Connolly’s Corner

  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Let You Go – Billy Lowry

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Let You Go – Billy Lowry

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™‡๐™š๐™ฉ ๐™”๐™ค๐™ช ๐™‚๐™ค – ๐˜ฝ๐™ž๐™ก๐™ก๐™ฎ ๐™‡๐™ค๐™ฌ๐™ง๐™ฎ


    Charles something something (for want of a better something)โ€ฆ

    Another week, another review. Another plod through the same old words in a different order. Sorry to put you all through this ordeal every week. I suppose it could be worse. Death is worse. Yeah, my reviews/articles/musings are better than death. There we go! And who says Iโ€™m not a positive optimist?? As opposed to the negative varietyโ€ฆ The Easter weekend left me with good vibes. It treated me to family I have not seen in over two years. It also treated me to something else I have not experienced in quite a while. A hangover. This ghastly, heavy, HEAVY feeling. I have tried the English cure of โ€œPlink, plink, fizzโ€, and I have also tried the American cure of โ€œPlop, plop, fizz, fizzโ€. Those who know, know. Those who donโ€™t: accept your fortunate lack of pointless knowledge and move on. My brain, however is chock-full of pointless knowledge. Nothing useful whatsoever. I think to an extent, it is what makes me, me. I may have listened to a LOT of songs over the years, and I may ADORE music in general, but I am far from any kind of trained music theorist. There is probably a better term, but like I say – I know nothing useful. Who wants to read that kind of in-depth jargon anyway? It would bore the panties off me. And so I turn to imagination. Usually, anyway. Today, My imagination is snoozing. Deeply. Where it is normally a lithium-charged sparkler, right now it is little more than a twitching twig close to decomposition. I am useless to you now. Lobotomies are us!


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Lifeboats – Eleanor Collides

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Lifeboats – Eleanor Collides

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™‡๐™ž๐™›๐™š๐™—๐™ค๐™–๐™ฉ๐™จ – ๐™€๐™ก๐™š๐™–๐™ฃ๐™ค๐™ง ๐˜พ๐™ค๐™ก๐™ก๐™ž๐™™๐™š๐™จ


    Charles goes on a day-dayโ€ฆ


    The focus of late has been on England. Okay, Britain, if you wish. All right then, the Ewe Kay. The Far West of Europeโ€ฆ? Call it what you will, it has been in the press and on the tongues of most, this past week or so. Due of course, to the nature of all things royal. Yesterday gave me such immense pride. It was a sombre and unbelievably moving affair. A day to remember for the rest of time. Truly a fine end to a fine era, on a scale never witnessed before. For more crownly thoughts, have a read of last weekโ€™s review, here. For now, though, I would like not to run away from England quite yet. I wish to go back to a time when the Queen still reigned. Or more precisely, Saturday the 6th of August.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Information Age – Stevie Boyes

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Information Age – Stevie Boyes

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™„๐™ฃ๐™›๐™ค๐™ง๐™ข๐™–๐™ฉ๐™ž๐™ค๐™ฃ ๐˜ผ๐™œ๐™š – ๐™Ž๐™ฉ๐™š๐™ซ๐™ž๐™š ๐˜ฝ๐™ค๐™ฎ๐™š๐™จ


    Charles urges you to stop ITโ€ฆ


    Despite the title of this song and article, I will NOT be talking about HAL (my name for A.I.). The topic of HAL is a dull one because HAL-generated music is a dull thing released by dull, unimaginative pretenders. Now on to something more fun.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Lights Out – Bernice Marsala

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Lights Out – Bernice Marsala

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™‡๐™ž๐™œ๐™๐™ฉ๐™จ ๐™Š๐™ช๐™ฉ – ๐˜ฝ๐™š๐™ง๐™ฃ๐™ž๐™˜๐™š ๐™ˆ๐™–๐™ง๐™จ๐™–๐™ก๐™–


