Charles Connolly

Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙏𝙝𝙚 𝙂𝙖𝙢𝙚 – 𝙇𝙪𝙣𝙖𝙧 𝙋𝙡𝙚𝙭𝙪𝙨

Charles plays a game…

This weekly thing of mine. You all witness it, but only in its finished form. None of you ever sees the process. It’s possible that many of you barely register there being a process of any kind. A bit like how my father never imagined Beatles songs actually being crafted and put together in the studio by his heroes playing instruments, manually and laboriously, take after take; rather that the songs simply came to exist. I don’t just tap the “make review” button, then tap the “post” button. If only. But “if only”? Would I really like that? Where’s the fun in that? Sure, it would certainly give me a lot more time to work, and not keep artists/clients waiting (I’m a producer/make-things-sound-gooderer, just in case you wondered), and it certainly would be nice not to have that persistent weekly pressure on my shoulders… But then again, isn’t this all part of what has turned it into a “thing”; like a PROPER thing? My little Corner has apparently become something special. Which makes me rather proud, I must admit. However, I see the column differently to you. For me it’s a weekly challenge, and one that I relish. It’s not an obstacle or a chore to be completed. The fun is in the process, but the outcome is just as important. But fun doesn’t mean lack of effort; hell no. The effort is what makes it enjoyable, both in the giving and the receiving. Basically, much like Solitaire, it’s a game I play by myself. By the way, did you spot all 11 card games in last week’s article (12 if you include Tarot)? That in itself was a game you probably weren’t even aware was being played!

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙏𝙝𝙚 𝙁𝙡𝙤𝙬𝙚𝙧𝙨 – 𝙒𝙧𝙚𝙩𝙘𝙝𝙚𝙙 𝙋𝙞𝙣𝙝𝙚𝙖𝙙 𝙋𝙪𝙥𝙥𝙚𝙩𝙨

Charles gifts a gift by means of a gift…

Friday saw the release of a new Ed Sheeran album. Never mind.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙏𝙝𝙚 𝙁𝙖𝙡𝙡𝙤𝙪𝙩 𝙞𝙣 𝙔𝙤𝙪 – 𝙅𝙪𝙣𝙞𝙤𝙧 𝘽𝙤𝙣𝙚𝙨

Charles is your dealer…

Sometimes you look back at things you’ve done and wonder how you managed. Sometimes it was a doddle to you. Other times it nearly killed you. But either way, you managed. The songs I wrote years ago were definitely more towards the former. The flatpack IKEA desk I built last week would definitely be more towards the latter. Sometimes you look back at things you’ve done, and you cringe. The face crunches up in repulsion. That song I wrote called ‘Library of Love’, for example… Sometimes you do things for a very specific reason, that seemed particularly important at the time. Sometimes things are simply forgotten. A moment in the past that apparently happened, but it either seems so insignificant that your brain hasn’t seen or realised any worth in holding on to that memory, or that it conjures deep, dark memories that you would rather not think about. This is how we deal.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙏𝙝𝙚 𝙀𝙭𝙘𝙚𝙥𝙩𝙞𝙤𝙣 – 𝙗𝙞𝙜𝙗𝙖𝙡𝙙𝙗𝙚𝙣

Charles theorises…

What is music? “Wait, wait, wait a sec… You’re actually going to talk about music??” – I know. You’d think I’d be sick of music by now. But no, I ain’t the blasphemous kind. “But you NEVER talk about music in your intros.” – Yes, I know, I usually write about something like ”How to overcome the pressures of the world”, or “What came first, the chicken or the duck?”, or “Have you noticed the increasing presence of the hip flask lately?”… But this time I thought I’d go all out and speak about music. It is, after all, the time and the place. So. Back to my initial question… What IS music? This is something about which people will argue forever. But I’m not going to go into avant-garde nonsense that in my eyes (ears) is simply not worth bothering with. I am talking about REAL music. Ya know, instruments and all that. Something that doesn’t make one scratch one’s head, and something that one actually enjoys, as opposed to reluctantly putting oneself through, for the sake of being kind to the “artist” or in an attempt to broaden one’s horizons. One’s horizon is probably quite big enough, and does not need broadening. So you’ve got your instruments, be them analog or electronic. You’ve got yourself a singer. Bravo! That’s basically done, right? Well, you’ll need a place and a means to record. Okay then, CHECK! Got all of the above. Hit record, we’re ready! “Okay guys, what’s the name of the song?”, the engineer says through the studio’s intercom.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙏𝙝𝙚 𝘿𝙖𝙮 𝘼𝙛𝙩𝙚𝙧 – 𝘽𝙞𝙡𝙡𝙮 𝙇𝙤𝙬𝙧𝙮

