Connolly’s Corner

  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Itโ€™s Over (feat Jessica Mia) – Jane Marie

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Itโ€™s Over (feat Jessica Mia) – Jane Marie

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™„๐™ฉโ€™๐™จ ๐™Š๐™ซ๐™š๐™ง (๐™›๐™š๐™–๐™ฉ ๐™…๐™š๐™จ๐™จ๐™ž๐™˜๐™– ๐™ˆ๐™ž๐™–) – ๐™…๐™–๐™ฃ๐™š ๐™ˆ๐™–๐™ง๐™ž๐™š


    Charles waxes lyricalโ€ฆ


    Tact is a funny one, isnโ€™t it. Itโ€™s a tricky bugger. Some people have it, and some people donโ€™t. It involves quick decision making. It involves empathy. A โ€œput yourself in their shoesโ€ moment. Say for example, if someone has gone through a traumatic experience (and continues to do so), what do you say? What words do you use? Do you say the usual politician/celebrity line: โ€œMy deepest condolences to the family and friends ofโ€ฆโ€? Do you ignore them all together, with the excuse of โ€œI just wanted to give you spaceโ€, but in fact you were simply stuck for what to say? Do you speak to them as though nothing has happened, in the hope that this will cheer them up and take their mind off things? Do you stay deadly serious? Do you joke? I personally probably do a mixture of all of these things. But the one thing I definitely DONโ€™T do, is imagine that everyone is the same, and that every saddening experience is carbon copy of the last one you heard about. Each instance needs to be addressed uniquely and personally. If you donโ€™t really know the person well at all, itโ€™s probably best to say nothing. Cold, empty sympathy from a relative stranger can do little for the person involved. But this is the thing. These days with half our world conducted over the internet, who is to say the true meaning of โ€œfriendโ€ or โ€œstrangerโ€โ€ฆ? With the written word, one has to try harder in order to portray what one really means or feels. In real life, just one look of โ€œI got youโ€ (eurghh) and a hug can suffice. But in messages, things can look so cold and automatic. I think this must be why I write the way I write. Some might try to emulate who they are by the way they string words together in text. But because I write so much these days, I think I am becoming more like I write. Rather than the words portraying the personality, the personality is becoming the words! And I donโ€™t mind a bit. Iโ€™ve become a better person for it. I think more. I am kinder. I am calmer. I give things a chance to sink in before blurting out an ill-judged response.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Jekyll & Hyde – Teddy Head

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Jekyll & Hyde – Teddy Head

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™…๐™š๐™ ๐™ฎ๐™ก๐™ก & ๐™ƒ๐™ฎ๐™™๐™š – ๐™๐™š๐™™๐™™๐™ฎ ๐™ƒ๐™š๐™–๐™™


    Charles is two in oneโ€ฆ


    Time for another lovely review of a pretty little ditty. For that is what CC likes to listen to. Perfect, pleasing pop. Rounded, retro relevance. Sombre, soothing strings. Thatโ€™s my peach in a nutshell, no? Well, I do like all these things, it canโ€™t be denied. But my musical tastes are rather more varied than you probably realise. The difficulty arises in quality and in mood. Some other genres I rarely talk about here are often not of the highest quality, when they simply NEED to be. But the main reason is mood. I am rarely in the mood for a lot of genres. Take electronic music, for example. These days it is very seldom that I feel the pang for electronic music. But when I get that craving, there is nothing like sticking on a bit of Disclosure to sate my needs. Nothing else wires my brain the way it wishes to be wired. Iโ€™d say it gets me moving, but itโ€™s more of an embarrassing head jolt if someoneโ€™s around. And if no oneโ€™s around, itโ€™s like my whole body is a mercury spasm. Floppy erraticism. Like David Byrne on opium. Probably. I have reviewed a few electronic pieces over the years, but itโ€™s not that common because Iโ€™m rarely in the mood, or itโ€™s not been made that well. The big shame about my musical taste is that I will probably never review hard rock or metalโ€ฆ



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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Just Because (feat. Jessica Mia) – Jane Marie

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Just Because (feat. Jessica Mia) – Jane Marie

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™…๐™ช๐™จ๐™ฉ ๐˜ฝ๐™š๐™˜๐™–๐™ช๐™จ๐™š (๐™›๐™š๐™–๐™ฉ. ๐™…๐™š๐™จ๐™จ๐™ž๐™˜๐™– ๐™ˆ๐™ž๐™–) – ๐™…๐™–๐™ฃ๐™š ๐™ˆ๐™–๐™ง๐™ž๐™š