    Charles switches off and on againโ€ฆ


    The dreaded “spooky” edition. How rare is it that review day falls exactly on an international celebration day…? What a treat! Shame I don’t really celebrate it or care about it in the slightest. I mean, pumpkins? Really?? Buying a mahusive orange fruit (or vegetable, some would argue), then gutting its innards, to leave only the inedible part (as if the rest was edible). Pumpkin pie, indeed. Well I suppose it’s ONE way of using the remains of the botched operation. I would suggest the bin might be the best place for it however. But if you want to waste more time in making it look appetising, that’s your funeral. Funerals being a popular theme for the day. Weirdly. I mean, aside from ancient tribal times, when else would we celebrate death?? Graveyards go from eerie silence to eerie spectacles. The place to be!! The goths come out to play. The only time they feel comfortable in showing their faces. But one scary shock too many and they might be showing their faeces. You see, it’s SUPPOSED to be scary. And what’s more scary than a load of kids turning up at your front door, making demands of blackmail? Give us sweets now, or we’ll egg your entire house. So Haribo’s sales skyrocket. Especially the extra sour ones. Ever tried dousing them with vinegar? That’ll teach those pesky kids. But beware the backlashโ€ฆ


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Interlude – Sixth Floor Memories

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Interlude – Sixth Floor Memories

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™„๐™ฃ๐™ฉ๐™š๐™ง๐™ก๐™ช๐™™๐™š – ๐™Ž๐™ž๐™ญ๐™ฉ๐™ ๐™๐™ก๐™ค๐™ค๐™ง ๐™ˆ๐™š๐™ข๐™ค๐™ง๐™ž๐™š๐™จ


    Charles finds a nook in time, and rounds off the year in headphones.

    I hope you all simply had a wonderful Christmas time. Now that Santa is back home in his bed for a well earned annus somno (year of kip), the rest of us are all wide eyed (or not so) and twiddling thumbs. But we are allowed to do so without even a smidge of guilt. Christmas has passed and the New Year has yet to come. We are in a unique time of year. In limbo, even. It is neither one thing nor the other. An interlude, if you will. But it is not to be frittered – although frittering can still be done, if that is what you choose to do. This time of year is sort of how everything resolves. Time to take stock and reflect on the yearโ€™s happenings, or non-happenings. Have you been a good child? Have you been honest? Have you remained innocent? This ongoing โ€œbad airโ€ has somewhat soured things (again, or still), but we mustnโ€™t let it take over our lives. We must find a natural impetus and push through to the other side. Turning a negative into a positive, as they say.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Into the Wilderness – J.H.M

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Into the Wilderness – J.H.M

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™„๐™ฃ๐™ฉ๐™ค ๐™ฉ๐™๐™š ๐™’๐™ž๐™ก๐™™๐™š๐™ง๐™ฃ๐™š๐™จ๐™จ – ๐™….๐™ƒ.๐™ˆ


    Charles quotes the Bard: โ€œFriends, Romans, countrymen, lend me your earsโ€.


    Letโ€™s think back to the time and place of Ancient Rome. I know this was a while ago, so your memory might be a little hazy. Let me therefore help you. I, of course, am the town jester – or balatrone, as it was called back then – (I would be, wouldnโ€™t Iโ€ฆ!). The great erections (no tittering, please) are high and mighty. Their magnificent columns support the ever-perfect balance of the Classical pediment. The sun blazes down on the scene, just as it does to this day. Statues line the streets and avenues – the Roman roads. A new democratic way of thinking is underway. The great Caesar is lauded and hailed as a mighty general. He eventually went power mad, became a dictator – never a good thing in a democratic republic – and was swiftly murdered โ€œby his own peopleโ€. What a way to go! His good old friend, Mark Antony, tried to set Rome to rights and seek revenge on the culprits. He in turn, went slightly mad and fell into the hands of love, eventually murdering himself. What a way to go! In my eyes, I think anyone who ever does anything, is foolish. Best to stay out of trouble. These Romans were seemingly rather queer folk. However, we deify these unusual cats, much like we do in more modern times. Caesar is a heavyweight of his day, like Charlie Chaplin and The Beatles are of theirs. These โ€œgodsโ€ are and will be immortalised for centuries and maybe even millennia. These are the great pillars supporting our perfectly imbalanced yet vital history.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Invisible Girl – Vix 20