Charles talks about tomorrow…

There is something I have always found mildly fascinating, ever since I was young. I mean, even younger. It involves the passing of time, and the way we regiment said passing of time. A birthday, for example. It is a day for celebration. But we have decided this. It is not actually the actual day of one’s actual birth. It is to commemorate x-amount of years since one’s birth. But what is a year? We split life into years, yet this is a human invention. God did not place years on our table. Neither did God invent the table (but its simple perfection leads me to wonder). Sure, the seasons make the idea of years a little easier to digest and swallow, but what if we go further into months… Why 12? Why does January start in, well, January? And what about weeks and even days? Why is Sunday the so-called day of rest? I say “so-called” because on Sunday I had to do a full day’s work alongside constant power tools across the road that only stopped shortly before 7pm. Day of rest, my FOOT!! This fictional birthday I spoke of before, it is technically just another day. Just like New Year’s Day. It is technically just another day. With a “day” only being made official by the sun going up and down like a slow-motion yoyo.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙏𝙝𝙚 𝘽𝙞𝙧𝙙 𝙞𝙨 𝙂𝙤𝙣𝙚 – 𝙎𝙪𝙣 𝙎𝙩𝙖𝙩𝙚 𝙤𝙛 𝙈𝙞𝙣𝙙

Charles considers a live worth living…

Over the months and years I seem to have forgotten about a very important aspect of music… Yes, I am actually going to be talking about music. You see, every week I go on about technical terms that most of you wouldn’t be able to understand; like “punch”, “oomph” and “POW”. But I must learn to realise that we can’t all be muso audiophiles like me (oh please, it’s a yoke). I speak of melody and harmony and how things fit together (another technical term). I speak of technique and musical judgement. I speak of recording quality and mixing knowledge. I speak of panning and even occasionally specific frequencies. I speak of reverb and delays and all sorts of other magical wonders that make a good thing better. I speak of the way a guitarist digs in to the guitar. I speak of how a trumpet will portray the saddest of moods within the breaths between the notes. I even pick up on the “mistakes” that MAKE the song; the perfection in imperfection. I go into how the artist has honed their sound, delving and diving into the depths of each individual note and made it as good as it can possibly be. I speak of sparkle and clarity. I speak of bass that vibrates so ferociously it makes my nose tickle. But all in all, I am listening intently. I am in the process of analysis. I am rarely taking a step back. Maybe even several steps back. You see, each release is a static recording. I am able to go back to lines I didn’t quite catch, or mentally zoom in on that crash cymbal choke and marvel at its harmonics. I can play it again and again, getting to know each vocal flick (another technical term) and drumstick drop (more technical terms, of course – when the drummer drops his stick, for those not so wordily endowed). It is the familiarity and unchanged sound that is warming and close to our hearts. It is this that makes a classic, a classic.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙏𝙝𝙚 𝘼 𝙋𝙡𝙪𝙨 – 𝘾𝙤𝙖𝙨𝙩𝙖𝙡 𝙏𝙤𝙬𝙣

Charles leaves the city for a higher grade…

Cities are impressive. Cities are huge and buzzy. It can sometimes seem like a big city would be able to continue living without the presence of actual life! The buildings, the museums, the galleries, the parks, the clubs, the architecture (you’ve said that, you said buildings. Yes, all right, clever clogs). The heights and grandeur, the world famous stature. The hub of where it all happens. It’s all so compelling. Genuinely exciting! But sometimes it can feel a little overbearing. Would you like to eat a 7 course meal in a swanky restaurant every single day of your life? To me, this is what it can sometimes feel like. Oftentimes (utterly LOATHE this word) one just wants to live a smaller life. A simpler life. To eat a burger while ambling the littler side of the street. Where your thoughts are allowed to wander without getting distracted by awe-inspiring structures (same as buildings, same as architecture. Yes, all right, clever clogs). Say, by the sea? Imagine a little town where the atmosphere is not cloaked in pollution, but simply a sea breeze. A coastal town.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙏𝙝𝙖𝙩 𝙂𝙪𝙮 – 𝙀𝙡𝙞𝙯𝙢𝙞 𝙃𝙖𝙯𝙚