    Judge Connolly listens to the juryโ€ฆ


    First impressions. Good thing? Bad thing? Are you a cynical, judgemental old fart who has guessed a โ€œtypeโ€ based on very little? Or are you perhaps a sensitive, observant soul who feels you can tell more about a person based on just a couple of initial moments? These two โ€œdefinersโ€ could perhaps be construed as much the same, considering the thought process is basically the total of educated guess and assumption. I think I am a despicable blend of the two. I am often right. And youโ€™ll be pleased to hear that I am also often wrong. My belief is that so few of us are honest with ourselves. We like to think of ourselves as good, honest, kind people. Yet when we meet someone, be it in person or online, are most of us not instantly judging? Summing up? Wanting to define and categorise said person? I think itโ€™s human nature. A sort basic instinct. Do I instantly take a dislike to this person? Could this person be a friend for life? Do I trust this person? I think this is the main reason most of us naturally do this: trust. Pretty much everything is based on trust, and so we must not let our guard down. Just because someone said something in a peculiarly undesired tone, or just because they smiled with THAT look in their eyes, should that mean they are instantly in the red cross pile, rather than the green tick pile? Most of us (consciously or not) are guilty of this reckoning, letโ€™s face it. Bear in mind that just as you are busy judging, you too are being judged. Bet you hadnโ€™t thought of THAT one. โ€œBut, butโ€ฆ Iโ€™m completely infallible and perfect in every way!! How could anyone POSSIBLY think negatively of ME??โ€ – probably because that very thought of yours is written all over your face – and people donโ€™t like that. Now, I am aware I may get a lot of hate in the comments for this, but so be it. Things are more fun with a bit of contention. Anything to set the rusty cogs in motion and kickstart the heart into a healthy upbeat rhythm. But โ€œbe niceโ€.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Keep Going – KRISS

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Keep Going – KRISS

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™†๐™š๐™š๐™ฅ ๐™‚๐™ค๐™ž๐™ฃ๐™œ – ๐™†๐™๐™„๐™Ž๐™Ž


    Charles quotes Jimi (Hendrix, you fool): โ€œAre You Experiencedโ€?


    I have been doing what I do for many years, now. Not these reviews, but making songs. Writing, playing, singing, producing and mixing songs. When I started, I was, shall we say, less good. This is altogether rather unsurprising. And yet, So many people seem to think they can simply dabble from the get-go and be brilliant from day one. One can get caught up in the thrill and excitement of the idea of creating something oneself and releasing it to the masses, and then to be shrouded with praise and applause for oneโ€™s efforts. This is rarely the case, however. I think it is not so much arrogance as blindness. Or, should I say deafness. The inability to step back and be self-critical. This isnโ€™t really the fault of the artist, because by this point they frankly donโ€™t know what to listen for. They have no experience. Talent or a โ€˜giftโ€™ is an excellent start, but it is not by a long way the be-all and end-all. Experience can and will come from much time, effort and determination – and raw talent. One needs to have drive and a willingness to push harder and further. It usually needs to border on obsession, or even go deeper into compulsionโ€ฆ! I am writing this, not to deter artists who have recently started their musical journey, but more to make them realise the work often involved, and that it is worth battling on with it all, as long as you are honest with yourself, and that you donโ€™t start hating what you are doing.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Killing Time – Emily Gray

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Killing Time – Emily Gray

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™†๐™ž๐™ก๐™ก๐™ž๐™ฃ๐™œ ๐™๐™ž๐™ข๐™š – ๐™€๐™ข๐™ž๐™ก๐™ฎ ๐™‚๐™ง๐™–๐™ฎ