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Invisible Girl – Vix 20

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™„๐™ฃ๐™ซ๐™ž๐™จ๐™ž๐™—๐™ก๐™š ๐™‚๐™ž๐™ง๐™ก – ๐™‘๐™ž๐™ญ 20


    Charles goes wirelessโ€ฆ


    I am speaking to you through a website. I am not with you in person. Or AM Iโ€ฆ? No. I am not – your paranoia can rest easy for now. My words are not printed in a newspaper or magazine. You cannot see me, you cannot hear me. If youโ€™ve got this far, your literacy skills are probably beyond the average these days. If it were not for a humble internet connection, I could not be with you now. So I AM with youโ€ฆ? No, not in person. I saw you looking over your shoulderโ€ฆ The internet has brought us rather a lot of good things. It has also brought us a rather large chunk of bad things. But we wonโ€™t be going into those, because, well, why sully the tone? We always look back on โ€œthe good old daysโ€ with such fondness and many of us resent the newer eras that stomp their loud shoes with increasing frequency, but for the most part modernity has done a lot of good. It has mainly brought choice to the fore. We used to watch television. Many still do, but maybe as a sideline to the many YouTube videos and Netflix shows that see us through life. We can now choose what we want to watch, and when we want to watch it. In terms of YouTube, we can go into detail like never before. It almost feels tailored towards each of us, because various clever โ€œalgorithmsโ€ make it so. Before the internet we had newspapers and magazines. We had television. But what was before television? Well, something that truly brought the world together. In a way, the earliest version of the internet. Something that gave us news, โ€œtalk showsโ€, interviews, plays, music and more. Most of this was live, and if oneโ€™s reception was good enough, one could โ€œtune inโ€ to many different areas of the world. Youโ€™ve probably guessed by now: radio. SO simple compared to what we have these days, but in a way, very similar.

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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Irrelevant – Bernice Marsala

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Irrelevant – Bernice Marsala

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™„๐™ง๐™ง๐™š๐™ก๐™š๐™ซ๐™–๐™ฃ๐™ฉ – ๐˜ฝ๐™š๐™ง๐™ฃ๐™ž๐™˜๐™š ๐™ˆ๐™–๐™ง๐™จ๐™–๐™ก๐™–


    Charles sees the relevance in longevityโ€ฆ


    The fun and games are over. Well, the games are over. The Olympics is done for another 4 years. The fun continues however, for we are still alive. Who were YOU rooting for? No doubt your own country. The only bit of the tournament I actually watched was the volleyball. Because Great Britain was playing? Nope. Because Poland was playing. My girlfriend is Polish and she wanted to see it. I suffered the ordeal for a minute or two, before realising that I was actually really enjoying it! Poland ended up with a shiny silver medal, by the way. Not bad at all! The pesky French got the gold. Huh! Zut. But you know what was missing in the Olympics? Cricket. Cricket, which hasn’t been part of the Olympics since 1900. In fact, 1900 was the only year it was ever included! Why? Apparently lack of participation… Bit weird, but okay. The good news is, it is due to make a grand comeback in the 2028 L.A. Olympics! Which is perfect timing because this week I scored a double century! The problem being, itโ€™s just not cricket!