Charles is “that guy”…

“PWhat’s up, everybody?? IT’S ya boy CC, BACK with another episode of Connolly’s Corner. YO favourite place for news, reviews and ALL the latest goings-on-in-the-world-of-unsigned-music. And toDAY we’ve got something real special for ya. THIS time, it’s…” …Wait. This isn’t me. This isn’t me at all. This is everyone else. This isn’t how I do things. This is how everyone else does things. I don’t say “everybody”. I say “everyone”. I don’t copy people. I ain’t afraid to be me. I ain’t afraid of no ghost. By now, you probably know me well enough. You probably think you know me well enough. I’m that guy. That one with the quill. That one boring the hell out of you, week in, week out. That one with the headphones permanently stapled to his ears. That one listening to absolutely everything all of the time, to the extent that everything in life becomes musical. That clink of the teaspoon against the rim of a coffee cup. That ding of the microwave. The tempo of that nearby car alarm that just won’t shut up. That vitamin B pill that could easily double as a shaker if I only had a microphone sensitive enough to capture it. I hear everything. I hear it all too well, and too much. The slightest noise in the middle of the night wakes me with such sudden aggression. My life is attuned to sound. I don’t have perfect pitch, and neither do I have perfect hearing – few do. But still, sound really is my everything. I’m that guy. That guy you’re so eager to please, if you’ve heard of me, because then I might review your latest masterpiece. But you know I am keen on honesty. You just KNOW that. In fact, I detest lying. And you KNOW I also like praise and being liked. Genuine praise. I am human, and I am an artist. So what if you don’t like me? What if I’m NOT your bestest buddy in the world? What if I irritate you to the ends of the Earth with my words and my face? What if being honest and being nice are in conflict with one another? You’d have to choose. Or say nothing. There is always tact, but I can usually see through that. At least you’ve tried. Top marks for trying! Noted. I’m not a judge. I’m not a teacher you have to suck up to. I’m just that guy. That guy who’s always listening.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙏𝙚𝙩𝙝𝙚𝙧𝙚𝙙 𝙏𝙤 𝙏𝙝𝙚 𝙃𝙞𝙙𝙚𝙗𝙤𝙪𝙣𝙙 – 𝘽𝙧𝙮𝙖𝙣 𝘾𝙤𝙤𝙥𝙚𝙧

Charles is bound to hide…

So Track 1 of my “Hands Up!” album is now released, and the journey has begun. The wheels are in motion, and I forgot to attach the brakes. Yes, this is what I am going to be talking about this week. Me and my music. Ow, ow, OWW!!! That HURTS! Stop hitting me with that, that, what IS that?? Oh I see. You wish me not to talk about me and my music. Well fine then. I won’t. Huh! I’ll have to cry later, won’t I. But I had it all planned! It was nice and simple – I didn’t have to sift through the hundred new releases from members of the New Artist Spotlight. I didn’t have to excruciatingly choose just one of the no doubt fabulous singles released in the past week or so. There was simply mine, and that was good enough for me. I mean, why bother listening to other artists’ music when I can listen to my own?? I mean, REALLY. Well okay. Fine. If that’s what you want. If you want me off my high horse, then so be it.

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Welcome all to 𝗖𝗼𝗻𝗻𝗼𝗹𝗹𝘆’𝘀 𝗖𝗼𝗿𝗻𝗲𝗿, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of 𝙉𝙚𝙬 𝘼𝙧𝙩𝙞𝙨𝙩 𝙎𝙥𝙤𝙩𝙡𝙞𝙜𝙝𝙩 playlists.

𝙏𝙚𝙡𝙡 𝙈𝙚 𝙔𝙤𝙪𝙧 𝙎𝙚𝙘𝙧𝙚𝙩 – 𝙏𝙧𝙞𝙘𝙞𝙖 𝙇𝙤

Charles feels he knows you well enough to say…

What lurks beneath the surface of a seemingly good soul…? What darker things to discover under cover of a bad egg? This week brings another brand new release from Rich Allen: Lily Flower (his best yet). For a human, he is the epitome of “good”. But is there a darker side to this bag of positively charged beans…? We will probably never know. My scepticism is what brings me here. I always wonder about people. I always wonder about things. Let’s face it, I wonder about just about everything. Except sport. I very rarely wonder about that. Those who know Rich, will realise that he is in fact perfect in every way, so there are no worries there. But what about me? I am not perfect, in any way at all! But people seem not to entirely loathe my guts. I am apparently a good person. But I even wonder about myself. Am I really a good person? Underneath this fancy linen, am I the devil incarnate…? Do I hide the horns in my hair…? Well, no. Because my hair is far from thick… My natural scepticism always makes me wonder why the good are good. How pessimistic is THAT?? These days I find it hard to believe that people are good simply through morals and a decent upbringing. Or maybe it is a rather dreadful upbringing that has made them good. A sort of mid-life realisation…? Teenagers tend naturally to be selfish and pretty bloody awful. But they also tend to grow out of this “phase”. I always wonder though, which is the phase… Perhaps this “new you” is actually a very realistic façade. You see? I am less an inquisitive questioner, more a paranoid android. First impressions can tell you a lot. Although I am basically a non-believer, I do believe in that. I am sometimes wrong with first impressions, but usually right. Maybe often wrong, but usually right. Luckily, because of my ongoing scepticism, my initial mistaken assumption swings the needle to positive after realisation that I was wrong. Very rarely do I instantly trust someone from first meeting them. Even more rare is when I turn around and they stab me in the back. Metaphorically, of course. It has been ages since I was literally stabbed in the back.

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