    Charles murders your precious little timeโ€ฆ


    โ€œThe leaves that are green, turn to brownโ€ – thank you, Simon also โ€˜Gumfarkelโ€™. It is officially Autumn. We know this because we all changed our clocks. Or rather, for those in the digital age, our clocks changed without us realising. Due to the magic technology of now, we can be even lazier than ever. We donโ€™t have to change a clock. Not meaning you used to have to hurl your alarm clock out of the window and buy a new one. Not that kind of clock change. Itโ€™s that time of year when the clocks move back an hour. How do we know whether itโ€™s forward or back? The saying goes: โ€œSpring forward, Autumn backโ€. No it doesnโ€™t. Itโ€™s โ€œSpring forward, Fall backโ€. For merry cans call Autumn, Fall. And in this instance, I prefer the word Fall. In all other instances I prefer the word Autumn. This beautiful season is the easiest way to watch time passing. Day by day, the leaves change colour, and day by day the ground becomes obscured by leaves that have lived a life and felt the worldโ€™s climate. Providing it isnโ€™t miserable and wet, Autumn truly is a beautiful season. I adore the views from my flat in London. Of course, Winter gives us stark contrast with the unlikely possibility of snow, Spring brings the subtle excitement of a new and pretty dawn, and Summer is simply ideally glorious. But Autumn is the velvet. The lush. The radiant. But it is also the brief. So brief that you must snatch it while you can, before itโ€™s all gone. But of course, aside from today (the day of writing), it has been raining raining raining. Just seemingly constantly. It washes away those warmly daubed pigments and coldly reminds you of what follows Autumn. That bleakest Winter. So what do we do to while away the time until the sunshine lights these fiery trunks? Well, what DID we do this week? We got excited and listened to the new Beatles single, of course.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Let Go – Patrik Ahlm

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Let Go – Patrik Ahlm

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™‡๐™š๐™ฉ ๐™‚๐™ค – ๐™‹๐™–๐™ฉ๐™ง๐™ž๐™  ๐˜ผ๐™๐™ก๐™ข


    Charles refuses to let goโ€ฆ


    This might be complete and utter fiction, but I always have the feeling that some of you moan or complain in private when I review someone I have reviewed before. It might be entirely in my head – lord knows, SOMEthingโ€™s gotta be in there. But should this be the case, Iโ€™d like to set the record straight (wicked song by Reef, if you know it). Favouritism… โ€œCC just picks his favouritesโ€โ€ฆ Er… Yes. That’s the whole point of this weekly column of mine. To pick my fave new releases. BUT!! I will never simply pick my favourite artists out of blind support for my musical chums. Which is why it was 19 weeks since I reviewed last weekโ€™s artist, and why it is 37 weeks since I reviewed this weekโ€™s. Speaking of whom, he had three great singles in a row that I didn’t review. Five, if you include the one with Seven Streams and the one with Jane Marie (gorgeous song that I had stuck in my head for half of Sunday). Four of the last five reviews (this year so far), have been artists I have never reviewed before. And three of those four were immensely grateful. So you see, I am very much innocent in this way. Probably guilty in many other ways, but thatโ€™s beside the point. Those who might have held some sort of grudge (again, might be all in my head and a thoroughly fictional matter) against me for reviewing an artist I have reviewed before, I simply ask that you let go of this nonsense and enjoy the articles. Or ignore them altogether. Entirely up to you. If you want a (pretty much) guaranteed review from me, simply make an absolutely fabulous song. Either that or something completely original or fresh. Basically, something I can’t ignore that really piques my little cells. It must however be of decent quality sound, and hold a certain level of professionalism. You must show you care and have actually bothered. If you’d like to deposit ยฃ1000 in my account, this can also sway me. No no no. I don’t, have never, and will never take bribes.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Let It Go – Unobliterated

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Let It Go – Unobliterated

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™‡๐™š๐™ฉ ๐™„๐™ฉ ๐™‚๐™ค – ๐™๐™ฃ๐™ค๐™—๐™ก๐™ž๐™ฉ๐™š๐™ง๐™–๐™ฉ๐™š๐™™


    Charles has a black Sabbathโ€ฆ


    Unnecessary stress comes to us all. Doesn’t it? You know it does. Why, right now you could be reading without taking it in. I said, right now you could be reading without taking it in. Sometimes a little repetition can help things sink in. But I know; you’re stressed. You’re thinking about other things. You’re worried. You’re concerned. I know how it goes. It happens to all of us. All in different ways. Completely understandable. And usually itโ€™s completely pointless. I had an unnecessarily stressful day on Sunday. A Sunday that should have been pleasant, positive and maybe even exciting. Before I continue, I am fully aware that many of you are going through REAL stress of a serious nature. I bring you my nonsense not to tread on or water down your life-goings-on, but to briefly take your mind off it all. A diversion of a kind. Despite being grounded and level-headed, I am prone to nerves. Nerves from the littlest thing. I think too much. I think too much into everything when I should just ride the wave. Here’s my Sunday. It all started with breakfast. It was the best bit of the day. It was before my mind had started to work. Dopey in the best way. That Sunday feeling. Then I made a quick plan for the day. The plan was thus:


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Let Me Breathe – Emily Gray, Monsieur Stone

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Let Me Breathe – Emily Gray, Monsieur Stone

