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐๐๐ฌ ๐ผ๐ง๐ฉ๐๐จ๐ฉ ๐๐ฅ๐ค๐ฉ๐ก๐๐๐๐ฉ playlists.
ยฟ๐๐๐ฃ๐จ๐๐ง ๐๐จ ๐จ๐ช๐๐๐๐๐๐ฃ๐ฉ๐ ๐ฅ๐๐ง๐ ๐๐ญ๐๐จ๐ฉ๐๐ง? – ๐ผ๐๐ฬ๐ฃ ๐๐๐ข๐ฬ๐ง๐๐ฏ
Charles is tuned to perfectionโฆ
The humble piano has been around even longer than I. More than 300 years, to be roughly precise. It is an instrument with which we are ALL most familiar. We know its sound intimately. Even if YOU have never tinkled a single ivory in your life, YOU will know that sound. Which is more than most can say about the oboe – an instrument not much older. The period of an instrumentโs existence has little to do with its popularity. The Ondioline was invented as recently as 1939, and have you heard of it? Is it in countless records you know and love? It is not. And yet, our ancient humble piano continues to attract just about every genre – even electronic. Why is this? Well, I still stand strong in my belief that it is the greatest instrument because of one factor. Its versatility. Would you prefer to impersonate Debussy or Rachmaninov, or would you rather don the silly glasses and do an impersonation of Elton John? Either way, you will need a piano. I call it humble, but have you ever actually SEEN what goes on inside a piano? It is so complicated that itโs quite amazing they ever bothered with its completion. Why would such a heavy, immovable, complex and expensive thing attract such a wide audience? Let us travel to Camden Town in London to find outโฆ
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