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Itโ€™s Over (feat Jessica Mia) – Jane Marie

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Itโ€™s Over (feat Jessica Mia) – Jane Marie

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™„๐™ฉโ€™๐™จ ๐™Š๐™ซ๐™š๐™ง (๐™›๐™š๐™–๐™ฉ ๐™…๐™š๐™จ๐™จ๐™ž๐™˜๐™– ๐™ˆ๐™ž๐™–) – ๐™…๐™–๐™ฃ๐™š ๐™ˆ๐™–๐™ง๐™ž๐™š


    Charles waxes lyricalโ€ฆ


    Tact is a funny one, isnโ€™t it. Itโ€™s a tricky bugger. Some people have it, and some people donโ€™t. It involves quick decision making. It involves empathy. A โ€œput yourself in their shoesโ€ moment. Say for example, if someone has gone through a traumatic experience (and continues to do so), what do you say? What words do you use? Do you say the usual politician/celebrity line: โ€œMy deepest condolences to the family and friends ofโ€ฆโ€? Do you ignore them all together, with the excuse of โ€œI just wanted to give you spaceโ€, but in fact you were simply stuck for what to say? Do you speak to them as though nothing has happened, in the hope that this will cheer them up and take their mind off things? Do you stay deadly serious? Do you joke? I personally probably do a mixture of all of these things. But the one thing I definitely DONโ€™T do, is imagine that everyone is the same, and that every saddening experience is carbon copy of the last one you heard about. Each instance needs to be addressed uniquely and personally. If you donโ€™t really know the person well at all, itโ€™s probably best to say nothing. Cold, empty sympathy from a relative stranger can do little for the person involved. But this is the thing. These days with half our world conducted over the internet, who is to say the true meaning of โ€œfriendโ€ or โ€œstrangerโ€โ€ฆ? With the written word, one has to try harder in order to portray what one really means or feels. In real life, just one look of โ€œI got youโ€ (eurghh) and a hug can suffice. But in messages, things can look so cold and automatic. I think this must be why I write the way I write. Some might try to emulate who they are by the way they string words together in text. But because I write so much these days, I think I am becoming more like I write. Rather than the words portraying the personality, the personality is becoming the words! And I donโ€™t mind a bit. Iโ€™ve become a better person for it. I think more. I am kinder. I am calmer. I give things a chance to sink in before blurting out an ill-judged response.


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  • ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Jekyll & Hyde – Teddy Head

    ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ – this week: Jekyll & Hyde – Teddy Head

    Welcome all to ๐—–๐—ผ๐—ป๐—ป๐—ผ๐—น๐—น๐˜†โ€™๐˜€ ๐—–๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฟ, a series of weekly reviews by Charles Connolly – an artist in his own right. Here, Charles delves into the greatest brand new singles brought to you by the best unsigned artists on our electrifying and eclectic set of ๐™‰๐™š๐™ฌ ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ playlists.


    ๐™…๐™š๐™ ๐™ฎ๐™ก๐™ก & ๐™ƒ๐™ฎ๐™™๐™š – ๐™๐™š๐™™๐™™๐™ฎ ๐™ƒ๐™š๐™–๐™™


    Charles is two in oneโ€ฆ


    Time for another lovely review of a pretty little ditty. For that is what CC likes to listen to. Perfect, pleasing pop. Rounded, retro relevance. Sombre, soothing strings. Thatโ€™s my peach in a nutshell, no? Well, I do like all these things, it canโ€™t be denied. But my musical tastes are rather more varied than you probably realise. The difficulty arises in quality and in mood. Some other genres I rarely talk about here are often not of the highest quality, when they simply NEED to be. But the main reason is mood. I am rarely in the mood for a lot of genres. Take electronic music, for example. These days it is very seldom that I feel the pang for electronic music. But when I get that craving, there is nothing like sticking on a bit of Disclosure to sate my needs. Nothing else wires my brain the way it wishes to be wired. Iโ€™d say it gets me moving, but itโ€™s more of an embarrassing head jolt if someoneโ€™s around. And if no oneโ€™s around, itโ€™s like my whole body is a mercury spasm. Floppy erraticism. Like David Byrne on opium. Probably. I have reviewed a few electronic pieces over the years, but itโ€™s not that common because Iโ€™m rarely in the mood, or itโ€™s not been made that well. The big shame about my musical taste is that I will probably never review hard rock or metalโ€ฆ



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