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™‡๐™š๐™ฉ ๐™ˆ๐™š ๐˜ฝ๐™ง๐™š๐™–๐™ฉ๐™๐™š – ๐™€๐™ข๐™ž๐™ก๐™ฎ ๐™‚๐™ง๐™–๐™ฎ, ๐™ˆ๐™ค๐™ฃ๐™จ๐™ž๐™š๐™ช๐™ง ๐™Ž๐™ฉ๐™ค๐™ฃ๐™š


    Charles realises the importance of lengthโ€ฆ


    What a stupid week Iโ€™m having. Quite absurd, honestly. There is no crisis and nothing terrible has happened. For which I am most fortunate. I speak of home problems. Not โ€œproblems at homeโ€, as people say, but problems with the home itself. The good thing about renting, is that you donโ€™t have to fork out yet more money when something goes wrong. The bad thing about renting is everything else. At least this is how I had come to think about it. This week, however, has shown me that there is in fact nothing good about renting. It is, as we English say, โ€œa mugโ€™s gameโ€. So! With this in mind, I will relay to you my stupid saga. Several weeks ago, my shower decided to drip profusely, to the point where I decided that many litres per hour was too much to ignore any longer. Within a couple of days a plumber arrived to fix it. He barely spoke any English – but of course. I tried to explain the problem by miming with sound effects, and at last he seemed to understand. Much noise and mess later, he uttered a noise. He proudly showed me how the thermostat knob was no longer stiff, and gestured for me to try it for myself (perhaps to prove that he didnโ€™t have something up his sleeve). I declined the offer and took his word for it. Baffled by why he was showing me this, I then politely asked, โ€œand the drip?โ€. His reply was a look, as if to say I had stripped in front of him and done a little dance. I repeated, complete with miming and sound effects. โ€œAh okay okay. Noh. Repless replessโ€. What he meant was, it couldnโ€™t be done (he couldnโ€™t do it) without replacing the whole shower mixer (I now learn this is what it is called, for it mixes hot and cold – clever). Days passed, and he arrived again. He did the job very swiftly and that was that. Weeks passed, but now the tap itself was dripping. I ignored it as it wasnโ€™t that bad. However, by this point, my kitchen sink decided it was full, and refused to drink anymore. Oh what joy. They ask if I can do 8am the following day. I ask if 10am is possible. All is arranged for 10am.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Letโ€™s Live – The Yellow Wallpaper

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Letโ€™s Live – The Yellow Wallpaper

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™‡๐™š๐™ฉโ€™๐™จ ๐™‡๐™ž๐™ซ๐™š – ๐™๐™๐™š ๐™”๐™š๐™ก๐™ก๐™ค๐™ฌ ๐™’๐™–๐™ก๐™ก๐™ฅ๐™–๐™ฅ๐™š๐™ง


    Charles celebrates lifeโ€ฆ


    Last week, I spoke of standards. But this past week on the New Artist Spotlight has been anything but standard. You all know how volatile it has been lately, what with our petition, Spotify being bad and only getting worse, and the ongoing suspension of our founderโ€™s Spotify curator account. The scammers continue to spam our inboxes and social media profiles, yet continue to get away with it. We are all quite used to this now. We take it in our stride, despite being constantly perturbed by it. As artists must, we go on. Last Tuesday I published my weekly review. Nothing out of the ordinary there. It had been a perfectly normal Tuesday – business as usual. As night fell in London, I checked my phone one last time before bed. At the top of my Instagram feed was a post from the familiar face of a known NAS artist. He was looking good, healthy, cool, and sharp in a suit. โ€œIโ€™m guessing he has a new release coming soon, thenโ€, I thought. But as I stared at it, my mind started to curl like the red cellophane fortune teller fish we all had as a child. Under his image lay dates. Not release dates. Then an impossibility dawned on me as the colour drained from my face. It was unfathomable and inconceivable to actually realise and believe. But it was in fact true. Kyle M. Watson had died. He was my age.


    (more…)
  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: My Tribe – Holly Wild

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: My Tribe – Holly Wild

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.

    ๐™ˆ๐™ฎ ๐™๐™ง๐™ž๐™—๐™š – ๐™ƒ๐™ค๐™ก๐™ก๐™ฎ ๐™’๐™ž๐™ก๐™™

    Charles speaks honestly about the overrated and the underrated.


    Itโ€™s out! Finally, the wait is over! We have all been longing for this for 6 years. The brand new album by Adele: โ€œ30โ€!!!


    (more…)